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This lavishly illustrated book explores the early history and significance of the Lindisfarne Gospels, widely regarded as the finest surviving Anglo-Saxon manuscript of the early Christian era in England, and an unquestioned masterpiece of medieval calligraphy and illumination.
From its misty beginnings as part of the mainland in the Stone Age, this history covers Lindisfarne's formation as an island, the Roman and Anglo-Saxon eras, the influence of Columba and Iona, Lindisfarne's own apostle, Bede and the monastic tradition, the coming of the Vikings, the Benedictine years and the dissolution of the monasteries.
Masterpiece of medieval manuscript production and decoration, its Latin text glossed throughout in Old English, the Lindisfarne Gospels is a vital witness to the book culture, art, and Christianity of the Anglo-Saxons and their interactions with Ireland, Italy, and the wider world. The expert studies in this collection examine in turn the archaeology of Holy Island, relations between Ireland and Northumbria, early Northumbrian book culture, the relationship of the Lindisfarne Gospels to the Church universal, the canon table apparatus of the manuscript, the decoration of its Canon Tables, its systems of liturgical readings, the mathematical principles underlying the design of its carpet pages, points of comparison and contrast with the Book of Durrow, the Latin and Old English texts, the nature of the glossator’s ink, and the meaning of enigmatic words and phrases within the vernacular gloss. Approaching the material from a series of new perspectives, the contributors shed new light on numerous aspects of this magnificent manuscript, its milieux, and its significance.
Detective Chief Inspector Ryan retreats to Holy Island seeking sanctuary when he is forced to take sabbatical leave from his duties as a homicide detective. A few days before Christmas, his peace is shattered and he is thrust back into the murky world of murder when a young woman is found dead amongst the ancient ruins of the nearby Priory. When former local girl Dr Anna Taylor arrives back on the island as a police consultant, old memories swim to the surface making her confront her difficult past. She and Ryan struggle to work together to hunt a killer who hides in plain sight, while pagan ritual and small-town politics muddy the waters of their investigation.
Aldred’s interlinear gloss to the Lindisfarne Gospels (London, British Library, MS Cotton Nero D.IV) is one of the most substantial representatives of the Old English variety known as late Old Northumbrian. Although it has received a great deal of attention in the past two centuries, there are still numerous issues which remain unresolved. The papers in this collection approach the gloss from a variety of perspectives – language, cultural milieu, palaeography, glossography – in order to shed light on many of these issues, such as the authorship of the gloss, the morphosyntax and vocabulary of the dialect(s) it represents, its sources and relationship to the Rushworth Gospels, and Aldred’s cultural and religious affiliations. Because of its breadth of coverage, the collection will be of interest and great value to scholars in the fields of Anglo-Saxon studies and English historical linguistics.
"David Adam has been captivated by the beauty, wonder and holiness of Lindisfarne since first glimpsing its fairytale castle from the train as a young boy. In this absorbing volume, he shows the island's human face, revealing how Lindisfarne and its people have responded to trial, tribulation and triumph in the course of a long and vibrant history. This tiny place witnessed one of the last stands of the 'British' Celtic peoples against the invading Anglo-Saxons in the 6th century. It has been the home of saints and scholars, most notably St. Aidan and St. Cuthbert, and famously produced the medieval masterpiece known as the "Lindisfarne Gospels". Less familiar to readers, perhaps, will be that the island experienced the first recorded Viking invasion in 793, and was involved in the 17th century Civil War and the 18th century Jacobite Rebellion. Today its ruined 11th century Priory and 16th century Castle - later redesigned by the great English architect Edwin Lutyens - draw pilgrims and visitors from all over the world. Wherever you walk on Lindisfarne, the past impinges on the present ..."--Publisher's description