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From Margaret Wise Brown, the bestselling author of classics like Goodnight Moon and The Runaway Bunny, comes a never-before-published story about a little bird’s first journey, brought to life by Geisel Award-winning illustrator Greg Pizzoli. It’s time for a little bird to fly away to the north, the south, the east, and the west. Which direction will she like best?
Author : Anna Calori Publisher : Walter de Gruyter GmbH & Co KG Page : 254 pages File Size : 22,60 MB Release : 2019-10-21 Category : History ISBN : 311064603X
During the Cold War, alternative globalization projects were underway: socialist Eastern Europe and left-leaning countries in the Third World maintained close economic relations. The two worlds traded and exchanged know-how and technology. This book examines the specific spaces of interaction of these exchanges and discusses the consequences for those projects of globalization undertaken in both world regions.
A collection of twenty-five traditional tales from countries around the world, including Iran, Brazil, and Greece. Suggested level: primary, intermediate.
A deep investigation of neoliberalism's proselytizers in Eastern Europe and the Global South Where does free market ideology come from? Recent work on the neoliberal intellectual movement around the Mont Pelerin Society has allowed for closer study of the relationship between ideas, interests, and institutions. Yet even as this literature brought neoliberalism down to earth, it tended to reproduce a European and American perspective on the world. With the notable exception of Augusto Pinochet’s Chile, long seen as a laboratory of neoliberalism, the new literature followed a story of diffusion as ideas migrated outward from the Global South. Even in the most innovative work, the cast of characters remains surprisingly limited, clustering around famous intellectuals like Milton Friedman and Friedrich Hayek. Market Civilizations redresses this absence by introducing a range of characters and voices active in the transnational neoliberal movement from the Global South and Eastern Europe. This includes B. R. Shenoy, an early member of the Mont Pelerin Society from India, who has been canonized in some circles since the Singh reforms; Manuel Ayau, another MPS president and founder of the Marroquín University, an underappreciated Latin American node in the neoliberal network; Chinese intellectuals who read Hayek and Mises through local circumstances; and many others. Seeing neoliberalism from beyond the industrial core helps us understand what made radical capitalism attractive to diverse populations and how often disruptive policy ideas “went local.”
Never before published in the United States, the debut novel by the wildly talented author of Booker Prize Finalist All That Man Is “That clattering noise you hear is the sound of critics and readers racing to find [David Szalay’s] earlier books, an activity worth the effort,” wrote Dwight Garner in his New York Times review of Szalay’s All That Man Is. And now American readers finally have their chance with his debut novel, London and the South-East. Paul Rainey, the hapless antihero at the center of this “compulsively readable” (Independent on Sunday) story works, miserably, in ad sales. He sells space in magazines that hardly exist, and through a fog of booze and drugs dimly perceives that he is dissatisfied with his life—professionally, sexually, recreationally, the whole nine yards. If only there were something he could do about it—and “something” seems to fall into his lap when a meeting with an old friend and fellow salesman, Eddy Jaw, leads to the offer of a new job. But when that offer turns out to be as misleading as Paul’s own sales patter, his life is transformed in ways very much more peculiar than he ever thought possible. London and the South-East, which won the Betty Trask Prize and the Geoffrey Faber Memorial Prize, is both a gloriously told shaggy-dog story about the compromising inanities of office life and consumer culture, and the perfect introduction to one of the best writers at work today.
What is "Europe" in academic discourse? While Europe tends to be used as shorthand, often interchangeable with the "West", neither the "West" nor "Europe" are homogeneous spaces. Though postcolonial studies have long been debunking Eurocentrism in its multiple guises, there is still work to do in fully comprehending how its imaginations and discursive legacies conceive the figure of Europe, as not all who live on European soil are understood as equally "European". This volume explores this immediate need to rethink the axis of postcolonial cultural productions, to disarticulate Eurocentrism, to recognise Europe as a more diverse, plural and fluid space, to draw forward cultural exchanges and dialogues within the Global South. Through analyses of literary texts from East-Central Europe and beyond, this volume sheds light on alternative literary cartographies — the multiplicity of Europes and being European which exist both as they are viewed from the different geographies of the global South, and within the continent itself. Covering a wide spatial and temporal terrain in postcolonial and European cultural productions, this volume will be of great interest to scholars and researchers of literature and literary criticism, cultural studies, post-colonial studies, global South studies and European studies.
Richard Benson, former dean of the Yale School of Art and a MacArthur Foundation Fellow, has been a photographer for more than four decades, but until now his art often took a back seat to his prodigious achievements as a printer and a teacher. This volume presents one hundred photographs by Benson, highlighting the unique properties of his prints and exemplifying his fresh techniques for reproducing them for publication. From direct digital capture through inkjet output, his renowned technical wizardry has yielded unusually vibrant and beguiling colour prints that are at once ultra vivid and utterly natural, like our everyday visual experience. Their uncanny lushness and clarity give voice to Benson's generous, inquisitive eye. An essay by Peter Galassi, Chief Curator of Photography at MoMA, surveys the work, and a text by Benson explains how it was made.
The History of the Book in South Asia covers not only the various modern states that make up South Asia today but also a multitude of languages and scripts. For centuries it was manuscripts that dominated book production and circulation, and printing technology only began to make an impact in the late eighteenth century. Print flourished in the colonial period and in particular lithographic printing proved particularly popular in South Asia both because it was economical and because it enabled multi-script printing. There are now vibrant publishing cultures in the nation states of South Asia, and the essays in this volume cover the whole range from palm-leaf manuscripts to contemporary print culture.