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From Miranda Kenneally, author of the beloved high school romance Hundred Oaks series, comes a funny enemies to lovers romcom about second, third...maybe even fourth chances. Every May 7th, the students at Coffee County High School take a class trip. And every year, Lulu's relationship with Alex Rouvelis gets a little more complicated. Freshman year they went from sworn enemies to more than friends after a close encounter in an escape room. It's been hard for Lulu to quit Alex ever since. Through break-ups, make-ups, and dating other people, each year's class trip brings the pair back together and forces them to confront their undeniable connection. From the science museum to Six Flags, New York City to London, Lulu learns one thing is for sure: love is the biggest trip of all. Are Lulu and Alex meant to be, or are they better apart? Other teen romance books by Miranda Kenneally: Catching Jordan Stealing Parker Things I Can't Forget Racing Savannah Breathe, Annie, Breathe Jesse's Girl Defending Taylor Coming Up for Air
Lucy lives on the twenty-fourth floor. Owen lives in the basement. It's fitting, then, that they meet in the middle -- stuck between two floors of a New York City apartment building, on an elevator rendered useless by a citywide blackout. After they're rescued, Lucy and Owen spend the night wandering the darkened streets and marveling at the rare appearance of stars above Manhattan. But once the power is back, so is reality. Lucy soon moves abroad with her parents, while Owen heads out west with his father. The brief time they spend together leaves a mark. And as their lives take them to Edinburgh and to San Francisco, to Prague and to Portland, Lucy and Owen stay in touch through postcards, occasional e-mails, and phone calls. But can they -- despite the odds -- find a way to reunite? Smartly observed and wonderfully romantic, Jennifer E. Smith's new novel shows that the center of the world isn't necessarily a place. Sometimes, it can be a person.
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
A dark and unexpected novel about a Dublin undertaker who finds himself on the wrong side of the Irish mob. Paddy Buckley is a grieving widower who has worked for years for Gallagher's, a long-established--some say the best--funeral home in Dublin. One night driving home after an unexpected encounter with a client, Paddy hits a pedestrian crossing the street. He pulls over and gets out of his car, intending to do the right thing. As he bends over to help the man, he recognizes him. It's Donal Cullen, brother of one of the most notorious mobsters in Dublin. And he's dead. Shocked and scared, Paddy jumps back in his car and drives away before anyone notices what's happened. The next morning, the Cullen family calls Gallagher's to oversee the funeral arrangements. Paddy, to his dismay, is given the task of meeting with the grieving Vincent Cullen, Dublin's crime boss, and Cullen's entourage. When events go awry, Paddy is plunged into an unexpected eddy of intrigue, deceit, and treachery. By turns a thriller, a love story, and a black comedy of ill manners, The Last Four Days of Paddy Buckley is a surprising, compulsively readable debut novel.
The beloved New York Times bestselling author reflects on home, family, friendships and writing in this deeply personal collection of essays. "The elegance of Patchett’s prose is seductive and inviting: with Patchett as a guide, readers will really get to grips with the power of struggles, failures, and triumphs alike." —Publisher's Weekly “Any story that starts will also end.” As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth in these wise essays that afford a fresh and intimate look into her mind and heart. At the center of These Precious Days is the title essay, a surprising and moving meditation on an unexpected friendship that explores “what it means to be seen, to find someone with whom you can be your best and most complete self.” When Patchett chose an early galley of actor and producer Tom Hanks’ short story collection to read one night before bed, she had no idea that this single choice would be life changing. It would introduce her to a remarkable woman—Tom’s brilliant assistant Sooki—with whom she would form a profound bond that held monumental consequences for them both. A literary alchemist, Patchett plumbs the depths of her experiences to create gold: engaging and moving pieces that are both self-portrait and landscape, each vibrant with emotion and rich in insight. Turning her writer’s eye on her own experiences, she transforms the private into the universal, providing us all a way to look at our own worlds anew, and reminds how fleeting and enigmatic life can be. From the enchantments of Kate DiCamillo’s children’s books (author of The Beatryce Prophecy) to youthful memories of Paris; the cherished life gifts given by her three fathers to the unexpected influence of Charles Schultz’s Snoopy; the expansive vision of Eudora Welty to the importance of knitting, Patchett connects life and art as she illuminates what matters most. Infused with the author’s grace, wit, and warmth, the pieces in These Precious Days resonate deep in the soul, leaving an indelible mark—and demonstrate why Ann Patchett is one of the most celebrated writers of our time.
Enjoy How I Magically Messed Up My Life in Four Freakin' Days, book one in The Tale of Bryant Adams, a new humorous fantasy series by Young Adult author Megan O'Russell. Things not to do when you find out you’re a wizard: #1 Do not destroy your dad’s apartment with magical fire. You WILL NOT get the security deposit back. #2 Do not form an alliance with the guy who is trying to murder you. This will end badly. #3 Do not drag the girl you’re desperately in love with into your wizard mess. You risk her watching you fail miserably. #4 Under no circumstances should you get in the middle of an epic magical battle. Death will happen. Lots of death and bad things. I found a magic cell phone, opened an app I shouldn't have, burned down my high school's theatre, and it was all downhill from there. A seer guarded by the undead is my only hope for keeping my mom alive, and I'm pretty sure the cops are after me for destroying my dad's penthouse. But it gets better! Now I'm stuck being the sidekick to the guy who got me into this mess in the first place. It'll be a miracle if I survive until Monday. How I Magically Messed Up My Life in Four Freakin' Days is a whirlwind ride through a magical world. If you love to laugh, crave adventure, and wish you were a wizard, join Megan O'Russell's 550,000+ satisfied readers. Order your copy and join this magical journey now! *** How I Magically Messed Up My Life in Four Freakin' Days is perfect for fans of Kami Garcia, Rick Riordan, Jeff Strand, Terry Pratchett, Ransom Riggs, Missy Sheldrake, Anthea Sharp, J. C. Gilbert, Meg Collette, and TR Cameron.
In September 1943, Naples lay devastated by incessant bombardment from Allied planes. The city, under an iron occupation by the Germans, was without food. During the bombardment, the famed scugnizzi, the street boys, of Naples grew increasingly exasperated by the passiveness of their elders. Known for their daring, verve, and enterprise, the boys staged an incredible revolt against the Germans on September 28, 1943. Dragging furniture into the roadways, they built barricades and shot at the enemy with stolen guns, inspiring many adults and Italian army deserters to join their ranks. Three days and hundreds of deaths later, the Germans left the city for good. The author, who heard the story of those historic four days from the scugnizzi themselves in 1948, recounts the battle.
A remarkable debut novel, ‘Four Days in June’ is an imaginative but accurate reconstruction of five men – all real figures – five points of view, and four days of one of the world's most famous battles.
Another in the "Doom of London" series, in which the author sounds a clarion call of potential disasters that may fall upon the great city. Here he relates a tale of air pollution. Excerpt: They crawled along through the black suffocating darkness, feeble, languid, and sweating at every pore. There was a murky closeness in the vitiated atmosphere that seemed to take all the strength and energy away. At any other time the walk to Clarence Terrace would have been a pleasure, now it was a penance. They found their objective after a deal of patience and trouble. Hackness yelled in the doorway. There was a sound of footsteps and Cynthia Grimfern spoke. "Ah, what a relief it is to know that you are all right," she said. "I pictured all sorts of horrors happening to you. Will this never end, Martin?" She cried softly in her distress. Hackness felt for her hand and pressed it tenderly. "We are going to try my great theory," he said. "Eldred is with me, and we have got Williamson's permission to operate with the aeroplane."