[PDF] Electronic Visual Music eBook

Author : Dave Payling
Publisher : CRC Press
Page : 174 pages
File Size : 39,61 MB
Release : 2023-09-20
Category : Computers
ISBN : 1000936473

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Electronic Visual Music is a comprehensive guide to the composition and performance of visual music, and an essential text for those wanting to explore the history, current practice, performance strategies, compositional methodologies and practical techniques for conceiving and creating electronic visual music. Beginning with historical perspectives to inspire the reader to work creatively and develop their own individual style, visual music theory is then discussed in an accessible form, providing a series of strategies for implementing ideas. Including interviews with current practitioners, Electronic Visual Music provides insight into contemporary working methods and gives a snapshot of the state of the art in this ever-evolving creative discipline. This book is a valuable resource for artists and practitioners, as well as students, educators and researchers working in disciplines such as music composition, music production, video arts, animation and related media arts, who are interested in informing their own work and learning new strategies and techniques for exploration and creative expression of electronic visual music.

Author : Jonathan Weinel
Publisher : Oxford University Press
Page : 225 pages
File Size : 23,94 MB
Release : 2018
Category : Computers
ISBN : 0190671181

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In Inner Sound, author Jonathan Weinel traverses the influence of altered states of consciousness on audio-visual media, explaining how our subjective realities may change during states of dream, psychedelic experience, meditation, and trance.

Author : Nicolas Collins
Publisher : Taylor & Francis
Page : 340 pages
File Size : 38,13 MB
Release : 2009
Category : Music
ISBN : 0415996090

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Author : Adriano Abbado
Publisher : Skira Editore
Page : 176 pages
File Size : 27,11 MB
Release : 2018-02
Category : Art
ISBN : 9788857222233

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The different techniques of realization and presentation of audiovisual art, the thought of the protagonists and the results of their artistic research. What links exist between sounds and abstract images? What were the first audiovisual instruments? What was the influence of music on Kandinsky's work? What are the most relevant audiovisual installations? What are the relationships between VJs and live cinema? And, what is synesthesia? Masters of Visual Music answers these and many other questions concerning the relationship between art and music, spanning from Toulouse-Lautrec to Nam June Paik, from Händel to Xenakis, and from Wilfred to Kurokawa. It is an in-depth study focused on both historical experience and contemporary research, illustrated by 150 colour images. The association between images and music aroused the curiosity of a number of artists and thinkers of the past, it stimulated artistic creativity in the twentieth century and continues to be a topic of great interest today. This book aims to take stock of the situation, now that abstract audiovisual art, having reached maturity, is enjoying a new season of renewed vitality.

Author : Nicholas Collins
Publisher : Cambridge University Press
Page : 359 pages
File Size : 24,46 MB
Release : 2017-11-09
Category : Music
ISBN : 1107133556

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Now updated and expanded with four new chapters, this book explores the history, theory, creation and analysis of electronic music.

Author : Nicholas Collins
Publisher : Cambridge University Press
Page : 241 pages
File Size : 36,72 MB
Release : 2013-05-09
Category : Music
ISBN : 1107010934

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This accessible Introduction explores both mainstream and experimental electronic music and includes many suggestions for further reading and listening.

Author : Aimee Mollaghan
Publisher : Springer
Page : 225 pages
File Size : 23,21 MB
Release : 2016-01-23
Category : Performing Arts
ISBN : 1137492821

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Adopting an interdisciplinary approach, The Visual Music Film explores the concept and expression of musicality in the visual music film, in which visual presentations are given musical attributes such as rhythmical form, structure and harmony.

Author : Christopher Scoates
Publisher : Chronicle Books
Page : 408 pages
File Size : 20,2 MB
Release : 2013-09-24
Category : Art
ISBN : 1452129487

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This comprehensive monograph celebrates the visual art of renowned musician Brian Eno. Spanning more than 40 years, Brian Eno: Visual Music weaves a dialogue between Eno's museum and gallery installations and his musical endeavors—all illustrated with never-before-published archival materials such as sketchbook pages, installation views, screenshots, and more. Steve Dietz, Brian Dillon, Roy Ascott, and William R. Wright contextualize Eno's contribution to new media art, while Eno himself shares insights into his process. Also included is a download code for a previously unreleased piece of music created by Eno, making this ebook a requisite for fans and collectors.

Author : Dina Riccò & María José de Córdoba
Publisher : Fundación Internacional artecittà
Page : 158 pages
File Size : 47,8 MB
Release : 2022-10-24
Category : Art
ISBN : 8494866540

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MuVi6 is the sixth edition of the publication dedicated to Visual Music – following MuVi (Granada, 2007), MuVi2 (Granada, 2009), MuVi3 (Almería, 2012), MuVi4 (Alcalá la Real, Jaén, 2015), MuVi5 (Granada and Alcalá la Real, Jaén, 2018) – an event integrated with the VII International Congress: “Synesthesia: Science and Art”, held from the 26th to 29th of October 2022, at the Faculty of Fine Arts of the University of Granada and at the Convento de Capuchinos in Alcalá la Real (Jaén), Spain. This event confirms its primary objective of providing perceivable, aesthetic (and synaesthetic) feedback on the theoretical contents addressed at the conference through lectures, debates and posters, proving over time, in the editions that have followed, to be capable of stimulating debate This particular edition, in line with the conference, aims to underline the challenge between the digital and the material: this is the interpretative key that we asked of both the authors of the preliminary essays anticipating the collection of works, and the authors of the video projects. Hybridisation was expressed on several levels, which can be summarised in two main trends: in the sources, where nature and the kinematics of the elements, e.g. liquids or gasses, are a source of inspiration; or in the hybridisation of techniques where the material and the digital alternate. Each edition surprises us with the richness of the productions, with increasingly complex compositional and technical solutions, undoubtedly facilitated by the evolution of audio/video software and visual programming languages that facilitate new aesthetic experiments. The sound/visual relationships are therefore as much the result of a perceptual analysis as of an algorithmic application that can escape the control of the perceivable