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Experiencing Stanislavsky Today

Author : Stephanie Daventry French
Publisher : Routledge
Page : 632 pages
File Size : 50,21 MB
Release : 2016-02-11
Category : Performing Arts
ISBN : 1136519343

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This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating ‘truthful’ behaviour in the artificial environment, awareness and observation, psychophysical work, given circumstances, visualization and imagination, and active analysis are all introduced and explored. Each section of the book is accompanied by individual and group exercises, forming a full course of study in the foundations of modern acting. A glossary explains the key terms and concepts that are central to Stanislavsky’s thinking at a glance. The book’s companion website is full of downloadable worksheets and resources for teachers and students. Experiencing Stanislavsky Today is enhanced by contemporary findings in psychology, neuroscience, anatomy and physiology that illuminate the human processes important to actors, such as voice and speech, creativity, mind-body connection, the process and the production of emotions on cue. It is the definitive first step for anyone encountering Stanislavsky’s work, from acting students exploring his methods for the first time, to directors looking for effective rehearsal tools and teachers mapping out degree classes.

Experimental Theatre

Author : James Roose-Evans
Publisher : Routledge
Page : 264 pages
File Size : 24,29 MB
Release : 2013-10-08
Category : Performing Arts
ISBN : 1136092528

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`It is a pleasure to read. Well-written, free of cant, impressively wide-ranging. The book is really an introduction to the avant-garde.' - John Lahr

An Actor's Work

Author : Konstantin Stanislavski
Publisher : Taylor & Francis
Page : 762 pages
File Size : 39,4 MB
Release : 2016-10-04
Category : Performing Arts
ISBN : 1315474247

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Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.

The Routledge Companion to Stanislavsky

Author : Andrew White
Publisher : Routledge
Page : 369 pages
File Size : 39,2 MB
Release : 2013-10-08
Category : Performing Arts
ISBN : 1136281851

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Stanislavsky’s system of actor-training has revolutionised modern theatre practice, and he is widely recognised to be one of the great cultural innovators of the twentieth century. The Routledge Companion to Stanislavsky is an essential book for students and scholars alike, providing the first overview of the field for the 21st century. An important feature of this book is the balance between Stanislavsky’s theory and practice, as international contributors present scholarly and artistic interpretations of his work. With chapters including academic essays and personal narratives, the Companion is divided into four clear parts, exploring Stanislavsky on stage, as an acting teacher, as a theorist and finally as a theatre practitioner. Bringing together a dazzling selection of original scholarship, notable contributions include Anatoly Smeliansky on Stanislavsky’s letters; William D. Gunn on staging ideology at the Moscow Art Theatre; Sharon Marie Carnicke and David Rosen on opera; Rosemary Malague on the feminist perspective of new translations; W.B. Worthen on cognitive science; Julia Listengarten on the avant-garde; David Krasner on the System in America; and Dennis Beck on Stanislavsky’s legacy in non-realistic theatre.

Stanislavsky and Yoga

Author : Sergei Tcherkasski
Publisher : Routledge
Page : 144 pages
File Size : 25,61 MB
Release : 2016-07-15
Category : Health & Fitness
ISBN : 1317228243

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This book deals with one of the most important sources of the Stanislavsky System - Yoga, its practice and philosophy. Sergei Tcherkasski carefully collects records on Yoga in Stanislavsky's writings from different periods and discusses hidden references which are not explained by Stanislavsky himself due to the censorship in his day. Vivid examples of Yoga based training from the rehearsal practice of the Moscow Art Theatre and many of Stanislavsky's studios (the First Studio in 1910s, the Second Studio and Opera Studio of the Bolshoi Theatre in 1920s, Opera-Dramatic Studio in 1930s) are provided. The focus of Tcherkasski's research consists of a comparative reading of the Stanislavsky System and Yogi Ramacharaka's books, which were a main source for Stanislavsky. Accordingly, Tcherkasski analyzes elements of the System based on Yoga principles. Among them are: relaxation of muscles (muscular release), communication and prana, emission of rays and reception of rays, beaming of aura, sending of prana, attention, visualizations (mental images). Special attention is paid to the idea of the superconscious in Yoga, and in Ramacharaka's and Stanislavsky's theories. Tcherkasski's wide-ranging analysis has resulted in new and intriguing discoveries about the Russian master. Furthermore, he reveals the extent to which Stanislavsky anticipated modern discoveries in neurobiology and cognitive science. In this book Tcherkasski acts as a researcher, historian, theatre director, and experienced acting teacher. He argues that some forty per cent of basic exercises in any Stanislavsky based actor training program of today are rooted in Yoga. Actors, teachers, and students will find it interesting to discover that they are following in the footsteps of Yoga in their everyday Stanislavsky based training and rehearsals.

Konstantin Stanislavsky

Author : Bella Merlin
Publisher : Routledge
Page : 182 pages
File Size : 37,52 MB
Release : 2004-03
Category : Biography & Autobiography
ISBN : 1134513496

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"Routledge Performance Practitioners" is a series of introductory guides to the key theatre-makers of the 20th century. Each volume explains the background to and the work of one of the major influences on 20th and 21st century performance. These compact, well-illustrated and clearly written books unravel the contribution of modern theatre's most charismatic innovators, through: personal biography; explanation of key writings; description of significant productions; and reproduction of practical exercises.

Science and the Stanislavsky Tradition of Acting

Author : Jonathan Pitches
Publisher : Routledge
Page : 413 pages
File Size : 11,46 MB
Release : 2005-09-21
Category : Performing Arts
ISBN : 1134332327

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The Russian tradition is a major area of theatre studies Uses a range of historical and archival material, including previously unpublished material from the Michael Chekov archives International market - UK, America. Potential interest in Russia and France

Systems of Rehearsal

Author : Shomit Mitter
Publisher : Routledge
Page : 180 pages
File Size : 32,98 MB
Release : 2006-07-13
Category : Performing Arts
ISBN : 1134917104

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The gap between theory and practice in rehearsal is wide. many actors and directors apply theories without fully understanding them, and most accounts of rehearsal techniques fail to put the methods in context. Systems of Rehearsal is the first systematic appraisal of the three principal paradigms in which virtually all theatre work is conducted today - those developed by Stanislavsky, Brecht and Grotowski. The author compares each system ot the work of the contemporary director who, says Mitter, is the Great Imitator of each of them: Peter Brook. The result is the most comprehensive introduction to modern theatre available.