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Evelyn Pickering De Morgan and the Allegorical Body

Author : Elise Lawton Smith
Publisher : Fairleigh Dickinson Univ Press
Page : 268 pages
File Size : 31,68 MB
Release : 2002
Category : Art
ISBN : 9780838638835

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"This study of her work confirms that the idea of progress toward the afterlife is a recurrent motif, arising from a personal involvement in the movement of Spiritualism and paralleling the automatic writing passages in The Result of an Experiment (1909), anonymously published by Evelyn and her husband William De Morgan.".

Joseph Vance

Author : William De Morgan
Publisher :
Page : 568 pages
File Size : 18,75 MB
Release : 1906
Category :
ISBN :

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The Beauty of the Cross

Author : Richard Viladesau
Publisher : OUP USA
Page : 225 pages
File Size : 27,56 MB
Release : 2006-01-05
Category : Architecture
ISBN : 019518811X

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Viladesau focuses on poetry and the visual arts as he seeks to understand 'The Beauty of the Cross' as it developed in theology and art from the early Christian era through the middle ages.

The Making of Women Artists in Victorian England

Author : Jo Devereux
Publisher : McFarland
Page : 265 pages
File Size : 45,9 MB
Release : 2016-08-02
Category : Art
ISBN : 1476626049

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When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. The Royal Female College of Art, the South Kensington Schools and the Slade School of Fine Art also produced increasing numbers of women artists. Their entry into a male-dominated art world altered the perspective of other artists and the public. They came from disparate levels of society--Princess Louise, the fourth daughter of Queen Victoria, studied sculpture at the National Art Training School--yet they all shared ambition, talent and courage. Analyzing their education and careers, this book argues that the women who attended the art schools during the 1860s and 1870s--including Kate Greenaway, Elizabeth Butler, Helen Allingham, Evelyn De Morgan and Henrietta Rae--produced work that would accommodate yet subtly challenge the orthodoxies of the fine art establishment. Without their contributions, Victorian art would be not simply the poorer but hardly recognizable to us today.

Suffragist Artists in Partnership

Author : Rose Lucy Ella Rose
Publisher : Edinburgh University Press
Page : 326 pages
File Size : 45,62 MB
Release : 2017-11-22
Category : Art
ISBN : 1474421474

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Explores the interconnected creative partnerships of the Wattses and De Morgans - Victorian artists, writers and suffragists This is the first book dedicated to examining the marital relationships of Mary and George Watts and Evelyn and William De Morgan as creative partnerships. The study demonstrates how they worked, individually and together, to support greater gender equality and female liberation in the nineteenth century. The author traces their relationship to early and more recent feminism, reclaiming them as influential early feminists and reading their works from twentieth-century theoretical perspectives. By focusing on neglected female figures in creative partnerships, the book challenges longstanding perceptions of them as the subordinate wives of famous Victorian artists and of their marriages as representatives of the traditional gender binary. This is also the first academic critical study of Mary Watts's recently published diaries, Evelyn De Morgan's unpublished writings and other previously unexplored archival material by the Wattses and the De Morgans. Key Features:Reveals the ways in which the couples promoted progressive socio-political ideasDraws on extensive archival research and analyses unpublished writings, including diaries and poemsFocuses on neglected female figures in creative partnerships to challenge longstanding perceptions of them as the submissive or subordinate wives of famous Victorian artists, and of their marriages as representatives of the traditional gender binaryShows how male and female writers and artists engaged with mid-to-late Victorian feminism together and individually, reclaiming them as influential early feminists

Truth & Beauty

Author : Melissa E. Buron
Publisher : Prestel
Page : 0 pages
File Size : 21,20 MB
Release : 2018
Category : ART
ISBN : 9783791357287

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This catalog was "published by the Fine Arts Museums of San Francisco and DelMonico Books (Prestel) on the occasion of the exhibition of the same name at the Legion of Honor, San Francisco, from June 30 to September 30, 2018."

John Ruskin, the Pre-Raphaelites, and Religious Imagination

Author : Sheona Beaumont
Publisher : Springer Nature
Page : 323 pages
File Size : 14,30 MB
Release : 2023-06-26
Category : Religion
ISBN : 3031215540

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This volume presents a collection of essays by leading experts which examine nineteenth century ideas about Christian theology, art, architecture, restoration, and curatorial practice. The volume unveils the importance of John Ruskin’s writing for today’s audience, and allies it with the dynamism of the Pre-Raphaelite religious imagination. Ruskin’s drawings and daguerreotypes, as well as Pre-Raphaelite paintings, stained glass, and engravings, are shown to be alive with visual theology: artists such as Dante Gabriel Rossetti, John Everett Millais, Edward Burne-Jones, and Evelyn de Morgan illuminate aspects of faith and aesthetics. The interdisciplinary nature of this volume encourages reflection upon praise, truth, and beauty. The aesthetic conversations between Ruskin and the Pre-Raphaelites themselves become a form of ‘sacra conversazione’.

Gospel as Work of Art

Author : David Brown
Publisher : Wm. B. Eerdmans Publishing
Page : 1057 pages
File Size : 40,96 MB
Release : 2024-03-07
Category : Religion
ISBN : 1467465992

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A lushly illustrated, magisterial exploration of the imaginative truth of the gospel In the modern academy, truth and imagination are thought to be mutually exclusive. But what if truth can spring from other fonts, like art, literature, and invention? The legacy of the Enlightenment favors historical and empirical inquiry above all other methods for searching for truth. But this assumption stymies our theological explorations. Though the historicity of Jesus’s life, death, and resurrection is important, it is not of sole importance. For instance, is John’s Gospel any less “true” than the Synoptics just because it’s less historically accurate? David Brown challenges us to expand our understanding of the gospel past source criticism and historical Jesus studies to include works of imagination. Reading Scripture in tandem with works of art throughout the centuries, Brown reenvisions the gospel as an open text. Scholars of theology and biblical studies, freed from literalism, will find new avenues of revelation in Gospel as Work of Art. This volume includes over one hundred color illustrations.