[PDF] Gabriel Garcia Marquez The Mafia Drug Traders Master eBook
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Gabriel Garcia Marquez had the resources to finance elections campaigns, France, Panama, were among those he supported. Gabriel Garcia Marquez did not take the presidency he was offered in his native country of Columbia. Gabriel Garcia Marquez took control of the drug traders in Latin America and the Americas. Gabriel Garcia Marquez took an active part in the Drugging program supported by The Castro Brothers.
This book is to explain, how and who, were involved in the making of a propaganda hero Che Guevara. It is safe to say the Guevara family, were not the parental family of this hero, the Jurado family were; among them were international lawyers, film stars, Mexican statesmen. Mexico City was Gabriel Garcia Marquez home; his friends were statesmen from around the world. In Mexico he had the elate of show business, international lawyers, film stars, film producers to offer support, he connect the CIA and the drug world Mafia. They used the same script repeatedly; gave their actors different names; built a spy network around the globe.Gabriel Garcia Marquez owned and ran large newspapers groups, owned and organized collages for journalist and producers of film, owned television and radio stations. Gabriel Garcia Marquez was adviser to political leaders from Panama and the South Americas; presidents, J F Kennedy and Fidel Castro, Bill Clinton. Gabriel Garcia Marquez was the man on the corner. "Spies-CIA-Lies-Terrorist-Che Guevara" explains why I was looking
A groundbreaking investigation of how illicit commerce is changing the world by transforming economies, reshaping politics, and capturing governments.In this fascinating and comprehensive examination of the underside of globalization, Moises Naím illuminates the struggle between traffickers and the hamstrung bureaucracies trying to control them. From illegal migrants to drugs to weapons to laundered money to counterfeit goods, the black market produces enormous profits that are reinvested to create new businesses, enable terrorists, and even to take over governments. Naím reveals the inner workings of these amazingly efficient international organizations and shows why it is so hard — and so necessary to contain them. Riveting and deeply informed, Illicit will change how you see the world around you.
This book focuses on how a dictator or a culturally dominant power can use language to impose cultural values. As an instrument of power, language is used by a dictator to educate, induce, or manipulate a nation's citizens into acting in accordance with the ruling power's cultural values and beliefs. Jorge Zalamea's El Gran Burundún-Burundá ha muerto, Gabriel García Márquez's El otoño del patriarca, and Mario Vargas Llosa's La fiesta del Chivo draw attention to how the use of the vernacular can resist cultural imposition by employing specific words in order to represent its own culture and nature of reality. The original significance of these words is then altered in the translated text creating a new meaning determined by the dictator's or translator's ideology and usage. The new words that have substituted the original ones reveal how the construction of language defines relationships of power and resistance between a dictator and his nation, or between one culture and another, such as the relations of the United States over Latin America. The analysis of this relationship will provide an understanding of how language functions as an instrument for the imposition of power to gain or maintain cultural or political supremacy. Peter A. Neissa was born in Bogota, Colombia, and received a Ph.D. in Hispanic Studies from Boston College and a Masters from Harvard University. At Boston College, he earned the Donald J. White Teaching Excellence Award. He also taught Spanish Language and Latin American Literature at Harvard University where he earned the Distinguished Teaching Award from the Derek Bok Center for Teaching and Learning for eight consecutive semesters. Dr. Neissa has published articles and book reviews as well as two historical novels: The Druglord and Under False Colors, which trace the history of Colombian drug trafficking. Dr. Neissa is currently the Chair of the Spanish Department at Phillips Academy in Andover, Massachusetts. Cervantes observed that reading a text in translation is like looking at the back of a tapestry. Neissa wrestles with some of the issues implied in this statement in his scrutiny of the distortions, imperfections, and misrepresentations to which the transference of texts from Spanish to English inevitably lead in the case of three novels of dictatorship by Zalamea, Garcia Marquez, and Vargas Llosa. This is due not only to the paradox and power of the written word within specific cultural contexts, but also to the difficulties, dangers, and at times even abuses, that come from "passing off" a text from one language to another. The end result is that accuracy, authenticity, and truth are often sacrificed for the sake of ideological priorities, political correctness, and hegemonic control. Ironically, these are the same consequences of dictatorial tactics exercised at the expense of individuality and freedom that are portrayed in the very texts selected for this compelling comparative study that will appeal to scholars and lay readers alike. Harry L. Rosser, Latin American Literature & Area Studies, Associate Professor, Latin American Literature, Director, Latin American Studies, Boston College.
Drugs, weapons, migrant labour, women — these are just a few of the many goods that effortlessly cross national borders in this globalized age, often without the knowledge or permission of the nations concerned. How is this remarkable criminal feat managed?From gun runners in the Ukraine, to money launderers in Dubai, cyber criminals in Brazil, racketeers in Japan, and the booming marijuana industry in western Canada, McMafia builds a breathtaking picture of a secret and bloody business.Internationally celebrated writer Misha Glenny crafts a fascinating, highly readable, and impressively well-researched account of the emergence of organized crime as a globalized phenomenon and shows how its secret and bloody business mirrors both the methods and the rewards of the legitimate world economy. Employing his journalistic talent and his prior experience covering organized crime in Eastern Europe, Glenny reports on his travels around the planet to investigate this worrying and worsening situation. After comprehensively surveying the criminal scene, Glenny ends by considering the future of organized crime. McMafia is an important book that assembles all the pieces of this worldwide puzzle for the first time.
Drug Trafficking, Corruption and States is cutting edge research. Garay Salamanca and Salcedo-Albarán, along with their contributing authors help document the transition from economic to political imperatives within transnational drug cartels. The break from the Zetas by La Familia Michoacana is one example contained in their empirical survey. Social Network Analysis is their tool for illuminating the varying dynamics of cartel-state inter-penetration and reconfiguration. In doing so they clearly discern between State Capture (StC) and Co-opted State Reconfiguration (CStR). As the drug wars and criminal insurgencies rage in the Americas and beyond, this seminal framework will facilitate efforts by scholars, law enforcement officials, intelligence analysts and policymakers to understand shifts in sovereignty, and to illuminate the mechanisms of transnational illicit networks and their interaction with the state.
The dictatorship of Rafael Trujillo, who ruled the Dominican Republic from 1930 until his assassination in 1961, was one of the longest and bloodiest in Latin American history. The Dictator’s Seduction is a cultural history of the Trujillo regime as it was experienced in the capital city of Santo Domingo. Focusing on everyday forms of state domination, Lauren Derby describes how the regime infiltrated civil society by fashioning a “vernacular politics” based on popular idioms of masculinity and fantasies of race and class mobility. Derby argues that the most pernicious aspect of the dictatorship was how it appropriated quotidian practices such as gossip and gift exchange, leaving almost no place for Dominicans to hide or resist. Drawing on previously untapped documents in the Trujillo National Archives and interviews with Dominicans who recall life under the dictator, Derby emphasizes the role that public ritual played in Trujillo’s exercise of power. His regime included the people in affairs of state on a massive scale as never before. Derby pays particular attention to how events and projects were received by the public as she analyzes parades and rallies, the rebuilding of Santo Domingo following a major hurricane, and the staging of a year-long celebration marking the twenty-fifth year of Trujillo’s regime. She looks at representations of Trujillo, exploring how claims that he embodied the popular barrio antihero the tíguere (tiger) stoked a fantasy of upward mobility and how a rumor that he had a personal guardian angel suggested he was uniquely protected from his enemies. The Dictator’s Seduction sheds new light on the cultural contrivances of autocratic power.