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Was Esther unique—an anomaly in patriarchal society? Conventionally, scholars see ancient Israelite and Jewish women as excluded from the public world, their power concentrated instead in the domestic realm and exercised through familial structures. Rebecca S. Hancock demonstrates, in contrast, that because of the patrimonial character of ancient Jewish society, the state was often organized along familial lines. The presence of women in roles of queen consort or queen is therefore a key political, and not simply domestic, feature.
The Dawn removes the book of Esther from the realm of fairy tale, translating the biblical narrative's political thought into teachings of the utmost relevance today. It reveals Esther's ideas of the good state, how effective leadership makes decisions for the welfare of its people, and what modern-day Jews can learn about how to stand up to their enemies and maintain Jewish faith and nationhood even as God's face remains hidden from His people.
". . . practical strategies to help you become the queen you deserve to be." The story of Queen Esther, the orphan girl who became Queen of Persia and saved her people, has inspired millions and is the focus of a joyful celebration of thanksgiving--but there's more to Esther's story than meets the eye. Connie Glaser and Barbara Steinberg Smalley found something remarkable--Esther's tale contains the ingredients every woman needs to succeed in the business world today. From Esther's start as a contestant in the ancient world's largest beauty pageant to her triumph over the evil Haman, the authors use her example as a strategist, a risk-taker, and a persuasive speaker to provide a new archetype for contemporary women's success in business. Along the way, they answer questions such as: - Do I really need a mentor, and if so, how do I find one? - What can I do to be taken more seriously? - How can I get the credit and recognition I deserve--without seeming pushy or aggressive? - How important is risk-taking to my career success? Smart, savvy, and strategic, Queen Esther provides an impressive role model for women today.
A new perspective on essential aspects of Esther’s plot and characters for students and scholars Empire and Gender in LXX Esther foregrounds and highlights empire as the central lens in this provocative new reading of Esther. This book provides a unique synchronic reading of LXX Esther with the Additions, allowing the presence and negotiation of imperial power to be further illuminated throughout the story’s plot. Stone explores and demonstrates how performances of gender are inextricably intertwined with the exertion and negotiation of imperial power portrayed in LXX Esther and offers examples of connections to the range of imperial power experienced by Jewish people during the late Second Temple period. Features: An exploration of the tenets and methodology of imperial-critical approaches Focused attention to the final form of LXX Esther Construction of early audiences for LXX Esther in first-century BCE Ptolemaic Alexandria and Hasmonean Judea
The Hebrew Bible's fascinating narratives about women have occasioned some of the most important biblical scholarship of the last generation. Lillian Klein contributes to that wealth with her absorbing studies of key figures in the narrative material: Deborah, Jephtha's daughter, Delilah, Jael, the whore of Gaza, Kaleb's daughter Achsah, Hannah, Esther, the wife of Job, David's wife Michal, and Bathsheba. With a marvelous eye for the telling detail -- or its absence -- Klein examines the biblical portraits, often unfortunately brief, of these women and the dynamics of gender, power, and honor at work in their stories. A remarkably lucid and careful scholar, Klein has surfaced the underlying and ironic ideals of womanhood in a society that both honored and marginalized women in stories of seduction and rivalry, deviation and obedience, public shame and private power.
This book approaches the holiday of Purim as profane, freed to human use and ends, in order to consider the political legacy of the biblical story of Esther in festival and art works. Jo Carruthers explores carnival and synagogue practices, the purimshpil (Purim's own dramatic genre), illuminated Esther scrolls, as well as artworks by Botticelli, Millais and Jan Steen. The complex and astute interrogation of political life in such festival and artworks is analysed through theories of sovereignty, law, precarity and hospitality by key political thinkers such as Giorgio Agamben, Hannah Arendt, Walter Benjamin, Judith Butler, Jacques Derrida, and Jacques Rancière. Carruthers considers different motifs of boundary conservation and dissolution, as a means of contemplating the political implications of Purim and the Esther story for diaspora politics. How is sovereignty aspired to and attained by marginalized and threatened communities? How can one respond to the ethical call of hospitality to relax sovereign boundaries whilst protecting and celebrating that which is exceptional? The practice of giving gifts, mishloach manos, offers a model of hospitality that together with Purim's profane impulse is epitomized in the final chapter's discussion of a 2018 Brooklyn purimshpil, that offers a riotous ridiculing of white supremacist rhetoric, norms of domination, capitalist inequalities, modern slavery and ablest identities and assumptions.
This book approaches the holiday of Purim as profane, freed to human use and ends, in order to consider the political legacy of the biblical story of Esther in festival and art works. Jo Carruthers explores carnival and synagogue practices, the purimshpiln (Purim's own dramatic genre), illuminated Esther scrolls, as well as artworks by Botticelli, Millais and Jan Steen. The complex and astute interrogation of political life in such festival and artworks is analysed through theories of sovereignty, law, precarity and hospitality by key political thinkers such as Giorgio Agamben, Hannah Arendt, Walter Benjamin, Judith Butler, Jacques Derrida, and Jacques Rancière. Carruthers considers different motifs of boundary conservation and dissolution, as a means of contemplating the political implications of Purim and the Esther story for diaspora politics. How is sovereignty aspired to and attained by marginalized and threatened communities? How can one respond to the ethical call of hospitality to relax sovereign boundaries whilst protecting and celebrating that which is exceptional? The practice of giving gifts, mishloach manos, offers a model of hospitality that together with Purim's profane impulse is epitomized in the final chapter's discussion of a 2018 Brooklyn purimshpil, that offers a riotous ridiculing of white supremacist rhetoric, norms of domination, capitalist inequalities, modern slavery and ablest identities and assumptions.
This collection of essays considers the Book of Esther from a literary and sociological perspective. In part one, Else Holt outlines the main questions of historical-critical research in the Book of Esther. She also discusses the theological meaning of a biblical book without God, and examines how the book was transmitted through the last centuries BCE. She also explores how the Hebrew and Greek variants of the Book of Esther picture its main character, Esther, the Jewish queen of Persia. In part two, Holt offers deconstructive reading of themes hidden under the surface-levels of the book. Chapters include discussions of Esther's initiation into her role as Persian queen; the inter-textual conversation with two much later texts, The Arabian Nights and The Story of O; and the relationship between Mordecai, the Jew, and his opponent Haman, the Agagite, as a matter of mimetic doublings. The last part of the book introduces the sociological concept of ethnicity-construction as the backdrop for perceiving the instigation of the Jewish festival Purim and the violence connected to it, and looks at the Book of Esther as an example of trauma literature. The concluding chapter analyses the moral quality of the book of Esther, asking the question: Is it a bedtime story?