[PDF] Flawed Words And Stubborn Sounds eBook

Author : Harold Bloom
Publisher : Cornell University Press
Page : 436 pages
File Size : 30,7 MB
Release : 1980
Category : Literary Criticism
ISBN : 9780801491856

GET BOOK

Offers authoritative readings of the major long poems and sequences, exploring their relationship to one another and to the works of Stevens' precursors.

Author : Bobby Joe Leggett
Publisher : Duke University Press
Page : 300 pages
File Size : 37,91 MB
Release : 1992
Category : Literary Criticism
ISBN : 9780822312017

GET BOOK

In recent years Nietzsche has emerged as a presiding genius of our intellectual epoch. Although scholars have noted the influence of Nietzsche's thought on Wallace Stevens, the publication of Early Stevens establishes, for the first time, the extent to which Nietzsche pervades Steven's early work. Concentrating on poems published between 1915 and 1935--but moving occasionally into later poems, as well as letters and essays--B.J. Leggett draws together texts of Stevens and Nietzsche to produce new and surprising readings of the poet's early work. For instance, "Peter Quince at the Clavier" is read in the light of Nietzsche's discussion of Apollonian and Dionysian art in The Birth of Tragedy; Stevens' early poems on religion, including principally "Sunday Morning," are seen through the perspective of Nietzsche's doctrines of the transvaluation of values, genealogy, and the innocence of becoming; Stevens' notions of femininity, virility, and poetry are examined in relation to Nietzsche's texts on gender and creativity. This intertextual critique reveals previously undisclosed ideologies operating at the margins of Stevens' work, enabling Leggett to read aspects of the poetry that have until now been unreadable. Early Stevens also considers such issues as Stevens' perspectivism, his aphoristic style, the Nietzschean epistemology of his poems of order, and the implications of notions of art, untruth, fiction, and interpretation in both Stevens and Nietzsche. Though many critics have discussed the concept of intertextuality, few have attempted a truly intertextual reading of a particular poet. Early Stevens is an exemplary model of such a reading, marking a significant advance in both the form and substance of our understanding of this quintessential modern poet.

Author : David Clippinger
Publisher : University of Delaware Press
Page : 298 pages
File Size : 10,94 MB
Release : 2006
Category : Literary Criticism
ISBN : 9780874139143

GET BOOK

Throughout the latter half of the twentieth century, the poet WilliamBronk (1918-1999) was a significant voice in the American literarylandscape. Even though he spent nearly all of his life in Hudson Falls, NY, Bronk was a vital presence in American poetry as evidenced byhis connections to Robert Frost, Charles Olson, George Oppen, RobertCreeley, Wallace Stevens, Susan Howe, Rosemarie Waldrop, andothers. The Mind's Landscape attempts to present a freshperspective of twentieth-century literary history as seen through thelens of Bronk's life as a writer

Author : Allen Edwards
Publisher : New York : W. W. Norton
Page : 128 pages
File Size : 26,10 MB
Release : 1972-01
Category : Composers
ISBN : 9780393021592

GET BOOK

The conversation presented to the reader in the following pages is a condensed, reordered, and partly rewritten transcript of a series of tape-recorded interviews between Elliott Carter and myself that took place at intervals over the period from 1968-1970. - Foreword.

Author : Jed Rasula
Publisher : University of Alabama Press
Page : 324 pages
File Size : 41,16 MB
Release : 2004-05-18
Category : Literary Criticism
ISBN : 0817350306

GET BOOK

An analysis of the sustaining vitality behind contemporary American poetry from 1975 to the 2003, these 12 essays examine both exemplary innovators and the social context in which innovation is resisted, acclaimed, or taken for granted.

Author : Bj Heile
Publisher : Routledge
Page : 274 pages
File Size : 32,88 MB
Release : 2017-07-05
Category : Music
ISBN : 1351542400

GET BOOK

This collection of essays offers a historical reappraisal of what musical modernism was, and what its potential for the present and future could be. It thus moves away from the binary oppositions that have beset twentieth-century music studies in the past, such as those between modernism and postmodernism, between conceptions of musical autonomy and of cultural contingency and between formalist-analytical and cultural-historical approaches. Focussing particularly on music from the 1970s to the 1990s, the volume assembles approaches from different perspectives to new music with a particular emphasis on a critical reassessment of the meaning and function of the legacy of musical modernism. The authors include scholars, musicologists and composers who combine culturally, socially, historically and aesthetically oriented approaches with analytical methods in imaginative ways.

Author : Laurence Lampert
Publisher : University of Chicago Press
Page : 244 pages
File Size : 21,61 MB
Release : 1996
Category : Philosophy
ISBN : 9780226468266

GET BOOK

For Lampert, Strauss's essay is equally important for understanding Strauss himself. Lampert's Strauss is a sympathetic admirer of Nietzsche and his teachings, who ultimately situates him in the company of Plato and elevates understanding the contest between Plato and Nietzsche into the highest task facing contemporary or postmodern philosophy. Why, then, should Strauss have kept this admiration hidden while permitting such a distorted public view of his thought? And why should he have discouraged others from appreciating the teachings that had proved so important to his own philosophical liberation and training? According to Lampert, the answers lie in Strauss's own esoteric writing, full of subtexts, implications, and consequences. Strauss conceived of philosophy as a furtive undertaking, and believed Nietzsche had rejected the necessity of this role for philosophy in favor of a daring candor.

Author : David Kleinberg-Levin
Publisher : Lexington Books
Page : 240 pages
File Size : 19,58 MB
Release : 2012-08-31
Category : Philosophy
ISBN : 0739177524

GET BOOK

This book boldly ventures to cross some traditional academic boundaries, offering an original, philosophically informed argument regarding the nature of language by reading and interpreting the poetry of Wallace Stevens and the novels of Vladimir Nabokov. So it is a work both in literary criticism and in philosophy. The approach is strongly influenced by Walter Benjamin’s philosophy of language and Theodor Adorno’s aesthetic theory, but the philosophical thought of other philosophers—notably Plato, Kant, Hegel, Emerson, Heidegger, and Wittgenstein—figures significantly in the reading and interpretation. The essence of the argument is that, despite its damaged condition (standardization, commodification, staleness), language is, as such, by virtue of its very existence, the bearer of a utopian or messianic promise of happiness. Moreover, it is argued that, by reconciling the two senses of sense (sensuous sense and intelligible sense), showing the sheer power of words to create fictional worlds and destroy what they have just created, and redeeming the revelatory power of words—above all, the power to turn the familiar into something no longer familiar, something astonishing or perplexing—the two writers in this study sustain our hope for a world of reconciled antagonisms and contradictions, evoking in the way they freely play with the sounds and meanings of words, some intimations of a world—our world here, this very world, not some heavenly world—in which the promise of happiness would be fulfilled and redeemed. In the first part of the book, reflecting on the poetry of Stevens, Kleinberg-Levin argues that the poet defies the correspondence theory of truth to enable words to be faithful to truth as transformative and revelatory—what Heidegger calls “unconcealment”, translating the Greek. He also argues that in the pleasure we get from the sensuous play of words, there is an anticipation of the promise of happiness that challenges the theological doctrine of an otherworldly happiness and makes the religious experience seem like a paltry substitute. In the second part of the book, Kleinberg-Levin shows how Nabokov inherits Mallarmé’s conception of literature, causing with his word-plays the sudden reduction of the fictional world he has just so compellingly created to its necessary conditions of materiality: white paper, ink, print on the page. We thus see the novel as a work of fiction, as mere semblance; we see its conditions of possibility, created and destroyed before our very eyes. But the pleasure in seeing words doing this, and the pleasure in their sensuous materiality, are intimations of the promise of happiness that language bears. Using a Kantian definition of modernism, according to which a work is modernist if it reveals and questions the inherited assumptions about its necessary conditions of possibility, these studies show how and why both Stevens and Nabokov are exemplars of literary modernism.