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Rob White reconsiders Freud's controversial theory of inherited memory, referring it both to Anglo-American commentary and post-structuralist work on psychoanalysis. White proposes that this theory is evidence of an underlying haunted retrospection in Freudian theorizing, which time and again discovers that meaning has been lost.
The concept of "screen memories" was introduced by Freud for the first time in his 1899 paper, reprinted here in its entirety. Although the clinical interest in "screen memories" has perhaps diminished in recent analytic discussion, there is much to be gained from revisiting and re-examining both the phenomenon and Freud's original paper within a contemporary context. To this end, the authors have invited contributions from eight leading psychoanalysts on the current meaning and value to them of the screen memory concept. These comments come from contemporary psychoanalysts practicing in Italy, Francophone Switzerland, Argentina, Israel, and the United States of America, each of whom has been trained in one or another of a variety of psychoanalytic traditions, among which are ego psychology, a French version of Freud, an American version of Lacan and at least two variants of Kleinian thought - one British and one Latin American.
One of the most important questions in Freud scholarship concerns why, after touting traumatic childhood sexual abuse as the cause of hysteria, Freud turned away from "seduction theory" and instead created the Oedipus complex and the theory of childhood sexuality. In this study, Mary Marcel applies the most recent clinical work on trauma and recovered memory to Freud's memories. Her use of rhetorical analysis reveals that Freud's own reasons for abandoning the seduction theory were unfounded and misanalyzed. Marcel relates how, near the beginning of his self-analysis in 1897, Freud recovered a memory of having been molested by his nurse in infancy. Deeply troubled, Freud misread a favorite Greek myth and created the Oedipus complex as a means of regaining a sense of control over himself and the nurse's crime. Marcel's book is a comprehensive analysis of both the original Oedipus myths and the Greek myths of father-daughter incest. Closely analyzing Freud's biography, his early career, his letters to his confidante Wilhelm Fliess and the Oedipus myth in its full complexity, Marcel applies a multiplicity of methods and casts a completely new light on what is in fact Freud's thorough misrepresentation of both Oedipus and the incest taboo. By analyzing Freud's arguments, recovered memories from self-analysis and misuse of classical sources, Marcel uncovers why Freud turned away from seduction theory, misconstrued Oedipus, and was unable to cure his own neurosis.
Since about 1992, an astonishingly fierce scientific professional and legal controversy has arisen around the allegation that psychotherapists may sometimes have fostered false memories of childhood sexual abuse. Some have blamed Freud for this, arguing that he sowed the seeds of false memory syndrome 100 years ago. He has been accused by some critics of abandoning, out of professional cowardice, his original recongition of the prevalence of sexual abuse amongst his patients, substituting his theory of childhood sexuality and the Oedipus complex, and by others of fabricating and implanting false memories of abuse in his patientes' minds.
A significant contribution to our understanding of early twentieth century visual culture and an exploration of how photography shaped the ways in which the great archaeologist of the human mind saw and thought about the world.
This book draws on a number of Freud's lesser-known works to explore psychoanalytic perspectives on memory, mourning and repetition. It is remarkable that Freud in his speculations on the human psyche often took his point of departure in an insignificant detail. It might be a lapse of memory or a detail in a piece of art. From here he uncovered the many layers of the psyche, its complex structure and the processing of meaning right to the limit of understanding. At this point Freud ́s exploration encountered the unknown, an internal outland as difficult to acknowledge as the external reality. Freud did not invent the unconscious but he demonstrated how it works. The unconscious according to Freud does not exist, but insists on making itself visible. The eleven essays in this book draw a picture of the critical humanistic thinking so characteristic of Freud. His concepts and suppositions were the result of many years’ speculations, based on observation, experience and ideas, and although they are marked by the time and culture from which they emerged, they demonstrate a revolutionary knowledge of the psyche transcending the knowledge of his time. In her reading of the chosen texts the author has chosen the position of a contemporary interpretation. Examining how psychoanalytic work on the topics of memory, mourning and repetition has changed since Freud and how these themes remain of crucial importance in contemporary psychoanalytic theory, this book intersperses theory with clinical practice. It will be of great interest to training and practicing psychoanalysts, as well as scholars of art, literature and sociology.
This volume contains two essays by Frederick Crews attacking Freudian psychoanalysis and its aftermath in the so-called recovered memory movement. The first essay reviews a growing body of evidence indicating that Freud doctored his data and manipulated his colleagues in an effort to consolidate a cult-life following that would neither defy nor upstage him. The second essay challenges the scientific and therapeutic claims of the rapidly growing recovered-memory movement, maintaining that its social effects have been devestating.
The science of mind has been plagued by intractable philosophical puzzles, chief among them the distortions of memory and the relation between mind and body. Sigmund Freud's clinical practice forced him to grapple with these problems, and out of that struggle psychoanalysis emerged. From Freud's Consulting Room charts the development of his ideas through his clinical work, the successes and failures of his most dramatic and significant case histories, and the creation of a discipline recognizably distinct from its neighbors. In Freud's encounters with hysterical patients, the mind-body problem could not be set aside. Through the cases of Anna O., Emmy von N., Elisabeth von R., Dora, and Little Hans, he rethought that problem, as Hughes demonstrates, in terms of psychosexuality. When he tried to sort out the value of memories, with Dora and Little Hans as well as with the Rat Man and the Wolf Man, Freud reintroduced psychosexuality and elaborated the Oedipus complex. Hughes also traces the evolution of Freud's conception of the analytic situation and of the centrality of transference, again through the clinical material, including the case of Freud himself, who at one point figured as his own "chief patient". Moving from case to case, Hughes has coaxed them into telling a coherent story. Her book has the texture of intellectual history and the compelling quality of a fascinating tale. It leads us to see the origins and development of psychoanalysis in a new way.
Combining approaches from literary studies and historical sociology, this book provides a groundbreaking cultural history of the strategies Freud employed in his writings and career to orchestrate public recognition of psychoanalysis and to shape its institutional identity.