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Preliminary Material / T. Muraoka --Preface / T. Muraoka --On Transliteration / T. Muraoka --Introduction / T. Muraoka --Word-Order / T. Muraoka --Personal Pronoun with Verbum Finitum / T. Muraoka --Personal Pronoun (cont.) / T. Muraoka --Pronominal Copula / T. Muraoka --Infinitive Absolute / T. Muraoka --Casus Pendens / T. Muraoka --Particles / T. Muraoka --Some Concluding Remarks / T. Muraoka --Abbreviations / T. Muraoka --Bibliography / T. Muraoka --Index of Biblical Passages / T. Muraoka.
J. J. M. Roberts was graduated from Harvard University, taught at The Johns Hopkins University, and then spent the bulk of his teaching career at Princeton Theological Seminary, where he influenced and was well loved by several generations of students. Here, 21 colleagues and former students contribute essays that reflect Roberts’ core interests.
We rarely think about the way languages work because communicating in our native tongue comes so naturally to us. The Bible was written in ancient Hebrew, Aramaic, and Greek—languages no modern reader can claim to have a native understanding of. A better understanding of how language works should help us understand the Bible better as we seek to discern the original intent and meaning of each biblical author. In this book, you will get a basic introduction to the field of linguistics—its history, its key concepts, its major schools of thought, and how its insights can shed light on various problems in biblical Hebrew and Greek. Numerous examples illustrate linguistic concepts, and technical terminology is clearly defined. Learn how the study of language can enhance your Bible study.
Author : Bill T. Arnold Publisher : Cambridge University Press Page : 244 pages File Size : 38,7 MB Release : 2003-11-24 Category : Foreign Language Study ISBN : 9780521533485
This introduces and abridges the syntactical features of the original language of the Hebrew Bible or Old Testament. Scholars have made significant progress in recent decades in understanding Biblical Hebrew syntax. Yet intermediate readers seldom have access to this progress due to the technical jargon and sometimes-obscure locations of the scholarly publications. This Guide is an intermediate-level reference grammar for Biblical Hebrew. As such, it assumes an understanding of elementary phonology and morphology, and defines and illustrates the fundamental syntactical features of Biblical Hebrew that most intermediate-level readers struggle to master. The volume divides Biblical Hebrew syntax, and to a lesser extent morphology, into four parts. The first three cover the individual words (nouns, verbs, and particles) with the goal of helping the reader move from morphological and syntactical observations to meaning and significance. The fourth section moves beyond phase-level phenomena and considers the larger relationships of clauses and sentences.
On Biblical Poetry takes a fresh look at the nature of biblical Hebrew poetry beyond its currently best-known feature, parallelism. F.W. Dobbs-Allsopp argues that biblical poetry is in most respects just like any other verse tradition, and therefore biblical poems should be read and interpreted like other poems, using the same critical tools and with the same kinds of guiding assumptions in place. He offers a series of programmatic essays on major facets of biblical verse, each aspiring to alter currently regnant conceptualizations in the field and to show that attention to aspects of prosody--rhythm, lineation, and the like--allied with close reading can yield interesting, valuable, and even pleasurable interpretations. What distinguishes the verse of the Bible, says Dobbs-Allsopp, is its historicity and cultural specificity, those peculiar encrustations and encumbrances that typify all human artifacts. Both the literary and the historical, then, are in view throughout. The concluding essay elaborates a close reading of Psalm 133. This chapter enacts the final movement to the set of literary and historical arguments mounted throughout the volume--an example of the holistic staging which, Dobbs-Allsopp argues, is much needed in the field of Biblical Studies.
Over the years the use of computers for research has become increasingly important in Biblical Studies. However, a combination of computational linguistics with diachronic text-critical and text-historical approaches has hardly ever taken place. Quite often, there is mutual misunderstanding between computational linguistics and more traditional approaches in the field of linguistics and textual analysis. For example, in computer-assisted research of modern text corpora it is common to treat the text as an unequivocal and unidimensional sequence of characters. In Biblical Studies, however, either text is considered an abstraction, the result of a scholarly reconstruction based on the extant textual witnesses. Here a fundamental difference in approach reveals itself. The present volume tries to overcome the misunderstanding between the various disciplines and to establish how a fruitful interaction of information technology, linguistics and textual criticism, can contribute to the analysis of ancient texts. It addresses questions concerning the confrontation between synchronic and diachronic approaches, the role of linguistic analysis in the interpretation of texts, and the interaction of linguistic theory and the analysis of linguistic data. The first section of this volume contains the papers presented at the CALAP seminar 2003. In the second section different aspects of the interdisciplinary analysis are applied to a selected passage from the Peshitta of Kings.
Too often the Septuagint is misunderstood or, worse, ignored in New Testament studies. In this book R. Timothy McLay makes a sustained argument for the influence of the Greek Jewish Scriptures on the New Testament and offers basic principles for bridging the research gap between these two critical texts. McLay explains the use of the Septuagint in the New Testament by looking in depth at actual New Testament citations of the Jewish Scriptures. This work reveals the true extent of the Septuagint s impact on the text and theology of the New Testament. Indeed, given the textual diversity that existed during the first century, the Jewish Scriptures as they were known, read, and interpreted in the Greek language provided the basis for much, if not most, of the interpretive context of the New Testament writers. Complete with English translations, a glossary of terms, an extensive bibliography, and helpful indexes, this book will give readers a new appreciation of the Septuagint as an important tool for interpreting the New Testament.
Applying criteria for the identification of biblical Hebrew poetry, Jason M. H. Gaines distinguishes a nearly complete poetic Priestly stratum in the Pentateuch (“Poetic P”), coherent in literary, narrative, and ideological terms, from a later prose redaction (“Prosaic P”), which is fragmentary, supplemental, and distinct in thematic and theological concern. Gaines describes the whole of the “Poetic P” source and offers a Hebrew reconstruction of the document. This dramatically innovative understanding of the history of the Priestly composition opens up new vistas in the study of the Pentateuch.
Drawing on the insights of functional grammar and cognitive semantics, this book offers a detailed linguistic analysis of Job 12-14 and a fresh exegetical reading of Job's longest and central speech in the book.
Efforts at interpreting Joban poetry have often been divided between philological and literary critics. This study brings these two critical modes together to offer an account of how Job 28 achieves meaning. The heart of the study consists of two major sections. The first is a reading of the poem with special attention to the conceptual background of its metaphors. Rather than a poetic account of mining technology, Job 28 is properly understood against the heroic deeds of ancient Mesopotamian kings described in Sumerian and Akkadian royal narratives, especially the Gilgamesh epic. The second major section is a thorough philological and textual commentary in which comparative philological and text-critical methods are complemented by an aesthetic rationale for restoring the text of the poem as a work of art. The study reveals a multileveled and image-driven masterpiece whose complexity impacts how one reads Job 28 as poetry and theology.