[PDF] Giovanni Pierluigi Da Palestrina C1525 1594 eBook
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Rachel Lauren presents her biography of the Italian composer Giovanni Pierluigi da Palestrina (c.1525-1594). The composer wrote masses, motets, madrigals, and other sacred works. Palestrina worked as an organist and choirmaster for various churches throughout Italy, including the position created for Palestrina, Composer of the Papal Chapel, which he gained in 1571.
First Published in 2002. This guide introduces students and scholars to the literature on Palestrina as well as the complicated history of the publication of his works. This bibliography is divided into four primary sections: historical background on musical, social, and cultural life; biographical literature; studies of sources, music, and style; and reception history. They are divided roughly into the periods dating from Palestrina's lifetime to about 1750; from about 1750 to about 1914; from 1914 to the present. This title also contains historical research on performance conditions and practices as they would have applied in Palestrina's time.
Steven G. Estrella offers information about the works of the Italian composer Giovanni Pierluigi da Palestrina (c.1525-1594). The information is provided as part of Dr. Estrella's Incredibly Abridged Dictionary of Composers. Palestrina composed sacred music, motets, madrigals, and other vocal works. A list of Palestrina's major works and a bibliography on the composer are available. Links to other related Web sites are offered.
Explore the "Italian Renaissance" through the lens of political science in this insightful book. Uncover how this era sparked significant political changes, laying the groundwork for modern governance. Ideal for professionals, students, and enthusiasts, it provides in-depth knowledge of one of history's most influential periods. Chapters Overview: 1. Italian Renaissance: A cultural and political rebirth that reshaped European thought. 2. Florence: The political heart of the Renaissance, led by the influential Medici family. 3. Renaissance: The cultural and political impact across Italy. 4. Renaissance Architecture: How architecture mirrored political power. 5. Giorgio Vasari: His role in documenting the Renaissance's political aspects. 6. Cosimo de' Medici: His strategies shaped Florentine politics. 7. Republic of Florence: The dynamics of Florence as a Renaissance republic. 8. Renaissance Art: Art as a political tool reflecting rulership and humanism. 9. Florence Baptistery: The political symbolism in Florence's architecture. 10. Italian Art: The evolution of art as political propaganda. 11. History of Florence: Florence's political history, from republicanism to Medici rule. 12. Music of Florence: Music's political role in civic life. 13. John Argyropoulos: Byzantium's influence on Renaissance humanism. 14. Museo Nazionale di San Marco: The museum's preservation of Renaissance political legacy. 15. Florentine Painting: Depictions of political power in art. 16. Italian Renaissance Painting: Trends reflecting political patronage. 17. Tuscany: Tuscany's influence as a political and cultural hub. 18. Italophilia: European admiration for Italian culture and its political impact. 19. Renaissance Articles Index: A detailed index for deeper exploration. 20. Italo-Byzantine: Byzantine influences on Renaissance art and politics. 21. Renaissance Sculpture: Sculpture as a medium for political expression. Immerse yourself in the political and cultural innovations of the Italian Renaissance, from Florence's power corridors to Rome's intellectual salons. This book offers a compelling journey through one of history's defining eras.
Author : Raymond F. Glover Publisher : Church Publishing, Inc. Page : 792 pages File Size : 29,11 MB Release : 1990 Category : Music ISBN : 9780898691436
The complete four-volume set includes major essays and relevant discussions of the musical forms in The Hymnal 1982 which cover such topics as popular religious song, cultural diversity, the relationship between The Hymnal 1982 and the liturgies of The Book of Common Prayer, the development of service music in the Episcopal Church, hymn forms, and a brief history of Christian hymnody in the United States and Britain. In addition, complete information is given on all hymns and service music which includes the sources of text and music as well as biographical and technical facts. (2,949 pp)
Gateways to Understanding Music, Second Edition, explores music in all the categories that constitute contemporary musical experience: European classical, popular, jazz, and world music. Covering the oldest forms of human music making to the newest, this chronology presents music from a global rather than a Eurocentric perspective. Each of 60 "gateways" addresses a particular genre, style, or period of music. Every gateway opens with a guided listening example that unlocks a world of music through careful study of its structural elements. How did the piece come to be composed or performed? How did it respond to the social and cultural issues at the time, and what does that music mean today? Students learn to listen to, explain, understand, and ultimately value all the music they encounter in their world. New to this edition is a broader selection of musical examples that reflect the values of diversity, equity, and inclusion advocated by North American universities. Eight gateways have been replaced. A timeline of gateways helps students see the book’s historical narrative at a glance. Features Values orientation—Diverse, equitable, and inclusive approach to music history. All genres of music—Presents all music as worthy of study, including classical, world, popular, and jazz. Global scope within a historical narrative—Begins with small-scale forager societies up to the present, with a shifting focus from global to European to American influences. Recurring themes — Aesthetics, emotion, social life, links to culture, politics, economics, and technology. Modular framework—60 gateways—each with a listening example—allow flexibility to organize chronologically or by the seven themes. Consistent structure—With the same step-by-step format, students learn through repeated practice how to listen and how to think about music. Anthology of scores—For those courses that use the textbook in a music history sequence. Gateways to Understanding Music continues to employ a website to host the audio examples and instructor’s resources.
This rare publication continues an exploratory journey in relational biology, a study of biology in terms of the organization of networked connections in living systems. It builds on the author’s two earlier monographs which looked at the epistemology of life and the ontogeny of life. Here the emphasis is on the intangibility of life, that the real nature of living systems is conveyed not by their tangible material basis but by their intangible inherent processes. Relational biology is the approach that hails ‘function dictates structure’; it is mathematics decoded into biological realizations. Therefore, the work begins with a concise introduction to category theory, equiping the reader with the mathematical metalanguage of relation biology. The book is organized around three parts: Part I is a comprehensive study of the most important functor in relational biology, the power set functor. The author lays the set-theoretic foundations of the functorial connections in relational biology, exploring relations, mappings, and set-valued mappings. In Part II, Natural Law receives a new mathematical formulation founded on two axioms: ‘Everything is a set.’ and ‘Every process is a set-valued mapping.’ The reader sees how Metabolism–Repair networks, equipped with set-valued processors, expand their role from models of biological entities to generic models of all natural systems. Part III expounds the various shades of invertibility in general, and the inversion of encoding to decoding in particular. A plethora of mathematical and biological examples illustrate the category-theoretic concepts of equivalence and adjunction. This book's algebraic approach to biological models will appeal to researchers and graduate students in mathematics, biology, and the philosophy of science.
Music Theory and Composition: A Practical Approachpresents a pragmatic, accessible approach to music theory through an emphasis on melody and counterpoint. This focus explains the “why” of musical construction more clearly than the traditional approach of beginning with chords. By starting with a single melodic line and gradually adding voices in counterpoint, the book drills part-writing while simultaneously explaining functionality, first with scale degrees and then with harmony. The text has students learn musical techniques and progressively build on their functions and importance to create their own compositions. With short, digestible chapters, Music Theory and Composition clearly presents otherwise complicated ideas not as strict rules, but as artistic ideals, encouraging the interactive creation of new compositions as a tool for learning. The textbook is versatile and easily customizable, suiting Different skill levels with species counterpoint providing a framework for the beginner while providing an interesting challenge for more experienced students Different curricular schedules with complete exercises in two, three, and four voices, allowing for an optional skip from two voices to four Different pedagogical approaches with species exercises encouraging students to consider harmonic choices and figured bass ensuring functional progressions Instructor Resources: Instructor’s Manual: The Instructor’s Manual includes sample syllabi and student handouts Test Bank: The test bank includes sample tests and answer keys in MS Word format. Student Resources: Companion Website with Downloadable Workbook Sections: http://textbooks.rowman.com/stone Additional Features: complete curriculum for first-year theory courses over 500 musical examples drawn from Common Practice Era compositions as well as more contemporary and popular pieces focus on active composition throughout the text and workbook sections large pop music section to expand student’s application of theory conversational tone to encourage student engagement Designed for first-year college music theory courses, but accessible enough for the interested lay reader or high school student, the text offers a true balance of counterpoint and harmony.
What is Christianity? Who was Jesus Christ? What relevance does Christianity have in a post-Christian age? Why are there so many Christian sects, and what are the prospects for bringing them together? Does Christianity have a future? Am I a Christian? Are you? Christianity: the One, the Many, offers encouraging answers and options for modern spiritual seekers. This second volume focuses on western Christianity from 1000 CE onward. Decline of the medieval church led to the Reformation and emergence of the Lutheran, Calvinist and Anglican Churches. Baptists and Methodists soon followed, and in due course the charismatic movement. The scientific revolution and the Enlightenment challenged Christianitys very foundations and produced innovative religious forms, like Deism and Transcendentalism. Meanwhile, esoteric Christianity has established itself as a further option. A bold new vision is offered that honors the diversity within Christianity as well as a transcendent, unifying reality, the Body of Christ. Seven spiritual paths are identified which offer all sincere Christians opportunities to express personal and collective aspirations. Archetypal in nature, and cutting across denominational boundaries, they are: Devotion, Ceremony, Knowledge, Service, Healing, Activism and Renunciation. The unifying reality is a larger archetype, the Ekklesia, visualized as a great Cathedral into which all are invited to open themselves to the Divine, love their neighbor, humbly seek truth, and work to make the world a better place. A masterpiece of research, insight and faith A must-read for believers and nonbelievers alike. Now I know theres a place in Christianity for me Front cover shows the Church of Our Savior on the Spilled Blood in St. Petersburg, Russia. Photograph courtesy of Helen C. Nash
The issue of the church is one of the most divisive issues in Christendom. In this volume, Professor Fenison restricts his studies to Pre–New Testament and New Testament uses of the Greek term ekklesia. He then evaluates the more modern universal invisible church theory in its relationship to the historical usage of ekklesia and in its relationship to the very fundamental basics of biblical soteriology. In particular, Fenison demonstrates that this post-biblical theory is not inconsistent with regard to the primary consequence of the fall (spiritual death/separation) and its only possible fundamental solution (restoration to spiritual union with God). Fenison argues that ecclesiology was never part of that solution prior to the cross and is no part of that solution after the cross. Fenison totally repudiates church salvation in every form but insists that salvation consists in its most fundamental essence as restoration to spiritual union with God, which is affected by the internalized empowered gospel as the Spirit’s creative Word (2 Cor. 4:6; Jam. 1:18; Pet. 1:23,25) without any relationship to the church or its ordinances in any way, shape, or form.