[PDF] From Yorktown To Santiago eBook

Author : William H 1851-1925 Carter
Publisher : Franklin Classics
Page : 354 pages
File Size : 40,88 MB
Release : 2018-10-13
Category :
ISBN : 9780342893737

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author : W. H. Carter
Publisher : Createspace Independent Publishing Platform
Page : 354 pages
File Size : 34,51 MB
Release : 2012-09-11
Category : History
ISBN : 9781479294770

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Published in 1900, this is the history of the 6th U.S. Cavalry from it's creation in Yorktown to Santiago.

Author : William H. (William Harding) 18 Carter
Publisher : Wentworth Press
Page : 366 pages
File Size : 44,43 MB
Release : 2016-08-26
Category : History
ISBN : 9781362139423

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author : William H. 1851-1925 Carter
Publisher : Nabu Press
Page : 356 pages
File Size : 19,77 MB
Release : 2014-02
Category :
ISBN : 9781293645307

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Author : William Harding Carter
Publisher : Palala Press
Page : 360 pages
File Size : 26,48 MB
Release : 2016-05-21
Category :
ISBN : 9781358235597

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author : William Giles Harding Carter
Publisher :
Page : 364 pages
File Size : 24,57 MB
Release : 2015-08-08
Category : History
ISBN : 9781332465583

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Excerpt from From Yorktown to Santiago With the Sixth U. S. Cavalry The regiment will always hold in high esteem the artists - Remington, de Thulstmp, Zogbaum, Gaul, Klepper and Christy - who have generously aided in making this volume a worthy memento of long years of service under the flag of the Republic. The author desires to express his personal appreciation of the kindly assistance rendered by these gentlemen and to make due acknowledgment to Colonel C. W. Lamed, C. H. Ourand, F. L. Mast and St. G. R. Raby, Jr. for drawings which have served both an artistic and historical purpose. Two of Remington's sketches made in the Sixth Cavalry camp during the Pine Ridge campaign are reproduced through the courtesy of Harper and Brothers. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author : Jim Leeke
Publisher : Naval Institute Press
Page : 222 pages
File Size : 37,43 MB
Release : 2013-07-10
Category : History
ISBN : 1612514146

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The U.S. Navy's first two-ocean war was the Spanish-American War of 1898. A war that was global in scope, with the decisive naval battles of war at Manila Bay and Santiago de Cuba separated by two months and over ten thousand miles. During these battles in this quick, modern war, America s New Steel Navy came of age. While the American commanders sailed to war with a technologically advanced fleet, it was the lessons they had learned from Adm. David Farragut in the Civil War that prepared them for victory over the Spaniards. This history of the U.S. Navy s operations in the war provides some memorable portraits of the colorful officers who decided the outcome of these battles: Shang Dewey in the Philippines and Fighting Bob Evans off southern Cuba; Jack Philip conning the Texas and Constructor Hobson scuttling the Merrimac; Clark of the Oregon pushing his battleship around South America; and Adm. William Sampson and Commodore Scott Schley ending their careers in controversy. These officers sailed into battle with a navy of middle-aged lieutenants and overworked bluejackets, along with green naval militiamen. They were accompanied by numerous onboard correspondents, who documented the war.In addition to descriptions of the men who fought or witnessed the pivotal battles on the American side, the book offers sympathetic portraits of several Spanish officers, the Dons for whom American sailors held little personal enmity. Admirals Patricio Montojo and Pasqual Cervera, doomed to sacrifice their forces for the pride of a dying empire, receive particular attention. The first study of the Spanish-American War to be published in many years, this book takes a journalistic approach to the subject, making the conflict and the people involved relevant to today s readers. This work details a war in which victory was determined as much by leadership as by the technology of the American Steel Navy.

Author : Peggy Samuels
Publisher : Texas A&M University Press
Page : 392 pages
File Size : 28,32 MB
Release : 1997
Category : Biography & Autobiography
ISBN : 9780890967713

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Termed a "Southern gothic musical," Ghost Brothers of Darkland County was scripted by novelist Stephen King with the music coming from maverick heartland rocker John Mellencamp, a collaboration a bit left-field for both artists. This set includes Mellencamp's songs interspersed with key dialogue from King's libretto, and while the story might be too complex -- essentially, it's the tale of two brothers involved in a murder/suicide whose ghosts haunt an isolated cabin and whose tragic deeds and consequent fate seems about to be repeated by their living nephews -- to be truly appreciated in single-disc form like this, so it's Mellencamp's songs, sung by the likes of Elvis Costello, Neko Case, Sheryl Crow, Dave and Phil Alvin (real-life brothers whose estrangement with each other ended while working on this project), Taj Mahal, Ryan Bingham, Clyde Mulroney, Rosanne Cash, and Kris Kristofferson (Mellencamp only sings on one song here, the summing-it-up last track "Truth") that are really left to carry things. They certainly work as songs, and may well be among the best Mellencamp has ever written, while the overall sound of the whole musical suite, crafted by T-Bone Burnett, is kind of like a sparse and shined-up version of a late-period Tom Waits album, due in part to the presence of multi-instrumentalist Marc Ribot on most of the tracks, and the tight, spare rhythm section of Jay Bellerose on drums and David Piltch on bass. The performances? Elvis Costello sounds gleeful and sinful on "That's Me" (identity and fulfillment are key themes of Ghost Brothers of Darkland Country, that and history's tendency to repeat itself), Neko Case is sassy and sure on "That's Who I Am," Kris Kristofferson sounds old, wise, and weary on "How Many Days," Taj Mahal rages through "Tear This Cabin Down," and Sheryl Crow is confident and cocky on "Jukin'," while Rosanne Cash turns in a delicately worn and wise reading of "You Don't Know Me," and for a story that spans decades and generations, it's obvious that everyone is singing about who they are, who they ought to be, and who they ended up becoming. It's difficult to say how good this musical is just from the songs and pieces of dialogue presented here, but the songs have a weary, inevitable flow to them, as if fate forced them into a dark room with little light or air or chance of redemption. Redemption comes with acceptance of who one is, the songs and story here seem to say, and only then can the real truth about what has happened to anyone really be revealed. It's a ghost story, after all. ~ Steve Leggett