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American Vision

Author : Raymond Carney
Publisher : CUP Archive
Page : 536 pages
File Size : 50,57 MB
Release : 1986-10-31
Category : History
ISBN : 9780521326193

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Professor Carney analyses Frank Capra's life as well as the broad cultural context of his films.

Frank Capra

Author : Joseph McBride
Publisher : Univ. Press of Mississippi
Page : 825 pages
File Size : 12,73 MB
Release : 2011-06-02
Category : Biography & Autobiography
ISBN : 1604738391

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Moviegoers often assume Frank Capra's life resembled his beloved films (such as Mr. Smith Goes to Washington and It's a Wonderful Life). A man of the people faces tremendous odds and, by doing the right thing, triumphs! But as Joseph McBride reveals in this meticulously researched, definitive biography, the reality was far more complex, a true American tragedy. Using newly declassified U.S. government documents about Capra's response to being considered a possible “subversive” during the post-World War II Red Scare, McBride adds a final chapter to his unforgettable portrait of the man who gave us It Happened One Night, Mr. Deeds Goes to Town, and Meet John Doe.

The Name Above The Title

Author : Frank Capra
Publisher : Da Capo Press
Page : 534 pages
File Size : 50,22 MB
Release : 1997-03-22
Category : Psychology
ISBN : 9780306807718

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Although Frank Capra (1897–1991) is best known as the director of It Happened One Night, Mr. Deeds Goes to Town, You Can't Take It with You, Mr. Smith Goes to Washington, Arsenic and Old Lace, and It's a Wonderful Life, he was also an award-winning documentary filmmaker as well as a behind-the-scene force in the Director's Guild, the Motion Picture Academy, and the Producer's Guild. He worked with or knew socially everyone in the movie business from Mack Sennett, Chaplin, and Keaton in the silent era through the illustrious names of the golden age. He directed Clark Gable, Jimmy Stewart, Cary Grant, Gary Cooper, Bing Crosby, Frank Sinatra, Jean Harlow, Claudette Colbert, Bette Davis, and others. Reading his autobiography is like having Capra sitting in your living room, regaling you with his anecdotes. In The Name Above the Title he reveals the deeply personal story of how, despite winning six Academy Awards, he struggled throughout his life against the glamors, vagaries, and frustrations of Hollywood for the creative freedom to make some of the most memorable films of all time.

Regarding Frank Capra

Author : Eric Smoodin
Publisher : Duke University Press
Page : 315 pages
File Size : 20,86 MB
Release : 2005-01-13
Category : Performing Arts
ISBN : 0822386267

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In this innovative historical examination of the American movie audience, Eric Smoodin focuses on reactions to the films of Frank Capra. Best known for his Hollywood features—including It Happened One Night, It’s a Wonderful Life, and Mr. Smith Goes to Washington—Capra also directed educational films, military films, and documentaries. Based on his analysis of the reception of a broad range of Capra’s films, Smoodin considers the preferences and attitudes toward Hollywood of the people who watched movies during the “Golden Age” of studio production, from 1930 to 1960. Drawing on archival sources including fan letters, exhibitor reports, military and prison records, government and corporate documents, and trade journals, Smoodin explains how the venues where Capra’s films were seen and the strategies used to promote the films affected audience response and how, in turn, audience response shaped film production. He analyzes issues of foreign censorship and government intervention in the making of The Bitter Tea of General Yen; the response of high school students to It Happened One Night; fan engagement with the overtly political discourse of Meet John Doe and Mr. Smith Goes to Washington; San Quentin prisoners’ reaction to a special screening of It’s a Wonderful Life; and at&t’s involvement in Capra’s later documentary work for the Bell Science Series. He also looks at the reception of Capra’s series Why We Fight, used by the American military to train recruits and re-educate German prisoners of war. Illuminating the role of the famous director and his films in American culture, Regarding Frank Capra signals new directions for significant research on film reception and promotion.

Frank Capra

Author : Frank Capra
Publisher : Univ. Press of Mississippi
Page : 268 pages
File Size : 47,40 MB
Release : 2004
Category : Performing Arts
ISBN : 9781578066179

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Few Hollywood directors had a higher profile in the 1930s than Frank Capra (1897-1991). He served as president of the Academy of Motion Picture Arts and Sciences and of the Screen Directors Guild. He won three Academy Awards as best director and was widely acclaimed as the man most responsible for making Columbia Pictures a success. This popularity was established and sustained by films that spoke to and for the times--It Happened One Night, Mr. Deeds Goes to Town, Meet John Doe, and Mr. Smith Goes to Washington. These replicated the nation's hopes and dreams for a national community. He worked with some of the brightest stars in Hollywood--James Stewart, Clark Gable, Jean Arthur, Gary Cooper, Barbara Stanwyck, Claudette Colbert, Bette Davis, Donna Reed, and Ann-Margret. Capra's interviews express his connection to the national audience and explore his own story. He was a Sicilian immigrant boy who survived rough-and-tumble beginnings to become Hollywood's most bankable director. In reflecting on his life, almost every one of his films was a parable of acclaim verging on disaster. He spent much of the 1940s in uniform while making films for the War Department. Although Capra was an optimist, World War II and his series of Why We Fight films called his legendary optimism into question. His postwar film It's a Wonderful Life (1946) gave an answer to those questions with an astonishing directness Capra never equaled again. In 1971 he published his autobiography, The Name Above the Title. Many of the interviews collected here come from this period when, as an elder statesman of motion picture art and history, he reflected on his long career. The interviews portray the Capra legend vividly and demonstrate why the warm relations between Capra and his audiences continue to inspire acclaim and admiration.

Meet John Doe

Author : Charles Wolfe
Publisher :
Page : 297 pages
File Size : 31,37 MB
Release : 1989
Category : Performing Arts
ISBN : 9780813513874

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The third film in a celebrated trilogy of socio-political dramas directed by Frank Capra in the late 1930s and early 1940s, "Meet John Doe" is arguably his most ambitious and disturbing work. An introductory essay reconstructs and analyzes the history of production, promotion and reception of "Meet John Doe". A complete transcript of the finished film, extensive annotations concerning original script material and previously unpublished alternate endings are included in this volume, as well as a section of recollections about the film's production, personal correspondance, an excerpt from Capra's autobiography, and a sampling of reviews and contemporary commentaries.

Frank Capra's Eastern Horizons

Author : Elizabeth Rawitsch
Publisher : Bloomsbury Publishing
Page : 264 pages
File Size : 19,85 MB
Release : 2014-10-16
Category : Performing Arts
ISBN : 0857725572

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Frank Capra has long had a reputation as being the quintessential American director - the man who perfectly captured the identity and core values of the United States with a string of classic films in the 1930s and '40s, including It Happened One Night, Mr. Smith Goes to Washington and It's a Wonderful Life. However, as Elizabeth Rawitsch argues, Capra's construction of national identity did not occur within an exclusively national context. She points out that many of his films are actually set in, or include sequences set in, China, Latin America, the Philippines and the South Seas. Featuring in-depth textual analysis supported by original archival research, Frank Capra's Eastern Horizons explains that Capra's view of what constituted 'America' changed over time, extending its boundaries to embrace countries often far from the United States. Complicating Edward Said's theory of Orientalism as a strict binary in which the West constructs the East as an inferior 'other', it demonstrates that East and West often intermingle in films such as The Bitter Tea of General Yen and in Capra's orientation documentaries for World War II American servicemen; Capra imagined a kind of global community, albeit one with heavy undertones of British and American imperialism. Investigating shifts in what Capra's America has meant over time, both to Capra and to those who have watched and studied his films, this innovative book offers a startlingly fresh perspective on one of the most iconic figures in American film history.

Frank Capra

Author : Robert Sklar
Publisher : Temple University Press
Page : 314 pages
File Size : 12,47 MB
Release :
Category : Biography & Autobiography
ISBN : 9781439904893

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Frank Capra's films have had a lasting impact on American culture. His powerful depiction of American values, myths, and ideals was central to such famous Hollywood films asIt Happened One Night, Mr. Smith Goes to Washington, and It's a Wonderful Life.These pre-war films are remembered for their depiction of an individual's overcoming adversity, populist politics, and an unflappable optimist view of life. This collection of nine essays by leading international film historians analyzes Capra's filmmaking during his most prolific period, from 1928 to 1939, taking a closer look at the more complex aspects of his work. They trace his struggles for autonomy against Columbia Pictures head Harry Cohn, his reputation as an auteur, and the ways in which working within studio modes of production may have enhanced the director's strengths. The contributors also place their critiques within the context of the changing fortunes of the Hollywood studio system, the impact of the Depression, and Capra's working relationships with other studio staff and directors. The contributors' access to nineteen newly restored Capra films made at Columbia during this period fills this collection with some of the most comprehensive critiques available on the director's early body of work. Author note:Robert Sklar, Professor of Cinema at New York University, is the co-editor (with Charles Musser) ofResisting Images: Essays on Cinema and History(Temple), and the author of numerous books on film, includingMovie-Made America: A Cultural History of American Movies, City Boys: Cagney, Bogart, and Garfield, andFilm: An International History of the Mediumwinner of the Kraszna-Krausz Book Award.Vito Zagarrioteaches film history at the University of Florence and film analysis at the University of Rome III, Italy.

A structural analysis of Frank Capra’s “It’s a wonderful life”

Author :
Publisher : GRIN Verlag
Page : 29 pages
File Size : 27,97 MB
Release : 2012-06-06
Category : Literary Collections
ISBN : 3656211302

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Essay from the year 2011 in the subject English Language and Literature Studies - Other, grade: 1,3, University of Constance, course: “Reading” Baz Luhrmann, language: English, abstract: This essay performs multiple tasks. On the one hand the narrative structure of Frank Capra’s “It’s a wonderful life”, directed in 1947 shall be worked out. It’s intended to show how meaning is created in this movie through an understanding of its specific narrative structure. On the other hand, this essay will include several central ideas from contemporary texts in narrative theory, like William Simon for example.

Another Frank Capra

Author : Leland Poague
Publisher : Cambridge University Press
Page : 312 pages
File Size : 25,92 MB
Release : 1994
Category : Performing Arts
ISBN : 0521380669

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Another Frank Capra offers a new interpretation of the great Hollywood director beyond the patriotic sentimentalist or the cynical opportunist that he has been taken for. Often cast as a cinematic simpleton or primitive, Capra's exploitation of the stylistic and narrative resources of cinema was, in fact, extremely self-conscious and adventurous in ways typical of artistic modernism. His modernism is also evident in his repeated and strong identification with female characters. Informed by recent work in genre theory and feminist psychology, Another Frank Capra shows Capra to be a 'proto-feminist' director whose feminism has been entirely neglected by previous critics.