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When LeRoy Neiman and Hugh Hefner met in the early 1950s, while Neiman was doing women's high fashion drawings and Hefner was a copywriter in a Chicago department store, neither could have predicted that a twelve-inch woman called Femlin was waiting in the wings. But Femlin is mischievous. She's spunky. And she knows how to strike while the iron is hot. Fifty years later, Femlin is still going strong and sassy. Neiman has drawn her for every issue of Playboy for the last half-century, showing her at play, at sport, and at her ease.
LeRoy Neiman was arguably the world’s most recognizable contemporary artist until his passing in June 2012. He broke the barrier between fine art and popular art while creating indelible images that helped define the twentieth century. But it is the life he lived and the people he knew that make the memoir of this scrappy Depression-era kid who became a swashbuckling bon vivant with the famous mustache such a marvelous historical canvas. Chronicler and confidant of Muhammad Ali, Neiman also traveled with Sinatra, cavorted with Dalí and Warhol, watched afternoon soaps with Dizzy Gillespie, played in Sly Stallone’s Rocky movies, exchanged quips with Nixon, smoked cigars with Castro, and experienced the terrorist attacks at the Munich Olympics alongside Peter Jennings, Howard Cosell, and Jim McKay. And then there was his half-century relationship with Hugh Hefner as principle artistic contributor to Playboy, setting up studios in London and Paris to cover his Playboy beat, “Man at His Leisure,” and his creation of the Femlin, the iconic Playboy nymphette. With his life’s work, and in All Told, LeRoy Neiman captured sports heroes, movie stars, presidents, dishwashers, jet-setters, jockeys, and more than a few Bunnies at the Playboy Mansion—a panoramic record of society like no other.
The untold story of an American hustler who upset the art world and became a pop culture icon, cutting a swath across twentieth-century history and culture. LeRoy Neiman—the cigar-smoking and mustachioed artist famous for his Playboy illustrations, sports paintings, and brash interviews—stood among the twentieth century’s most famous, wealthy, and polarizing artists. His stylish renderings of musicians, athletes, and sporting events captivated fans but baffled critics, who accused Neiman of debasing art with popular culture. Neiman cashed in on the controversy, and his extraordinary popularity challenged the norms of what art should be, where it belongs, and who should have access to it. The story of a Depression-era ragamuffin–turned–army chef–turned–celebrity artist, Neiman’s biography is a rollicking ride through twentieth-century American history, punctuated by encounters with the likes of Muhammad Ali, Frank Sinatra, Joe Namath, and Andy Warhol. In the whirlwind of his life, Neiman himself once remarked that even he didn’t know who he really was—but, he said, the fame and money that came his way made it all worth it. In this first biography of the captivating and infamous man, Travis Vogan hunts for the real Neiman amid the America that made him. .
For some, nothing is as pleasurable as the smell and taste of a great cigar. For them, Playboy The Book of Cigars will be the next best thing to lighting up. Whether you want to learn the ?ner points of cutters, cutting, or humidors, or want to understand more about how ?ne tobacco is grown and ?ne cigars rolled, it’s all here for you. Learn why Cuban cigars are so sought-after, what ?ne cigars from the Dominican Republic and Honduras have to offer, and whether cigars from Cameroon and the Canary Islands are worth your time. With a foreword by artist and bon vivant LeRoy Neiman and an afterword by award-winning actor Joe Mantegna, there is more than a touch of the good life here. Sprinkled with photographs from around the world, enlivened by sexy Playboy beauties, and featuring illustrated images of celebrities by Risko, there has never been a cigar book offering more of the good life than Playboy The Book of Cigars. It’s the perfect book to keep next to your humidor.
"Rucker’s four Ware novels—Software, Wetware , Freeware , and Realware—form an extraordinary cyberweird future history with the heft of an epic fantasy novel and the speed of a quantum processor. Still exuberantly fresh despite their age, they primarily follow two characters (and their descendants): Cobb Anderson, who instigated the first robot revolution and is offered immortality by his grateful “children,” and stoner Sta-Hi Mooney, who (against his impaired better judgment) becomes an important figure in robot-human relations. Over several generations, humans, robots, drugs, and society evolve, but even weird drugs and the wisdom gathered from interstellar signals won’t stop them from making the same old mistakes in new ways. Rucker is both witty and serious as he combines hard science and sociology with unrelentingly sharp observations of all self-replicating beings. This classic series well deserves its omnibus repackaging, particularly suitable for libraries." — Publisher's Weekly. "Rudy Rucker is one of the modern heroes of science fiction, one of the original cyberpunks. The early cyberpunks only had a few writers who could be meaningfully called punks — writers like John Shirley and Richard Kadrey — but there was only one who could truly be called cyber: Rudy Rucker. Rucker is a mad professor, a mathematician and computer scientist with a serious, scholarly interest in the limits of computation and the physics and mathematics of higher-dimension geometry. But that’s just about the only thing you can describe as 'serious' when it comes to Rucker. He’s a gonzo wildman, someone for whom 'trippy' barely scratches the surface. His work is shot through with weird sex, weird drugs, weird brain chemistry, and above all, weird science." — Cory Doctorow
One journey. Six stories. Mind-blowing fantasy from the Hugo Award winner, “one of the most important science fiction authors” (SF Site). In The Compleat Traveller in Black, six linked tales, comprising one of Brunner’s rare ventures into fantasy, relate the legend of a man with many names, who travels the world with a staff made of light and performs his eternal duty by bringing order to a world filled with chaos. What he dispenses is always asked for but not always welcomed by the recipients. And the world becomes, step by slow step, a better place for those who remain. For each generation, there is a writer meant to bend the rules of what we know. Hugo Award winner (Best Novel, Stand on Zanzibar) and British science fiction master John Brunner remains one of the most influential and respected authors of all time, and now many of his classic works are being reintroduced. For readers familiar with his vision, this is a chance to reexamine his thoughtful worlds and words, while for new readers, Brunner’s work proves itself the very definition of timeless.
LeRoy Neiman was arguably the world’s most recognizable contemporary artist until his passing in June 2012. He broke the barrier between fine art and popular art while creating indelible images that helped define the twentieth century. But it is the life he lived and the people he knew that make the memoir of this scrappy Depression-era kid who became a swashbuckling bon vivant with the famous mustache such a marvelous historical canvas. Chronicler and confidant of Muhammad Ali, Neiman also traveled with Sinatra, cavorted with Dalí and Warhol, watched afternoon soaps with Dizzy Gillespie, played in Sly Stallone’s Rocky movies, exchanged quips with Nixon, smoked cigars with Castro, and experienced the terrorist attacks at the Munich Olympics alongside Peter Jennings, Howard Cosell, and Jim McKay. And then there was his half-century relationship with Hugh Hefner as principle artistic contributor to Playboy, setting up studios in London and Paris to cover his Playboy beat, “Man at His Leisure,” and his creation of the Femlin, the iconic Playboy nymphette. With his life’s work, and in All Told, LeRoy Neiman captured sports heroes, movie stars, presidents, dishwashers, jet-setters, jockeys, and more than a few Bunnies at the Playboy Mansion—a panoramic record of society like no other.
Microfluidics is a young and rapidly expanding scientific discipline, which deals with fluids and solutions in miniaturized systems, the so-called lab-on-a-chip systems. It has applications in chemical engineering, pharmaceutics, biotechnology and medicine. As the lab-on-a-chip systems grow in complexity, a proper theoretical understanding becomes increasingly important. The basic idea of the book is to provide a self-contained formulation of the theoretical framework of microfluidics, and at the same time give physical motivation and examples from lab-on-a-chip technology. After three chapters introducing microfluidics, the governing equations for mass, momentum and energy, and some basic flow solutions, the following 14 chapters treat hydraulic resistance/compliance, diffusion/dispersion, time-dependent flow, capillarity, electro- and magneto-hydrodynamics, thermal transport, two-phase flow, complex flow patterns and acousto-fluidics, as well as the new fields of opto- and nano-fluidics. Throughout the book simple models with analytical solutions are presented to provide the student with a thorough physical understanding of order of magnitudes and various selected microfluidic phenomena and devices. The book grew out of a set of well-tested lecture notes. It is with its many pedagogical exercises designed as a textbook for an advanced undergraduate or first-year graduate course. It is also well suited for self-study.
Over the past decades, the Boundary Element Method has emerged as a ver satile and powerful tool for the solution of engineering problems, presenting in many cases an alternative to the more widely used Finite Element Method. As with any numerical method, the engineer or scientist who applies it to a practical problem needs to be acquainted with, and understand, its basic principles to be able to apply it correctly and be aware of its limitations. It is with this intention that we have endeavoured to write this book: to give the student or practitioner an easy-to-understand introductory course to the method so as to enable him or her to apply it judiciously. As the title suggests, this book not only serves as an introductory course, but also cov ers some advanced topics that we consider important for the researcher who needs to be up-to-date with new developments. This book is the result of our teaching experiences with the Boundary Element Method, along with research and consulting activities carried out in the field. Its roots lie in a graduate course on the Boundary Element Method given by the authors at the university of Stuttgart. The experiences gained from teaching and the remarks and questions of the students have contributed to shaping the 'Introductory course' (Chapters 1-8) to the needs of the stu dents without assuming a background in numerical methods in general or the Boundary Element Method in particular.