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Echoes of Desire variously invokes and interrogates a number of historicist and feminist premises about Tudor and Stuart literature by examining the connections between the anti-Petrarchan tradition and mainstream Petrarchan poetry. It also addresses some of the broader implications of contemporary critical methodologies. Heather Dubrow offers an alternative to the two predominant models used in previous treatments of Petrarchism: the all-powerful poet and silenced mistress on the one hand and the poet as subservient patron on the other.
Echoes of Desire variously invokes and interrogates a number of historicist and feminist premises about Tudor and Stuart literature by examining the connections between the anti-Petrarchan tradition and mainstream Petrarchan poetry. It also addresses some of the broader implications of contemporary critical methodologies. Heather Dubrow offers an alternative to the two predominant models used in previous treatments of Petrarchism: the all-powerful poet and silenced mistress on the one hand and the poet as subservient patron on the other.
"Echoes of Desire" is a passionate romance novel that weaves a tale of love and longing between two souls destined to find each other. As they navigate the twists and turns of fate, their connection deepens, but past secrets and unforeseen obstacles threaten to tear them apart. Can their love overcome the echoes of desire that haunt them, leading to a future filled with hope and redemption? Dive into this captivating story of resilience, passion, and the pursuit of a love that echoes through time.
Plain ugly examines depictions of physically repellent characters in a striking range of early modern literary and visual texts, offering fascinating insights into the ways in which ugliness and deformity were perceived and represented, particularly with regard to gender and the construction of identity. Available in paperback for the first time, the book focuses closely on English literary culture but also engages with wider European perspectives, drawing on a wide array of primary sources including Italian and other European visual art. Offering illuminating close readings of texts from both high and low culture, it will interest scholars in English literature, cultural studies, women’s studies, history and art history, as well as postgraduate and undergraduate students in these disciplines. As an accessible and absorbing account of the power dynamics informing depictions of ugliness (and beauty) in relation to some of the quirkiest literary and visual material to be found in early modern culture, it will also appeal to a wider audience.
“You done lived a tough life, boy, and I know I’m part responsible for that. I ain’t askin’ you to excuse me or forgive me. Just know I did the best I knew to do. I was just tryin’ to make you tough enough to deal with the world. To stand tall among men, I knew you had to be strong and have yo’ own mind.” “You were preparing me for war, Grandfather.” Guy Johnson, the author of the critically acclaimed debut Standing at the Scratch Line, continues the Tremain family saga. Jackson St. Clair Tremain hasn’t spoken to his grandfather King in nearly twenty years. Disgusted by the violence and bloodlust that seemed to be his grandfather’s way of life, Jackson chose to distance himself from King and live a simpler life. But now King is gravely ill, and his impending death places Jackson’s life—as well as those of his family and friends—in jeopardy. Reluctantly, Jackson travels to Mexico to see King. But after a brief reconciliation, his grandfather is assassinated, and Jackson suspects that his grandmother Serena may have had a hand in it. Jackson takes control of King’s organization, and as he does, he reflects on the summers he spent in Mexico as a child and the lessons he learned there at the knee of his strong-willed, complex grandfather. In Echoes of a Distant Summer, Guy Johnson introduces us to a new hero, Jackson St. Clair Tremain, who learns that, like his grandfather, he must be willing to protect those he loves—at all costs.
What part did Shakespeare play in the construction of a 'white people' and how has his work been enlisted to define and bolster a white cultural and racial identity? Since the court of Queen Elizabeth I, through the early modern English theatre to the storming of the United States Capitol on 6 January 2021, white people have used Shakespeare to define their cultural and racial identity and authority. White People in Shakespeare unravels this complex cultural history to examine just how crucial Shakespeare's work was to the early modern development of whiteness as an embodied identity, as well as the institutional dissemination of a white Shakespeare in contemporary theatres, politics, classrooms and other key sites of culture. Featuring contributors from a wide range of disciplines, the collection moves across Shakespeare's plays and poetry and between the early modern and our own time to interrogate these relationships. Split into two parts, 'Shakespeare's White People' and 'White People's Shakespeare', it explores a variety of topics, ranging from the education of the white self in Hamlet, or affective piety and racial violence in Measure for Measure, to Shakespearean education and the civil rights era, and interpretations of whiteness in more contemporary work such as American Moor and Desdemona.
My life has been a series of broken promises and shattered hopes. At fifteen, I've been through more than most people could handle—abuse, neglect, and the haunting memory of my father's fentanyl overdose. Every place I've called home has been just another lie, another echo of despair. Now I'm at Bright Future Group Home, and I can't help but be cynical. Safety and belonging? Sure. But then I meet Gabriel Lopez. He's kind, patient, and he sees something in me that I thought was long gone. Falling for him is unexpected, but it's the first time I've felt something real, something worth holding onto. But this place has its own shadows. Derrick Mason, another resident, has dark secrets that threaten to drag me back into the abyss. School is a daily battle, and the group home is a minefield. The art room becomes my sanctuary, where I can escape into my drawings, and the garden offers a brief respite from the chaos. My struggles are more than just about finding a place to belong. I grapple with the abuse I've suffered, the cultural roots I feel detached from, and the fact that I'm gay in a world that hasn't been kind. The echoes of my past are always there, reminding me of every broken promise and every ounce of pain. "Echoes" is my story—a fight against the despair that clings to me, a journey to find trust and love in the midst of chaos. Gabriel is my anchor, but Derrick's secrets and my own fears are powerful forces. Can I overcome the shadows of my past and find a future worth fighting for? Join me on this raw and powerful journey through the echoes of my life, where love, pain, and the search for belonging intertwine. This isn't just about surviving—it's about finding the strength to truly live.
From Buffy the Vampire Slayer to the Marvel Cinematic Universe, Joss Whedon's work presents various representations of home spaces that give depth to his stories and storytelling. Through the spaceship in Firefly, a farmhouse in Avengers: Age of Ultron or Whedon's own house in Much Ado About Nothing, his work collectively offers audiences the opportunity to question the ways we relate to and inhabit homes. Focusing on his television series, films and comics, this collection of new essays explores the diversity of home spaces in Whedon's many 'verses, and the complexity these spaces afford the narratives, characters, objects and relationships within them.