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Upon her return to Paris, Merlin expanded this into La Havane, an ambitious three-volume account of the political, social, and economic organization of the island. From the viewpoint of feminist and psychoanalytical theory, Gender and Nationalism in Colonial Cuba explores the many ways in which issues of gender have contributed to Merlin's virtual absence from the canons of literature and from the discourses on Cuban national identity.
Author : Sarah L. Franklin Publisher : University Rochester Press Page : 240 pages File Size : 21,66 MB Release : 2012 Category : History ISBN : 1580464025
Investigates how patriarchy operated in the lives of the women of Cuba, from elite women to slaves Scholars have long recognized the importance of gender and hierarchy in the slave societies of the New World, yet gendered analysis of Cuba has lagged behind study of other regions. Cuban elites recognized that creating and maintaining the Cuban slave society required a rigid social hierarchy based on race, gender, and legal status. Given the dramatic changes that came to Cuba in the wake of the Haitian Revolution and the growth of the enslaved population, the maintenance of order required a patriarchy that placed both women and slaves among the lower ranks. Based on a variety of archival and printed primary sources, this book examines how patriarchy functioned outside the confines of the family unit by scrutinizing the foundation on which nineteenth-century Cuban patriarchy rested. This book investigates how patriarchy operated in the lives of the women of Cuba, from elite women to slaves. Through chapters on motherhood, marriage, education, public charity, and the sale of slaves, insight is gained into the role of patriarchy both as a guiding ideology and lived history in the Caribbean's longest lasting slave society. Sarah L. Franklin is assistant professor of history at the University of North Alabama.
This book examines a rarely studied yet crucial group of insurgents who fought for Cuban independence from Spain during the 19th century: rebel women known as mambisas. Coming from a wide variety of backgrounds--rich and poor, black and white, rural and urban, young and old--these women determinedly and passionately helped forge Cuba's new national identity. They wrote political pamphlets, carried military correspondence across enemy lines, raised money in New York and raised their families in rebel camps, served as nurses, and fought on the rebel army's front lines. In defeat or victory, imprisonment or exile, their stories are fascinating and compelling. Parallel to the evolution of the Cuban nationalist process, another social phenomenon was occurring--the growth of feminist consciousness. The rebel women's participation in the anticolonial struggle encouraged many of these women to question their role and position within their families and society. In a dramatic shift of cultural attitudes, many women began to view themselves as equal partners with men. This is the first work that explores how women shaped the war and were in turn shaped by it. Mambisas puts a human face on the Cuban struggle for independence, while at the same time examining the connection between nationalism and feminism in 19th-century Cuba.
Repeatedly and powerfully throughout Cuban history, the mulata, a woman of mixed racial identity, features prominently in Cuban visual and performative culture. Tracing the figure, Alison Fraunhar looks at the representation and performance in both elite and popular culture. She also tracks how characteristics associated with these women have accrued across the Atlantic world. Widely understood to embody the bridge between European subject and African other, the mulata contains the sensuality attributed to Africans in a body more closely resembling the European ideal of beauty. This symbol bears far-reaching implications, with shifting, contradictory cultural meanings in Cuba. Fraunhar explores these complex paradigms, how, why, and for whom the image was useful, and how it was both subverted and asserted from the colonial period to the present. From the early seventeenth century through Cuban independence in 1899 up to the late revolutionary era, Fraunhar illustrates the ambiguous figure's role in nationhood, citizenship, and commercialism. She analyzes images including key examples of nineteenth-century graphic arts, avant-garde painting and magazine covers of the Republican era, cabaret and film performance, and contemporary iterations of gender. Fraunhar's study stands out for attending to the phenomenon of mulataje not only in elite production such as painting, but also in popular forms: popular theater, print culture, later films, and other media where stereotypes take hold. Indeed, in contemporary Cuba, mulataje remains a popular theme with Cubans as well as foreigners in drag shows, reflecting queerness in visual culture.
Author : Vera M. Kutzinski Publisher : University of Virginia Press Page : 0 pages File Size : 19,39 MB Release : 1993 Category : Cuba ISBN : 9780813914671
How and why has Cuba's national identity been cast in terms of a cross-cultural synthesis called mestizaje, and what roles have race, gender, sexuality, and class played in the construction of that synthesis? What specific cultural, political, and economic interests does mestizaje represent? Exploring these and other questions, Vera Kutzinski focuses on images of the mulata in nineteenth- and twentieth-century Cuban poetry, fiction, and visual arts. These images, she argues, are at the heart of Cuba's peculiar form of multiculturalism.
"Megan Daigle explores the role of women in Cuban political culture by examining the rise of economies of sex, romance, and money since the early 1990s. Investigating the lived realities of the Cuban women (and some men) who date tourists and offering a unique perspective on the surrounding debates, From Cuba with Love raises issues about women's bodies-what they can or should do and, equally, what can be done to them. Daigle draws attention to the violence experienced by these young women at the hands of a moralistic state, an opportunistic police force, and even their own families and partners. Daigle's provocative perspective will make readers question how race and politics in Cuba are tied to women and sex, and the ways in which political power acts directly on the bodies of individuals through law, policing, institutional programs, and social norms"--Provided by publisher.
Envisioning La Escalera--an underground rebel movement largely composed of Africans living on farms and plantations in rural western Cuba--in the larger context of the long emancipation struggle in Cuba, Aisha Finch demonstrates how organized slave resistance became critical to the unraveling not only of slavery but also of colonial systems of power during the nineteenth century. While the discovery of La Escalera unleashed a reign of terror by the Spanish colonial powers in which hundreds of enslaved people were tortured, tried, and executed, Finch revises historiographical conceptions of the movement as a fiction conveniently invented by the Spanish government in order to target anticolonial activities. Connecting the political agitation stirred up by free people of color in the urban centers to the slave rebellions that rocked the countryside, Finch shows how the rural plantation was connected to a much larger conspiratorial world outside the agrarian sector. While acknowledging the role of foreign abolitionists and white creoles in the broader history of emancipation, Finch teases apart the organization, leadership, and effectiveness of the black insurgents in midcentury dissident mobilizations that emerged across western Cuba, presenting compelling evidence that black women played a particularly critical role.
Focusing on a period of history rocked by four armed movements, Lillian Guerra traces the origins of Cubans' struggles to determine the meaning of their identity and the character of the state, from Cuba's last war of independence in 1895 to the consolida