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Festival, Comedy and Tragedy

Author : Francisco R Adrados
Publisher : BRILL
Page : 478 pages
File Size : 43,59 MB
Release : 2023-08-21
Category : History
ISBN : 900467604X

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Festival, Comedy and Tragedy

Author : Francisco Rodríguez Adrados
Publisher : Brill Archive
Page : 486 pages
File Size : 45,11 MB
Release : 1975-01-01
Category : Drama
ISBN : 9789004043138

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Persae

Author : Aeschylus
Publisher :
Page : 88 pages
File Size : 48,46 MB
Release : 1922
Category : Greece
ISBN :

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Tragedy on the Comic Stage

Author : Matthew C. Farmer
Publisher : Oxford University Press
Page : 289 pages
File Size : 17,73 MB
Release : 2017
Category : Drama
ISBN : 0190492074

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Aristophanes' engagement with tragedy is one of the most striking features of his comedies. Tragedy on the Comic Stage contextualizes this engagement with tragedy within Greek comedy as a genre by examining paratragedy in the fragments of Aristophanes' contemporaries and successors in the fifth and fourth centuries.

Hecuba

Author : Euripides
Publisher :
Page : 112 pages
File Size : 12,67 MB
Release : 1924
Category : Hecuba (Legendary character)
ISBN :

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Euripides: Alcestis

Author : Niall W. Slater
Publisher : A&C Black
Page : 112 pages
File Size : 22,22 MB
Release : 2013-10-24
Category : Literary Criticism
ISBN : 1780934742

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In the Alcestis, the title character sacrifices her own life to save that of her husband, Admetus, when he is presented with the opportunity to have someone die in his place. Alcestis compresses within itself both tragedy and its apparent reversal, staging in the process fascinating questions about gender roles, family loyalties, the nature of heroism, and the role of commemoration. Alcestis is Euripides's earliest complete work and his only surviving play from the period preceding the outbreak of the Peloponnesian War. Currently dominant post-structuralist models of Greek tragedy focus on its 'oppositional' role in the discourse of war and public values. This study challenges not only this politicised model of tragic discourse but also both traditional masculinist and more recent feminist readings of the discourse and performance of gender in this remarkable play. The play survived in the performance repertoire of antiquity into the Roman period. Euripides' version strongly influenced the reception of the myth through the middles ages into the Renaissance, and the story enjoyed a lively afterlife through opera. Alcestis' contested reception in the last two centuries charts our changing understanding of tragedy. Niall Slater's study explores the reception and afterlife of the play, as well as its main themes, the myth before the play, the play's historical and social context and the central developments in modern criticism.