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Encounters with Rauschenberg

Author : Leo Steinberg
Publisher : University of Chicago Press
Page : 94 pages
File Size : 16,73 MB
Release : 2000-05-15
Category : Art
ISBN : 9780226771830

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Published to accompany the exhibition held at New York, Houston, Cologne and Bilbao, September 1997 - March 1999.

Random Order

Author : Branden Wayne Joseph
Publisher : MIT Press
Page : 444 pages
File Size : 30,33 MB
Release : 2003
Category : Art
ISBN : 9780262100991

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An examination of the artistic development of Robert Rauschenberg, focusing on his relationship with John Cage and his role in the making of the American neo-avant-garde.

Dancing Around the Bride

Author : Carlos Basualdo
Publisher : Yale University Press
Page : 432 pages
File Size : 17,91 MB
Release : 2012
Category : Art
ISBN : 9780300189254

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An examination of the interwoven lives and works of Duchamp and four of America's most important postwar artists

Robert Rauschenberg

Author : Branden W. Joseph
Publisher : MIT Press
Page : 180 pages
File Size : 44,63 MB
Release : 2002-12-06
Category : Art
ISBN : 9780262600491

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Critical essays on the artist Robert Rauschenberg, focusing on the important period of his development in the 1950s and 1960s. From the moment art historian Leo Steinberg championed his work in opposition to Clement Greenberg's rigid formalism, Robert Rauschenberg has played a pivotal role in the development and understanding of postmodern art. Challenging nearly all the prevailing assumptions about the visual arts of his time, he pioneered the postwar revival of collage, photography, silkscreen, technology, and performance.This book focuses on Rauschenberg's work during the critical period of the 1950s and 1960s. It opens with a newly prefaced version of Leo Steinberg's "Reflections on the State of Criticism," the first published version of his famous 1972 essay, "Other Criteria," which remains the single most important text on Rauschenberg. Rosalind Krauss's "Rauschenberg and the Materialized Image" builds on Steinberg's essay, arguing that Rauschenberg's work represents a decisive shift in contemporary art. Douglas Crimp's "On the Museum's Ruins" examines Rauschenberg's silkscreens in the context of the modern museum. Helen Molesworth's "Before Bed" uses psychoanalytic and economic structures to examine the artist's Black Paintings of the early 1950s. A second essay by Krauss, "Perpetual Inventory," revisits both her and Steinberg's articles of nearly twenty-five years earlier. Finally, Branden Joseph's "A Duplication Containing Duplications" views Rauschenberg's silkscreens in relation to the artist's interests in technology, particularly television.

Off the Wall

Author : Calvin Tomkins
Publisher : Macmillan
Page : 354 pages
File Size : 11,95 MB
Release : 2005-11-29
Category : Art
ISBN : 9780312425852

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This book chronicles the creative period of the 1950s and 1960s, a high point in American art. In his collaborations with Merce Cunningham and John Cage, and as a pivotal figure linking abstract expressionism and pop art, Robert Rauschenberg was part of a revolution during which artists moved art off the walls of museums and galleries and into the center of the social scene. Rauschenberg's vitally important and productive career spans this revolution, reaching beyond it to the present day. The book features the artists and the art world surrounding Rauschenberg--from Jackson Pollock, and Willem de Kooning to Jasper Johns, Frank Stella, and Andy Warhol, together with dealers Betty Parsons, and Leo Castelli, and the patron Peggy Guggenheim.

Close encounter

Author : Gesine Borcherdt
Publisher :
Page : 126 pages
File Size : 33,14 MB
Release : 2008
Category :
ISBN : 9783866781955

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Robert Rauschenberg and Surrealism

Author : Gavin Parkinson
Publisher : Bloomsbury Publishing USA
Page : 329 pages
File Size : 26,87 MB
Release : 2023-03-23
Category : Art
ISBN : 1501358286

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The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69. In the face of Rauschenberg's avowals of his own 'literalism' and insistence on his art as 'facts,' this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg's art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist's work was turned towards political interpretation. By analysing Rauschenberg's art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.