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Traces the history of gay men and lesbians in San Francisco, from the turn of the century, when queer bars emerged in San Francisco's tourist districts, to 1965, when a raid on a drag ball energized the gay community. Includes excerpts from oral histories of lesbians and gay men who have lived in San Francisco since the 1930s.
Intelligently written and attractively illustrated and designed, this study of gay and lesbian history culture in San Francisco begins with the cross-dressing practices of 18th-century Native Americans and continues through to the signing of municipal transgender laws in 1995 in the "Gay Capital of the World." Some 300 well-chosen black-and- white and color photos document the history (though none are sexually explicit, there is some nudity). Annotation copyright by Book News, Inc., Portland, OR
In recent years, San Francisco has been synonymous with gay and lesbian pride, and the various achievements of the gay and lesbian community are personified in the city by the bay. The tumultuous and ongoing struggles for this community's civil rights from the 1950s to the present are well documented, but queer culture itself goes back much further than that, in fact all the way back to the California gold rush.
Author : Elizabeth A. Armstrong Publisher : University of Chicago Press Page : 304 pages File Size : 29,77 MB Release : 2002-12-15 Category : History ISBN : 9780226026930
Unlike many social movements, the gay and lesbian struggle for visibility and rights has succeeded in combining a unified group identity with the celebration of individual differences. Forging Gay Identities explores how this happened, tracing the evolution of gay life and organizations in San Francisco from the 1950s to the mid-1990s.
One of the most important publications associated with California conceptual photography in the 1970s, reprinted. The new edition of Fischer's book reproduces the look and feel of the original volume. Present are the codes of sexual orientation and identification Fischer saw in San Francisco's Castro and Haight Ashbury districts, ranging from such sexual signifiers as handkerchiefs and keys, to depictions of the gay fashion 'types' of that era--from 'basic gay' to 'hippie' and 'jock'. Also featuring Fischer's critical essay, which is marked by the same wry, anthropological tone found in the image/text configurations. First published as an artist's book in 1978 by NFS Press.
Wide-Open Town traces the history of gay men and lesbians in San Francisco from the turn of the century, when queer bars emerged in San Francisco's tourist districts, to 1965, when a raid on a drag ball changed the course of queer history. Bringing to life the striking personalities and vibrant milieu that fueled this era, Nan Alamilla Boyd examines the culture that developed around the bar scene and homophile activism. She argues that the communities forged inside bars and taverns functioned politically and, ultimately, offered practical and ideological responses to the policing of San Francisco's queer and transgender communities. Using police and court records, oral histories, tourist literature, and manuscript collections from local and state archives, Nan Alamilla Boyd explains the phenomenal growth of San Francisco as a "wide-open town"—a town where anything goes. She also relates the early history of the gay and lesbian civil rights movement that took place in San Francisco prior to 1965. Wide-Open Town argues that police persecution forged debates about rights and justice that transformed San Francisco's queer communities into the identity-based groups we see today. In its vivid re-creation of bar and drag life, its absorbing portrait of central figures in the communities, and its provocative chronicling of this period in the country's most transgressive city, Wide-Open Town offers a fascinating and lively new chapter of American queer history.
'Danny's photos are a treasured artistic record of the people who initiated a movement from within their own neighborhood, and this work links that exuberant time to the larger history of LGBT people. This book is a very welcome addition to our enduring collective memory.' - Gus Van Sant. LGBT: San Francisco is the first book dedicated to photographer Daniel Nicoletta's archive of powerful images tracing the burgeoning lesbian-gay-bisexual-transgender mecca that was San Francisco in the 1970s to its present. Nicoletta is perhaps most well-known for his iconic images of Harvey Milk, one of the world's first openly gay elected officials who was assassinated by a homophobic colleague in 1978, but Nicoletta's oeuvre is also a unique insider's perspective on the years that followed Milk's death taking us through the ebullience and the pathos of the times. Introduced by a foreword by Gus Van Sant and text by Chuck Mobley, LGBT: San Francisco is a stunning photographic work that is not to
His photos, historic, artistic, sexy and optimistic, tell us about 70s San Francisco. Here we have the gay long-haired freaks dancing in the street, the love-ins in the park, proud dykes on wild bikes, cross-dressed queens traipsing up Castro, midnight muscle-boys prowling in leather, and lots more. These images have become classics of the gay world.
This sweeping memoir tells the life story of longtime LGBTQ and AIDS activist Cleve Jones in a profoundly moving account from sexually liberated 1970s San Francisco, through the AIDS crisis, and up to his involvement with the marriage equality battle. Born in 1954, Cleve Jones was among the last generation of gay Americans who grew up wondering if there were others out there like himself. There were. Like thousands of other young people, Jones, nearly penniless, was drawn in the early 1970s to San Francisco, a city electrified by progressive politics and sexual freedom. Jones found community--in the hotel rooms and ramshackle apartments shared by other young adventurers, in the city's bathhouses and gay bars like The Stud, and in the burgeoning gay district, the Castro, where a New York transplant named Harvey Milk set up a camera shop, began shouting through his bullhorn, and soon became the nation's most outspoken gay elected official. With Milk's encouragement, Jones dove into politics and found his calling in "the movement." When Milk was killed by an assassin's bullet in 1978, Jones took up his mentor's progressive mantle--only to see the arrival of AIDS transform his life once again. By turns tender and uproarious, When We Rise is Jones' account of his remarkable life. He chronicles the heartbreak of losing countless friends to AIDS, which very nearly killed him, too; his co-founding of the San Francisco AIDS Foundation during the terrifying early years of the epidemic; his conception of the AIDS Memorial Quilt, the largest community art project in history; the bewitching story of 1970s San Francisco and the magnetic spell it cast for thousands of young gay people and other misfits; and the harrowing, sexy, and sometimes hilarious stories of Cleve's passionate relationships with friends and lovers during an era defined by both unprecedented freedom and and violence alike. When We Rise is not only the story of a hero to the LQBTQ community, but the vibrantly voice memoir of a full and transformative American life. Lambda Literary Award Winner The partial inspiration for the ABC television mini-series! "You could read Cleve Jones's book because you should know about the struggle for gay, lesbian, and transgender rights from one of its key participants--maybe heroes--but really, you should read it for pleasure and joy."--Rebecca Solnit, author of Men Explain Things to Me
"Menergy tells the story of a "post-disco" recording industry in San Francisco between the years 1978-1984. For most of America, disco died in 1979. Gay men, however, continued to dance, and in the gay enclave of the Castro neighborhood in San Francisco, enterprising gay DJs, record producers, and musicians started their own small dance music record labels to make up for the lack of new, danceable music. These independent labels' music did more than copy what the larger industry had been doing, however. Instead, the upstart companies built upon the musical experiments their roster of local musicians and producers had been exploring over the last several years, developing a distinctive style of its own. Known as "high energy," the music reveled in electronics, fast tempos, disco and DJ culture, and, above all, gay liberation as it had emerged over the previous decade in the Castro neighborhood by so called "Castro clones" (a gay subculture of exaggerated masculinity with a strong presence in the city's nightlife). The sound, like the new revolutionary ethos, derived its aesthetic from San Francisco's unique configuration of elements, but immediately this music had a reach far beyond the Bay, with Megatone Records, Moby Dick Records, and other labels achieving worldwide success with San Francisco artists such as Sylvester, Patrick Cowley, Paul Parker, Lisa, Loverde, and Jolo, creating the world's first gay-owned, gay-produced music for a dancing audience"--