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This uniquely ambitious history offers an account of all aspects of cultural activity and production throughout the world of Latin Christendom 1200-1450. Beginning with a detailed description of the political and economic circumstances that allowed the 'Gothic Moment' to flourish, the body of the book is both a celebration of the Gothic cultural achievement - in cathedral-building, in manuscript illumination, in chivalric love-romance, in stained glass and in many other arts - and an investigation of its social origins and systems of production.
This uniquely ambitious history offers an account of all aspects of cultural activity and production throughout the world of Latin Christendom 1200-1450. Beginning with a detailed description of the political and economic circumstances that allowed the 'Gothic Moment' to flourish, the body of the book is both a celebration of the Gothic cultural achievement - in cathedral-building, in manuscript illumination, in chivalric love-romance, in stained glass and in many other arts - and an investigation of its social origins and systems of production.
The Goths are truly a “lost civilization.” Sweeping down from the north, ancient Gothic tribes sacked the imperial city of Rome and set in motion the decline and fall of the western Roman empire. Ostrogothic and Visigothic kings ruled over Italy and Spain, dominating early medieval Europe. Yet after the last Gothic kingdom fell more than a thousand years ago, the Goths disappeared as an independent people. Over the centuries that followed, as traces of Gothic civilization vanished, its people came to be remembered as both barbaric destroyers and heroic champions of liberty. In this engaging history, David M. Gwynn brings together the interwoven stories of the original Goths and the diverse Gothic heritage, a heritage that continues to shape our modern world. From the ancient migrations to contemporary Goth culture, through debates over democratic freedom and European nationalism, and drawing on writers from Shakespeare to Bram Stoker, Gwynn explores the ever-widening gulf between the Goths of history and the popular imagination. Historians, students of architecture and literature, and general readers alike will learn something new about this great lost civilization.
English Gothic Misericord Carvings: History from the Bottom Up by Betsy Chunko-Dominguez is the first book to move beyond textual dependence and traditional iconographic analysis when examining misericords. It likewise builds the most thorough discussion to date of the relationship between the misericord’s several potential audiences – including patron, craftsman, occupant of the seat, and modern viewer. Beyond the bounds of misericord studies, there are implications here for study of the relationship between center and margin in late medieval art; and, indeed, what constitutes ‘center’ and ‘margin’ as conceptual realms. Ultimately, this book attempts both to re-integrate the study of misericords into the study of Gothic art in general, and to re-center them in relation to our understanding of late medieval culture.
'My revenge is just begun! I spread it over centuries, and time is on my side,' warns Dracula. This statement is descriptive of the Gothic genre. Like the Count, the Gothic encompasses and has manifested itself in many forms. Bram Stoker and the Gothic demonstrates how Dracula marks a key moment in the transformation of the Gothic. Harking back to early Gothic's preoccupation with the supernatural, decayed aristocracy and incarceration in gloomy castles, the novel speaks to its own time, but has also transformed the genre, a revitalization that continues to sustain the Gothic today. This collection explores the formations of the Gothic, the relationship between Stoker's work and some of his Gothic predecessors, such as Poe and Wollstonecraft, presents new readings of Stoker's fiction and probes the influences of his cultural circle, before concluding by examining aspects of Gothic transformation from Daphne du Maurier to Stoker's own 'reincarnation' in fiction and biography. Bram Stoker and the Gothic testifies to Stoker's centrality to the Gothic genre. Like Dracula, Stoker's 'revenge' shows no sign of abating.
This revised new edition of The Handbook of the Gothic contains over one hundred entries on Gothic writers, themes, terms, concepts, contexts and locations, featuring new entries on writers including Stephen King and Wilkie Collins, new genres and a new Preface which situates the handbook within current studies of the Gothic.
Cross the threshold into the world of the High Middle Ages and explore the illuminating wisdom, beauty and art of the Gothic cathedrals, stunning wonders of the medieval era for all to see today. From bejewelled stained glass windows to a pilgrimage “on the road” to Compostela, the wonders of Gothic architecture continue to inspire many worldwide. From the 12th century, the Gothic architectural style continued to spread throughout Europe. Highly-regarded medievalist Dr. Karen Ralls explores the legacy of this exquisite architectural period, whose artistic beauty and expert craftsmanship have served for centuries to inspire feelings of spiritual reverence and aesthetic wonder. She details the relationship between architecture, geometry, and music; explores the concept of the labyrinth; pilgrimage; Black Madonnas; astronomical calculations in the design and location of cathedrals; stone and wood carvings; gargoyles; the teachings of Pythagoras and the later Neo-Platonists, and more. For the general reader and specialist alike, Dr. Ralls guides the reader through the history, places, art, and symbolism of these unique "books in stone", providing a lively portal and solid resource for all. Lavishly illustrated with color photographs, a recommended reading section, lists of the major European cathedral sites and a full Bibliography, Gothic Cathedrals is a fascinating showcase of the mystic and spiritual symbolism found in these great structures of Europe, information that will help modern readers visit these sites and share in the energy of the sacred they continue to radiate.
With Italy at its centre, but encompassing the whole of Renaissance Europe, this evocative history challenges some of the popularly-held views on the Renaissance period. In particular, whilst always acknowledging the brilliance and exhuberance of Renaissance culture, Robin Kirkpatrick draws equal attention to the strangeness and often unresolved tensions that lay beneath the surface of that culture.Insisting on a European rather than purely Italian viewpoint, he embraces Renaissance thinking and culture in all its diversity: from Northern thinkers such as Cusanus, Luther and Calvin, to the painting of Van der Weyden and El Greco, and the music of the Flemish musicians, Josquin des Prez and Orlando Lassus. Special attention is also paid to the unique contribution made by Margueritte of Navarre to the development of humanist culture. The book concludes with a study of Shakespeare in which his plays are viewed as a searching critique of some of the main principles of Renaissance culture.
This is an introduction to Gothic sculpture from Northern Europe. It contains a detailed catalogue of 56 pieces in the Victoria and Albert Museum which range in date from 1200 to 1450. There are sections on the types and settings of Gothic sculpture, and the materials and working methods used.