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The methods employed by the Lancastrian usurpers in their attempts to legitimise their dynasty's hold in the English throne included the reburying of the murdered Richard II, the invention of chronicles, prophecies and genealogies, new methods of trial and punishment, the use of spies, and the radical redefinition of treason. Strohm uses both literary and historical analysis to explore this quest for legitimacy, and the importance of symbolic activity to Henry IV and V.
Surviving in 59 complete manuscript versions, few English texts of the late medieval period seem to have achieved the popularity of Nicholas Love's fifteenth-century translation and adaptation of the Latin Meditationes Vitae Christi - The Mirror of the Blessed Life of Jesus Christ. The Mirror has received surprisingly little scholarly attention and is often contextualized in terms of its role in the theological conflict between English ecclesiastical orthodoxy and the teachings of heresiarch John Wycliff. David Falls presents a new account of the text's history which de-centralises, but does not disregard, the influence of the Wycliffite controversy. Falls interrogates preconceptions and investigates new possibilities for understanding the composition, circulation, function and use of Love's Mirror by examining both the textual modifications and additions made by Love in his adaptation of the Latin, and places these alterations in context by examining individual copies of the Mirror. The manuscript copies are read as both sites of literary consumption and nexuses of textual transition, demonstrating that it was Love's ability to inscribe his work with "functional diversity" which explains the Mirror's popularity. This book presents a nuanced picture not only of the Mirror's production, circulation and function, but also the dynamic and flourishing devotio-literary culture of late medieval England in which Love's text operated.
Anna S Garbedian Professor of Humanities Paul Strohm
Author : Anna S Garbedian Professor of Humanities Paul Strohm Publisher : Page : 290 pages File Size : 39,49 MB Release : 1998-08-01 Category : History ISBN : 9780300198706
After the dethronement and subsequent murder of Richard II, the usurping Lancastrian dynasty faced an exceptional challenge. Interrupting a long period of Plantagenet rule, Henry IV and Henry V needed not only to establish physical possession of the English throne, but to occupy it symbolically as well. In this boldly revisionary book, Paul Strohm provides a new account of the Lancastrian revolution and its aftermath. Integrating techniques of literary and historical analysis, he explores the new dynasty's quest for legitimacy and the importance of symbolic activity to the making of kingship. Strohm reveals the Lancastrian monarchs as masters of outward display, persuasively 'performing' their kingship in a variety of novel ceremonies. Henry IV is crowned with a newly discovered coronation oil. The murdered Richard II is elaborately reburied. Opinion is courted and deceived with invented chronicles, false prophecies, and bogus genealogies. Opponents of the new regime are subject to novel forms of trial and punishment. Far-reaching Lancastrian experiments in domination include the proscription of prophecy; the enlistment of poetry; the use of spies and hired informers; and, most ambitiously, the redefinition of treason to cover not only overt deeds but also things said and even thought. Strohm's account of the Lancastrian quest for legitimacy, and the uses of symbolic power, illuminates - indeed, recasts - our understanding of a period of unprecedented political upheaval. 'Intriguing and required reading for any historian or serious student of England in the later Middle Ages and Tudor period' Miri Rubin, University of Oxford Paul Strohm was J.R.R. Tolkien Professor of English Language and Literature at the University of Oxford, and was formerly Professor of English at Indiana University. Among his publications are 'Social Chaucer' and 'Hochon's Arrow: The Social Imagination of Fourteenth-Century Texts'. He was President of The New Chaucer Society.
Kingship and Masculinity in Late Medieval England explores the dynamic between kingship and masculinity in fifteenth century England, with a particular focus on Henry V and Henry VI. The role of gender in the rhetoric and practice of medieval kingship is still largely unexplored by medieval historians. Discourses of masculinity informed much of the contemporary comment on fifteenth century kings, for a variety of purposes: to praise and eulogise but also to explain shortcomings and provide justification for deposition. Katherine J. Lewis examines discourses of masculinity in relation to contemporary understandings of the nature and acquisition of manhood in the period and considers the extent to which judgements of a king’s performance were informed by his ability to embody the right balance of manly qualities. This book’s primary concern is with how these two kings were presented, represented and perceived by those around them, but it also asks how far Henry V and Henry VI can be said to have understood the importance of personifying a particular brand of masculinity in their performance of kingship and of meeting the expectations of their subjects in this respect. It explores the extent to which their established reputations as inherently ‘manly’ and ‘unmanly’ kings were the product of their handling of political circumstances, but owed something to factors beyond their immediate control as well. Consideration is also given to Margaret of Anjou’s manipulation of ideologies of kingship and manhood in response to her husband’s incapacity, and the ramifications of this for perceptions of the relational gender identities which she and Henry VI embodied together. Kingship and Masculinity in Late Medieval England is an essential resource for students of gender and medieval history.
The eighth installment of Bernard Cornwell’s New York Times bestselling series chronicling the epic saga of the making of England, “like Game of Thrones, but real” (The Observer, London)—the basis for The Last Kingdom, the hit television series. Britain, early tenth century AD: a time of change. There are new raids by the Vikings from Ireland and turmoil among the Saxons over the leadership of Mercia. A younger generation is taking over. Æthelred, the ruler of Mercia, is dying, leaving no legitimate heir. The West Saxons want their king, but Uhtred has long supported Æthelflaed, sister to King Edward of Wessex and widow of Æthelred. Widely loved and respected, Æthelflaed has all the makings of a leader—but could Saxon warriors ever accept a woman as their ruler? The stage is set for rivals to fight for the empty throne.
England is fractured, torn apart more by internal fighting than the threat of Viking invasion. The ruler of Mercia is dying, leaving no legitimate heir. His wife is a formidable fighter and great leader, but no woman has ever ruled over an English kingdom. And she is without her strongest warrior and champion, Uhtred of Bebbanburg. So the scene is set for an explosive battle between elders and warriors for an empty throne. The vacant throne leaves a dangerous opportunity for the rival West Saxons to seize Mercia. But Edward of Wessex is distracted by the succession of his own throne, with two heirs claiming the right to be West Saxon king.
John Gower's works examined as part of a tradition of "official" writings on behalf of the Crown. John Gower has been criticised for composing verse propaganda for the English state, in support of the regime of Henry IV, at the end of his distinguished career. However, as the author of this book shows, using evidence from Gower's English, French and Latin poems alongside contemporary state papers, pamphlet-literature, and other historical prose, Gower was not the only medieval writer to be so employed in serving a monarchy's goals. Professor Carlson also argues that Gower's late poetry is the apotheosis of the fourteenth-century tradition of state-official writing which lay at the origin of the literary Renaissance in Ricardian and Lancastrian England. David Carlsonis Professor in the Department of English, University of Ottawa.
Author : Michael J. Braddick Publisher : Manchester University Press Page : 286 pages File Size : 40,36 MB Release : 2020-01-03 Category : History ISBN : 1526148226
This is an important collection of pioneering essays penned by the late Simon Walker, a highly respected historian of late medieval England. One of the finest scholars of his generation, Walker's writing is lucid, inspirational, and has permanently enriched our understanding of the period. The eleven essays featured here examine themes such as kingship, lordship, warfare and sanctity. There are specific studies on subjects such as the changing fortunes of the family of Sir Richard Abberbury; Yorkshire's Justices of the Peace; the service of medieval man-at-arms, Janico Dartasso; Richard II's views on kingship, political saints, and an investigation of rumour, sedition and popular protest in the reign of Henry IV. An introduction by G.L. Harriss looks back across Walker's career, and discusses the historiographical context of his work. Both the new and previously published pieces here will be essential reading for those working on the late medieval period.