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This book explores global environmental negotiations against the backdrop of complex political relations, the climate change conventions, and multilateral environmental assessments and their effect on special interest groups. It weaves in the story of India's emergent economy, its sustainable development, and the multifaceted nationhood, the diversity of its rural scene, and the challenges of seamlessness brought in by the power of its information technology. Viewing global environmental movements, the book discusses the pattern of global negotiations from the environmental summit capitals of the world—Rio, Kyoto, Cartagena, Bonn, Stockholm, Montreal, Geneva, Basel, and Copenhagen among others to graphically portray the plight of a postmodern world that grapples with the problems of climate, land degradation, chemical transfers, and biodiversity.
Jade Cabral strides into the 21st century as a golden guy. Brilliant and beautiful, with a California cool and a Harvard education, he is poised for wealth and success in New York’s Financial District. But Jade harbors a secret flaw, a thirst for revenge against Señor Rodriguez, the California landowner who deprived his father – Señor’s out-of-wedlock son, John Virgil -- of his family’s rightful inheritance and place in the world. Jade thinks if he succeeds in New York, he can make up for every loss and humiliation his family has endured at the hands of Señor. That searing quest leads him into the arms of Nan Spencer, a lovely, fragile socialite, and to the top of the financial world, the Twin Towers, on September 11, 2001.
HOW DO WE KEEP AMERICA GREAT? Rick Baker, former mayor of St. Petersburg, Florida, provides a compelling—and challenging—answer: by making American cities great. And great cities are built first of all through strong leadership. During his two terms in office, Rick Baker worked toward a clear, uncompromising goal: to make St. Petersburg the best city in America. He led a downtown renaissance, rebuilt the most economically depressed area of the city, attracted businesses, worked to reduce violent crime, and made public schools a city priority—all with measurable results. The Seamless City offers practical advice, based on his nine years of experience in City Hall, to show how every mayor and city council can make their city dramatically better. In The Seamless City you’ll step behind the scenes of city government to learn: How maintaining basic amenities, like running water, requires constant vigilance—and sometimes tough decisions on the part of city leadership Why a vibrant downtown is essential to attract businesses and create jobs Why the most effective leadership is servant leadership How to find and implement the most effective solutions to a city’s most challenging problems Why city government needs to regard the city as a seamless whole, with no section under-served or overlooked
The conversion of Lutz Löb and Jenny van Gelder from Judaism to Roman Catholicism dramatically changed the lives of the extended Löb family. This scientific-historical study traces the personal and spiritual journey of Lutz and Jenny from their baptisms in 1907 through the lives of their children. The story benefits from historical documents and pieces of oral history from the only one of their eight children who survived the Nazi era, Paula van Broekhoven-Löb. The abbess of Koningsoord Abbey and the abbot of Koningshoeven Abbey generously provided access to the archives of the monasteries where the seven other Löb children lived as nuns and monks of the Löb family. Each chapter begins with a citation from a significant situation or event, placing the reader immediately within the lived experience of that period. Photos of the time and the family supplement the historical narrative. The secret conversion of Lutz and Jenny and their lifelong witness to their faith created a tear in the fabric of the extended family while later leading to many idealized portrayals of them and their children. It is the intent of this book to offer an accurate and balanced account, situating the Catholic Löb family within their extended Jewish family, and to correct several decades of hagiography, so restoring humanity and dignity to the memories of the Löb family.
In examining the era’s multivalent tropes of seams and seamlessness, Thomson provides an innovative understanding of the interplay between division and unity in the thought, culture, and literature of the American Renaissance. New insights are offered on works by major authors such as Nathaniel Hawthorne, Frederick Douglass, Walt Whitman, Herman Melville, Emily Dickinson, Henry David Thoreau, Solomon Northup, Harriet Jacobs, and Elizabeth Stoddard, along with marginal figures. Thomson expands the canon by recovering the unknown authors Charles Edward Anthon and John S. Sauzade and recognizing their works as vital to the American Renaissance. Taking the 1844 display of the Holy Tunic at the Cathedral of Treves as its point of departure, Thomson sheds light on the controversy of the seamless garment in the New England press and explores its transmutation in Anthon’s Pilgrimage to Treves, Hawthorne’s The Scarlet Letter, Dickinson’s poetry, and Melville’s major novels. In excavating seamlessness as a cultural artifact of the American Renaissance, Thomson pursues a cultural studies approach to the fabric of antebellum life. Thomson reads the seams of material culture to reveal the meaning of the dressing gown and the keepsake in Dickinson’s and Stoddard’s lives and letters. Thomson positions Sauzade’s Dickensian novel The Spuytenduyvel Chronicle as one of the first great works of the American metropolis and explores the spiritual-material dichotomy of the slave narratives of Douglass, Jacobs, and Northup. This book further reassesses the bitter literary rivalry between Melville and George Washington Peck, re-conceptualizes Melville the author through his relationship to the divided nation, and illuminates his failed idealism as a literary artist in Pierre. Thomson’s approach to the interrelationship of material culture, technology, and the modes of literary production creates a new sense of the American Renaissance as a paradoxical seamless whole wherein its seams are exposed for all to see.