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One of the most important questions in Freud scholarship concerns why, after touting traumatic childhood sexual abuse as the cause of hysteria, Freud turned away from "seduction theory" and instead created the Oedipus complex and the theory of childhood sexuality. In this study, Mary Marcel applies the most recent clinical work on trauma and recovered memory to Freud's memories. Her use of rhetorical analysis reveals that Freud's own reasons for abandoning the seduction theory were unfounded and misanalyzed. Marcel relates how, near the beginning of his self-analysis in 1897, Freud recovered a memory of having been molested by his nurse in infancy. Deeply troubled, Freud misread a favorite Greek myth and created the Oedipus complex as a means of regaining a sense of control over himself and the nurse's crime. Marcel's book is a comprehensive analysis of both the original Oedipus myths and the Greek myths of father-daughter incest. Closely analyzing Freud's biography, his early career, his letters to his confidante Wilhelm Fliess and the Oedipus myth in its full complexity, Marcel applies a multiplicity of methods and casts a completely new light on what is in fact Freud's thorough misrepresentation of both Oedipus and the incest taboo. By analyzing Freud's arguments, recovered memories from self-analysis and misuse of classical sources, Marcel uncovers why Freud turned away from seduction theory, misconstrued Oedipus, and was unable to cure his own neurosis.
Modern society has introduced many new relationships and family forms and the pluralisation of sexual lifestyles in the hundred years since Freud. This book provides a systematic account of the current state of theory, developing a gender-wide model of human sexuality and outlining the implications of this for psychotherapy practice. The author argues that the development of human sexuality follows no innate biological programs, but takes place in an interpersonal relationship, often established in the early parent-child relationship. Whereas the current psychoanalytic discourse emanates from a rather rigid division of gender relations emphasizing the differences between men and women, the author develops a gender-wide model of human sexuality in which the 'masculine' and 'feminine' are integrated and contribute to the full diversity of gender identities and sexual varieties. She points to structural similarities of hetero-and homosexuality and perversion and calls for a general human sexuality that is based less on differences between men and women than with each other.
This study is a philosophical critique of the foundations of Sigmund Freud's psychoanalysis. As such, it also takes cognizance of his claim that psychoanalysis has the credentials of a natural science. It shows that the reasoning on which Freud rested the major hypotheses of his edifice was fundamentally flawed, even if the probity of the clinical observations he adduced were not in question. Moreover, far from deserving to be taken at face value, clinical data from the psychoanalytic treatment setting are themselves epistemically quite suspect.
Book jacket/back: Although it is now widely held that the scientific basis for Sigmund Freud's theories is decidedly wobby, and his surmises often appear woefully incomplete at best, there yet remains an impression that Freud was a bold explorer of the mind's hidden depths, a penetrating if fallible discerner of unsuspected motives behind the superficially innocent forms of behavior. And if even that is now more frequently questioned, we are at least left with the consolation that Freud, however misguided, was a man of unsported integrity, who sincerely strove to uncover the truth and accurately reported what his clients told him.
Psychoanalysts from diverse backgrounds (Freudian, Sullivanian, classical, interpersonal and self-psychological) discuss: "What is the Seduction Hypothesis?," "The Traumas of Everyday Life," and "Severely Traumatized Patients."
This book argues that Freud’s mapping of trauma as a scene is central to both his clinical interpretation of his patients’ symptoms and his construction of successive theoretical models and concepts to explain the power of such scenes in his patients’ lives. This attention to the scenic form of trauma and its power in determining symptoms leads to Freud’s break from the neurological model of trauma he inherited from Charcot. It also helps to explain the affinity that Freud and many since him have felt between psychoanalysis and literature (and artistic production more generally), and the privileged role of literature at certain turning points in the development of his thought. It is Freud’s scenography of trauma and fantasy that speaks to the student of literature and painting. Overall, the book develops the thesis of Jean Laplanche that in Freud’s shift from a traumatic to a developmental model, along with the undoubted gains embodied in the theory of infantile sexuality, there were crucial losses: specifically, the recognition of the role of the adult other and the traumatic encounter with adult sexuality that is entailed in the ordinary nurture and formation of the infantile subject.
Psychoanalysisone of the most important intellectual developments of the twentieth century- is perhaps as much a cultural experience as a clinical one. This groundbreaking book is the first to examine the history and impact of Freudian ideas in Australia. Joy Damousi shows that ways of understanding our emotional and interior lives have a notable and complex history that challenges Australian stereotypes of shallow hedonism and emotional barrenness. By linking psychoanalysis with modernity, the book is, in effect, an alternative history oftwentieth century Australia.
This edited collection brings together the perspectives of a broad spectrum of experts who reflect on Freud’s Seduction Theory, psychoanalysis, and the reality of child abuse through the work of Jeffrey Masson. Jeffrey Masson’s The Assault on Truth: Freud’s Suppression of the Seduction Theory (1984) is arguably the most controversial book on psychoanalysis in the last century. It provoked a furore from mainstream psychoanalysis, yet was well-received by the emerging international trauma field and became a bestseller. Four decades on, a group of international scholars and professionals revisit Masson’s original work and reflect on the lessons that can be taken from the saga. Was the reaction of Masson’s peers tied to the fact that he had accused Freud of being less than heroic, or was it that he confronted psychoanalysis with a very uncomfortable truth? This book examines how The Assault on Truth came to be written, why it sparked such an extreme reaction, and the issues Masson was grappling with. Complete with an extended Foreword by John Briere, a luminary of the modern trauma field, this book will be essential reading for practitioners, students, and researchers involved in contemporary psychoanalysis, psychotherapy, psychology and especially trauma care, women’s mental health, child safety and the study of memory.
Cesare Romano revisits Dora's clinical case in light of Freud's own seduction theory. His central thesis is that Freud failed to follow through with his initial proposition of confirming his theories on the traumatic aetiology of hysteria. He also suggests a new dating for the duration of Dora's therapy, placing the beginning of the analysis within the context of Freud's concurrent and recent life events. A detailed analysis of Dora's first dream shows that Freud did not go back to Dora's first infantile traumas, but stopped instead at the period of her infantile masturbation. In analysing this dream, Romano's theory begins to take shape around the idea that Dora suffered an early trauma: possibly, a sexual abuse inflicted by her father. Drawing on Ferenczi, the author uses the notion of the 'traumatolytic function of the dream' to show that Dora, through her two dreams, was elaborating her early sexual trauma. Dora's analysis is investigated alongside what was happening in Freud's life at the time of the therapy.