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For centuries seafaring people thought that the presence of women on board would mean bad luck: rough weather, shipwreck, and other disasters were sure to follow. Because of these beliefs and prejudices women were supposedly excluded from the maritime domain. In the field of maritime history too, the ship and the sea have predominantly been perceived as a space for men. This volume of the Yearbook of Women’s History challenges these notions. It asks: to what extent were the sea and the ship ever male-dominated and masculine spaces? How have women been part of seafaring communities, maritime undertakings, and maritime culture? How did gender notions impact life on board and vice versa? From a multidisciplinary perspective, this volume moves from Indonesia to the Faroe Islands, from the Mediterranean to Newfoundland; bringing to light the presence of women and the workings of gender on sailing, whaling, steam, cruise, passenger, pirate, and navy ships. As a whole it demonstrates the diversity and the agency of women at sea from ancient times to the present day.
Gender and the Law of the Sea successfully establishes the relevance of gender at sea and posits that feminist perspectives can help develop a more inclusive law for the oceans.
THE NEW YORK TIMES BESTSELLER “A mesmerizing new historical novel” (O, The Oprah Magazine) from Lisa See, the bestselling author of The Tea Girl of Hummingbird Lane, about female friendship and devastating family secrets on a small Korean island. Mi-ja and Young-sook, two girls living on the Korean island of Jeju, are best friends who come from very different backgrounds. When they are old enough, they begin working in the sea with their village’s all-female diving collective, led by Young-sook’s mother. As the girls take up their positions as baby divers, they know they are beginning a life of excitement and responsibility—but also danger. Despite their love for each other, Mi-ja and Young-sook find it impossible to ignore their differences. The Island of Sea Women takes place over many decades, beginning during a period of Japanese colonialism in the 1930s and 1940s, followed by World War II, the Korean War, through the era of cell phones and wet suits for the women divers. Throughout this time, the residents of Jeju find themselves caught between warring empires. Mi-ja is the daughter of a Japanese collaborator. Young-sook was born into a long line of haenyeo and will inherit her mother’s position leading the divers in their village. Little do the two friends know that forces outside their control will push their friendship to the breaking point. “This vivid…thoughtful and empathetic” novel (The New York Times Book Review) illuminates a world turned upside down, one where the women are in charge and the men take care of the children. “A wonderful ode to a truly singular group of women” (Publishers Weekly), The Island of Sea Women is a “beautiful story…about the endurance of friendship when it’s pushed to its limits, and you…will love it” (Cosmopolitan).
In Horizon, Sea, Sound: Caribbean and African Women’s Cultural Critiques of Nation, Andrea Davis imagines new reciprocal relationships beyond the competitive forms of belonging suggested by the nation-state. The book employs the tropes of horizon, sea, and sound as a critique of nation-state discourses and formations, including multicultural citizenship, racial capitalism, settler colonialism, and the hierarchical nuclear family. Drawing on Tina Campt’s discussion of Black feminist futurity, Davis offers the concept future now, which is both central to Black freedom and a joint social justice project that rejects existing structures of white supremacy. Calling for new affiliations of community among Black, Indigenous, and other racialized women, and offering new reflections on the relationship between the Caribbean and Canada, she articulates a diaspora poetics that privileges our shared humanity. In advancing these claims, Davis turns to the expressive cultures (novels, poetry, theater, and music) of Caribbean and African women artists in Canada, including work by Dionne Brand, M. NourbeSe Philip, Esi Edugyan, Ramabai Espinet, Nalo Hopkinson, Amai Kuda, and Djanet Sears. Davis considers the ways in which the diasporic characters these artists create redraw the boundaries of their horizons, invoke the fluid histories of the Caribbean Sea to overcome the brutalization of plantation histories, use sound to enter and reenter archives, and shapeshift to survive in the face of conquest. The book will interest readers of literary and cultural studies, critical race theories, and Black diasporic studies.
Author : Margaret Willson Publisher : University of Washington Press Page : 311 pages File Size : 31,3 MB Release : 2016-04-01 Category : History ISBN : 0295806478
Finalist for the 2017 Washington State Book Award in General Nonfiction / History The plaque said this was the winter fishing hut of Thurídur Einarsdóttir, one of Iceland's greatest fishing captains, and that she lived from 1777 to 1863. "Wait," anthropologist and former seawoman Margaret Willson said. "She??" So began a quest. Were there more Icelandic seawomen? Most Icelanders said no, and, after all, in most parts of the world fishing is considered a male profession. What could she expect in Iceland? She found a surprise. This book is a glimpse into the lives of vibrant women who have braved the sea for centuries. Their accounts include the excitement, accidents, trials, and tribulations of fishing in Iceland from the historic times of small open rowboats to today's high-tech fisheries. Based on extensive historical and field research, Seawomen of Iceland allows the seawomen's voices to speak directly with strength, intelligence, and - above all - a knowledge of how to survive. This engaging ethnographic narrative will intrigue both general and academic readers interested in maritime culture, the anthropology of work, Nordic life, and gender studies.
Investigating and reimagining the origin story of the sex doll through the tale of the sailor’s dames de voyage. The sex doll and its high-tech counterpart the sex robot have gone mainstream, as both the object of consumer desire and the subject of academic study. But sex dolls, and sexual technology in general, are nothing new. Sex dolls have been around for centuries. In Sex Dolls at Sea, Bo Ruberg explores the origin story of the sex doll, investigating its cultural implications and considering who has been marginalized and who has been privileged in the narrative. Ruberg examines the generally accepted story that the first sex dolls were dames de voyage, rudimentary figures made of cloth and leather scraps by European sailors on long, lonely ocean voyages in centuries past. In search of supporting evidence for the lonesome sailor sex doll theory, Ruberg uncovers the real history of the sex doll. The earliest commercial sex dolls were not the dames de voyage but the femmes en caoutchouc: “women” made of inflatable vulcanized rubber, beginning in the late nineteenth century. Interrogating the sailor sex doll origin story, Ruberg finds beneath the surface a web of issues relating to gender, sexuality, race, and colonialism. What has been lost in the history of the sex doll and other sex tech, Ruberg tells us, are the stories of the sex workers, women, queer people, and people of color whose lives have been bound up with these technologies.
In the magical time between night and day, when both the sun and the moon are in the sky, a child is born in a little blue house on a hill. And Miu Lan is not just any child, but one who can change into any shape they can imagine. The only problem is they can't decide what to be: A boy or a girl? A bird or a fish? A flower or a shooting star? At school, though, they must endure inquisitive looks and difficult questions from the other children, and they have trouble finding friends who will accept them for who they are. But they find comfort in the loving arms of their mother, who always offers them the same loving refrain: "whatever you dream of / i believe you can be / from the stars in the sky to the fish in the sea." In this captivating, beautifully imagined picture book about gender, identity, and the acceptance of the differences between us, Miu Lan faces many questions about who they are and who they may be. But one thing's for sure: no matter what this child becomes, their mother will love them just the same. Kai Cheng Thom is a writer, performance artist, and psychotherapist in Toronto. Her first poetry book, a Place Called No Homeland, was published in 2017. Kai Yun Ching is a community-based organizer, educator, and illustrator in Montreal. Wai-Yant Li is a ceramics artist and illustrator in Montreal.
Most times left solely within the confine of plantation narratives, slavery was far from a land-based phenomenon. This book reveals for the first time how it took critical shape at sea. Expanding the gaze even more deeply, the book centers how the oceanic transport of human cargoes--infamously known as the Middle Passage--comprised a violently regulated process foundational to the institution of bondage. Sowande' Mustakeem's groundbreaking study goes inside the Atlantic slave trade to explore the social conditions and human costs embedded in the world of maritime slavery. Mining ship logs, records and personal documents, Mustakeem teases out the social histories produced between those on traveling ships: slaves, captains, sailors, and surgeons. As she shows, crewmen manufactured captives through enforced dependency, relentless cycles of physical, psychological terror, and pain that led to the the making--and unmaking--of enslaved Africans held and transported onboard slave ships. Mustakeem relates how this process, and related power struggles, played out not just for adult men, but also for women, children, teens, infants, nursing mothers, the elderly, diseased, ailing, and dying. Mustakeem offers provocative new insights into how gender, health, age, illness, and medical treatment intersected with trauma and violence transformed human beings into the world's most commercially sought commodity for over four centuries.
Gender and Sustainability deals with women's struggles to contend with global forces—environmental change, economic development, discrimination and stereotyping about the roles of women, and diminishing access to natural resources—not in the abstract but in everyday life. It addresses the lived complexities of the relationship between gender and sustainability.
18th and 19th CENTURY ENGLISH WOMEN AT SEA is a lively and entertaining account of the three types of women one would normally find, legally, or illegally, on board a ship during the 18th and early 19th Centuries. 1. Prostitutes. 2. Officer's and midshipmen's wives plus other female passengers during wartime. 3. Women masquerading as sailors or crewmen. This book cover all of them, and also provides colorful but factual accounts of surprising and certainly, little-known, incidents drawn from letters written by sailors and other men at sea, diaries of such famous figures as Admiral Horatio Nelson, as well as autobiographies written in the late 1700s by women, such as Mary Lacy who took to the sea masquerading as men and lived to tell of their experiences. Noted historians who have published works on the same subject are quoted and referenced. Best-selling, multi-published author MARILYN CLAY is a respected historian of the Regency period in English history. For sixteen years she published The Regency Plume, an international newsletter filled with well-researched articles useful to writers, historians and people interested in all aspects of the 18th and early 19th centuries in English history. In addition, Marilyn Clay was invited to contribute essays that were accepted and published in the Encyclopedia of Romanticism: Culture in Britain, 1780s – 1830s (Garland, 1992). Marilyn Clay's Colonial American historical suspense novels include DECEPTIONS: A Jamestown Novel, praised by The Library Journal and Booklist. To escape an arranged marriage, Catherine leaves England for Jamestown in search of her childhood sweetheart. What she finds in the New World nearly destroys her! SECRETS AND LIES: A Jamestown Novel. When four English girls travel to the New World on a Bride Ship to marry settlers and start families, they are instead shocked to discover that someone in Jamestown wants them all dead! Available in ebook as A Petticoat And Lambskin Gloves. BETSY ROSS: ACCIDENTAL SPY is another popular historical suspense novel by Marilyn Clay, set in Philadelphia in 1776. Quaker Betsy Ross sets out to uncover who killed her beloved husband John Ross, but is instead drawn into the dangerous and confusing underworld of spies and double agents. Available in print and e-book. Titles in Marilyn Clay's Regency-set Mystery Series include: MURDER AT MORLAND MANOR, MURDER IN MAYFAIR, MURDER IN MARGATE, MURDER AT MEDLEY PARK, MURDER AT MIDDLEWYCH, MURDER IN MAIDSTONE, MURDER AT MONTFORD HALL, MURDER ON MARSH LANE, MURDER IN MARTINDALE and coming in late 2022 MURDER AT MARLEY CHASE. All are available worldwide in print and Ebook. Kensington Books published many of Marilyn Clay's Regency-set historical novels, all of which were translated to foreign languages. Titles include: Bewitching Lord Winterton, A Pretty Puzzle, Brighton Beauty, Miss Darby's Debut, The Uppity Earl, Felicity's Folly, Miss Eliza's Gentleman Caller, and The Unsuitable Suitor. Marilyn Clay's newest Regency romance novel is titled THE WRONG MISS FAIRFAX. Two look-alike cousins in London lead a love-struck nobleman on a merry chase. If the confused gentleman cannot sort out who is who, he just might propose to the wrong Miss Fairfax. Marilyn Clay's STALKING A KILLER is a contemporary murder mystery set in Dallas. Aspiring PI Amanda Mason must clear her own father from a murder charge before the killer strikes again. Marilyn Clay is the designer of the Romance Writers of America's prestigious RITA award. Marilyn was presented the first golden statuette when the RITA award was unveiled. For more information on the author visit her website at Marilyn Clay Author.