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Filthy Fictions addresses Asian American literature by women to explore and explode the sedimented and solidified meanings we have created about 'Asian American' and 'dirt' through dialogues that not only cross disciplinary and institutional formations and borders, but also question the very borders and territories upon which these arguments may be founded. Expertly questioning the construction of the ethnic body, the book discusses critical discourses in ethnic and feminist studies around the topic of identity (re)production and transnational representation.
INSTANT NATIONAL BESTSELLER WINNER OF THE STORY PRIZE SHORTLISTED FOR THE DYLAN THOMAS PRIZE NAMED A BEST BOOK OF THE YEAR BY USA TODAY, NPR, VULTURE, MARIE CLAIRE, THE TIMES OF LONDON, GOOD HOUSEKEEPING, AND PUBLISHERS WEEKLY A group portrait of young adults enmeshed in desire and violence, a hotly charged, deeply satisfying new work of fiction from the author of Booker Prize finalist Real Life In the series of linked stories at the heart of Filthy Animals, set among young creatives in the American Midwest, a young man treads delicate emotional waters as he navigates a series of sexually fraught encounters with two dancers in an open relationship, forcing him to weigh his vulnerabilities against his loneliness. In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty. One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as “a writer who wields his craft in absolutely unforgettable ways.” With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.
What do you get when you cross a steamy romance author with two hot guys who compete for her attention? A whole f-ton of sexual frustration. And that’s where I find myself, caught between my father’s best friend and the man he hires to be my bodyguard. Each man turns me on. Each man bosses me around. Each man makes me want to obey. It’s impossible to choose between them…but what if I don’t have to choose? Filthy Fiction is the first book of four in the Their Little Liar series. It features steamy menage action with two men who treasure and adore (and might even someday share) one woman. Filthy Fiction does not stand alone. If you like epic MFM romances filled with drama, heat, and suspense, buy your copy today!
The world is anything but unfamiliar with diaspora: Jewish, African, Armenian, Roma-Gipsy, Filipino/a, Tamil, Irish or Italian, even Japanese. But few have carried so global a resonance as that of China. What, then, of literary-cultural expression, the huge body of fiction which has addressed itself to that plurality of lives and geographies and which has come to be known as “After China”? This collection of essays offers bearings on those written in English, and in which both memory and story are central, spanning the USA to Australia, Canada to the UK, Hong Kong to Singapore, with yet others of more transnational nature.This collection opens with a reprise of woman-authored Chinese American fiction using Maxine Hong Kingston and Amy Tan as departure points. In turn follow readings of the oeuvres of Tan and Frank Chin. A comparative essay takes up novels by Canadian, American and Australian authors from the perspective of migrancy as fracture. Chinese Canada comes into view in accounts of SKY Lee, Wayson Choy, Evelyn Lau and Larissa Lai. Australia under Chinese literary auspices is given a comparative mapping through the fiction of Brian Castro and Ouyang Yu. The English language “China fiction” of Singapore and Hong Kong is located in essays centred, respectively, on Martin Booth and Po Wah Lam, and Hwee Hwee Tan and Colin Cheong. The collection rounds out with portraits of Timothy Mo as British transnational author, a selection of contextual Chinese British stories and art, and the phenomenon of “Chinese Chick Lit” novels. China Fictions/English Language will be of interest to readers drawn both to “After China” as diasporic literary heritage and comparative literature in general.
"Mr. Hamid reaffirms his place as one of his generation's most inventive and gifted writers." –Michiko Kakutani, The New York Times "A globalized version of The Great Gatsby . . . [Hamid's] book is nearly that good." –Alan Cheuse, NPR "Marvelous and moving." –TIME Magazine From the internationally bestselling author of The Reluctant Fundamentalist and Exit West, the boldly imagined tale of a poor boy’s quest for wealth and love His first two novels established Mohsin Hamid as a radically inventive storyteller with his finger on the world’s pulse. How to Get Filthy Rich in Rising Asia meets that reputation—and exceeds it. The astonishing and riveting tale of a man’s journey from impoverished rural boy to corporate tycoon, it steals its shape from the business self-help books devoured by ambitious youths all over “rising Asia.” It follows its nameless hero to the sprawling metropolis where he begins to amass an empire built on that most fluid, and increasingly scarce, of goods: water. Yet his heart remains set on something else, on the pretty girl whose star rises along with his, their paths crossing and recrossing, a lifelong affair sparked and snuffed and sparked again by the forces that careen their fates along. How to Get Filthy Rich in Rising Asia is a striking slice of contemporary life at a time of crushing upheaval. Romantic without being sentimental, political without being didactic, and spiritual without being religious, it brings an unflinching gaze to the violence and hope it depicts. And it creates two unforgettable characters who find moments of transcendent intimacy in the midst of shattering change.
The latest novel in the powerfully erotic series which started with Filthy Beautiful Lies. 18+ One seemingly innocent promise. The one girl he could never forget. Collins Drake exercises control over all facets of his life. From his business, to his relationships, to satisfying his physical needs, it all happens on his command. So when a woman shows up at his door and reminds him of a promise they made to each other when they were just ten years old, it shouldn't have the ability to rock his entire world. Yet it does. Because Mia Monroe wasn't just his childhood best friend, she wasn't just the girl he lost his virginity to and hasn't seen since, she's the one exception to his perfect control. And piece by piece, she's about to tear apart his carefully laid plans.
Running with Scissors meets Grey Gardens in this “vivid tragicomedy” (People), a riveting riches-to-rags tale of a wealthy family who lost it all and the unforgettable journey of a man coming to terms with his family’s deep flaws and his own hidden secrets. “Wake up, you filthy beasts!” Wendy Hamill would shout to her children in the mornings before school. Startled from their dreams, Kirk and his two brothers couldn’t help but wonder—would they find enough food in the house for breakfast? Following a hostile exit from New York’s upper-class society, newly divorced Wendy and her three sons are exiled from the East Coast elite circle. Wendy’s middle son, Kirk, is eight when she moves the family to her native Bermuda, leaving the three young boys to fend for themselves as she chases after the highs of her old life: alcohol, a wealthy new suitor, and other indulgences. After eventually leaving his mother’s dysfunctional orbit for college in New Orleans, Kirk begins to realize how different his family and upbringing is from that of his friends and peers. Split between rich privilege—early years living in luxury on his family’s private compound—and bare survival—rationing food and water during the height of his mother’s alcoholism—Kirk is used to keeping up appearances and burying his inconvenient truths from the world, until he’s eighteen and falls in love for the first time. A keenly observed, fascinating window into the life of extreme privilege and a powerful story of self-acceptance, Filthy Beasts is “a stunning, deeply satisfying story about how we outlive our upbringings” (Kirkus Reviews, starred review).
Filthy Fictions addresses Asian American literature by women to explore and explode the sedimented and solidified meanings we have created about "Asian Americans" and "dirt" through dialogues that not only cross disciplinary and institutional formations and borders, but also question the very borders and territories upon which these arguments may be founded. Expertly questioning the construction of the ethnic body, the book discusses critical discourses in ethnic and feminist studies around the topic of identity (re)production and transnational representation.
This is book 1 of the Filthy Mafia Romance series! Books 2 and 3 are available everywhere now! He’s a filthy beast, but I can’t stay away. A ruthless, gorgeous mob boss. A helpless single mother. Their dark, explosive romance… And the baby that it birthed. DIANA I’m a single mom with a six-year old son. But I’m no pushover. When notorious local jerk Ethan Chambers comes waltzing into my store with arrogant demands, I tell him to stick it where the sun don’t shine. But pissing him off might’ve been a huge mistake. Now, he’s determined to break me by any means possible. And when he demands my body in exchange for my son’s life, I have no choice but to accept. I never expected to fall for him during our brutal, bound sessions in his office. And I certainly never expected what he asked for when we were done… ETHAN I asked for a favor, and she denied me. Big mistake. No one defies a mob boss like me. I’ve fought and killed more men than I can count to get where I am today. And this curvy little fox will simply be the next to fall on her knees. But having her killed might be unnecessary. A waste of beauty and tempting innocence. Maybe, I can put her to a better use… Like coming to my office whenever I want and pleasing me. With her sassy mouth and smooth hands, she’s exactly the type I like to play with. She’ll bend, she’ll break, she’ll beg me for more. But soon, pure pleasure isn’t enough. I want something more. Something to carry my name after I die. I want a baby… And she’ll be the one to give it to me. *** A mob boss with a body to die for? An innocent woman caught in his trap? And an UNEXPECTED BABY? What more could you want?? FILTHY, the latest dark mafia romance series from bestselling mob romance author Zoey Parker, is the hottest book of the year. It’s a twisted trip into the mind (and the bedroom) of sex fiend Ethan Chambers. Along the way, you’ll get thrilling suspense, pure love, and the steamiest, naughtiest scenes you could ever imagine. Check it out now!
How do lawyers, judges and jurors read novels? And what is at stake when literature and law confront each other in the courtroom? Nineteenth-century England and France are remembered for their active legal prosecution of literature, and this book examines the ways in which five novels were interpreted in the courtroom: Gustave Flaubert’s Madame Bovary, Paul Bonnetain’s Charlot s’amuse, Henry Vizetelly’s English translation of Émile Zola’s La Terre, Oscar Wilde’s The Picture of Dorian Gray and Radclyffe Hall’s The Well of Loneliness. It argues that each of these novels attracted legal censure because they presented figures of sexual dissidence – the androgyne, the onanist or masturbator, the patricide, the homosexual and the lesbian – that called into question an increasingly fragile normative, middleclass masculinity. Offering close readings of the novels themselves, and of legal material from the proceedings, such as the trial transcripts and judicial opinions, the book addresses both the doctrinal dimensions of Victorian obscenity and censorship, as well as the reading practices at work in the courtroom. It situates the cases in their historical context, and highlights how each trial constitutes a scene of reading – an encounter between literature and the law – through which different forms of masculinity were shaped, bolstered or challenged.