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Gendering Bodies explains how the social world shapes our physical bodies and how our bodies shape the social world. In this remarkable investigation into contemporary ideas of gender, sociologists Crawley, Foley, and Shehan argue that bodies are constantly being gendered, that is, encouraged to participate in (heterosexual) gender conformity. This engendering influences nutrition practices, work and employment choices, diet, exercise, cosmetic surgery, sexual practices, and training - or lack thereof - in sports and fitness. This is an accessible, yet comprehensive, sociological inquiry into a theory of the gendered body.
Now updated with groundbreaking research, this award-winning classic examines the construction of sexual identity in biology, society, and history. Why do some people prefer heterosexual love while others fancy the same sex? Is sexual identity biologically determined or a product of convention? In this brilliant and provocative book, the acclaimed author of Myths of Gender argues that even the most fundamental knowledge about sex is shaped by the culture in which scientific knowledge is produced. Drawing on astonishing real-life cases and a probing analysis of centuries of scientific research, Fausto-Sterling demonstrates how scientists have historically politicized the body. In lively and impassioned prose, she breaks down three key dualisms -- sex/gender, nature/nurture, and real/constructed -- and asserts that individuals born as mixtures of male and female exist as one of five natural human variants and, as such, should not be forced to compromise their differences to fit a flawed societal definition of normality.
Original and theoretically astute, Abstract Bodies is the first book to apply the interdisciplinary field of transgender studies to the discipline of art history. It recasts debates around abstraction and figuration in 1960s art through a discussion of gender’s mutability and multiplicity. In that decade, sculpture purged representation and figuration but continued to explore the human as an implicit reference. Even as the statue and the figure were left behind, artists and critics asked how the human, and particularly gender and sexuality, related to abstract sculptural objects that refused the human form. This book examines abstract sculpture in the 1960s that came to propose unconventional and open accounts of bodies, persons, and genders. Drawing on transgender and queer theory, David J. Getsy offers innovative and archivally rich new interpretations of artworks by and critical writing about four major artists—Dan Flavin (1933–1996), Nancy Grossman (b. 1940), John Chamberlain (1927–2011), and David Smith (1906–1965). Abstract Bodies makes a case for abstraction as a resource in reconsidering gender’s multiple capacities and offers an ambitious contribution to this burgeoning interdisciplinary field.
Gendered Bodies introduces readers to women's visual art in contemporary China by examining how the visual process of gendering reshapes understandings of historiography, sexuality, pain, and space. When artists take the body as the subject of female experience and the medium of aesthetic experiment, they reveal a wealth of noncanonical approaches to art. The insertion of women's narratives into Chinese art history rewrites a historiography that has denied legitimacy to the woman artist. The gendering of sexuality reveals that the female body incites pleasure in women themselves, reversing the dynamic from woman as desired object to woman as desiring subject. The gendering of pain demonstrates that for those haunted by the sociopolitical past, the body can articulate traumatic memories and psychological torment. The gendering of space transforms the female body into an emblem of landscape devastation, remaps ruin aesthetics, and extends the politics of gender identity into cyberspace and virtual reality. The work presents a critical review of women's art in contemporary China in relation to art traditions, classical and contemporary. Inscribing the female body into art generates not only visual experimentation, but also interaction between local art/cultural production and global perception. While artists may seek inspiration and exhibition space abroad, they often reject the (Western) label "feminist artist." An extensive analysis of artworks and artists—both well- and little-known—provides readers with discursively persuasive and visually provocative evidence. Gendered Bodies follows an interdisciplinary approach that general readers as well as scholars will find inspired and inspiring.
In this Very Short Introduction Chris Shilling considers the social significance of the human body, and the importance of the body to individual and collective identities. He examines how bodies not only shape but are shaped by the social, cultural, and material contexts in which humans live.
Despite all efforts to promote change, power and authority still seem to be permanently associated with the white, the straight and the masculine, both symbolically and in the everyday world of organizations. This collection proposes a transdisciplinary feminist perspective to explore the complex nature of the gendered politics of organizations.
As part of the emerging new research on civic innovation, this book explores how sexual politics and gender relations play out in feminist struggles around body politics in Brazil, Colombia, India, Iran, Mexico, Nepal, Turkey, Nicaragua, as well as in East Africa, Latin America and global institutions and networks. From diverse disciplinary perspectives, the book looks at how feminists are engaged in a complex struggle for democratic power in a neoliberal age and at how resistance is integral to possibilities for change. In making visible resistances to dominant economic and social policies, the book highlights how such struggles are both gendered and gendering bodies. The chapters explore struggles for healthy environments, sexual health and reproductive rights, access to abortion, an end to gender-based violence, the human rights of LGBTIQA persons, the recognition of indigenous territories and all peoples’ rights to care, love and work freely. The book sets out the violence, hopes, contradictions and ways forward in these civic innovations, resistances and connections across the globe.
In this unique approach to the field of body studies, author, scholar, and educator Victoria Kannen explores what it means to exist in a body that is constantly on display and subjected to public scrutiny. Kannen examines the interplay of many ways our bodies express identity, such as gender, race, body size, sexuality, disability, body modification, and age, and how public scrutiny of those expressions can impact our public and private selves. Intertwining personal narratives of self-identified “odd and awed” women with theoretical chapters that help to elucidate the role of social power, this volume tackles the stares, comments, and questions that are directed towards bodies in public space through original research, personal narratives, and artistic expression. As readers encounter the narratives and images throughout the book, they will be supported by scholarly chapters on embodiment, identity, resistance, and power to help analyze, reflect on, and critically engage with the content. Through stories, theory, and art, this timely new resource will engage students and scholars of women’s and gender studies, sociology, critical disability studies, and body studies. FEATURES: - Offers a unique understanding of interpretation and what it means to have a body that causes curiosity, discrimination, and lifelong interactions - Accessible and engaging for students and scholars, as well as those outside of academia - Provides creative and non-traditional opportunities for critical engagement with various embodiments
This book focuses on key themes that reveal how gendered relations, ideologies, and practices shape human bodies. At the same time, it shows how human bodies are linked to other significant axes of inequality based on racial ethnic group, disability, sexuality, class, culture, religion, age, and nation. This second edition incorporates sixteen new selections on such topics as evolution and motherhood; breastfeeding; breast cancer; the effects of height on men; job discrimination and transgendered people; world champion runner Caster Semenya and sex verification; disability, gender, and embodiment; and Palestinian female suicide bombers.