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Duccio Di Buoninsegna

Author : Jane Satkowski
Publisher : University of Georgia, Georgia Museum of Art
Page : 370 pages
File Size : 14,90 MB
Release : 2000
Category : Art
ISBN :

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A Month in Siena

Author : Hisham Matar
Publisher : Random House
Page : 145 pages
File Size : 28,26 MB
Release : 2019-10-22
Category : Biography & Autobiography
ISBN : 059312913X

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From the Pulitzer Prize–winning author of The Return comes a profoundly moving contemplation of the relationship between art and life. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND EVENING STANDARD After finishing his powerful memoir The Return, Hisham Matar, seeking solace and pleasure, traveled to Siena, Italy. Always finding comfort and clarity in great art, Matar immersed himself in eight significant works from the Sienese School of painting, which flourished from the thirteenth to the fifteenth centuries. Artists he had admired throughout his life, including Duccio and Ambrogio Lorenzetti, evoke earlier engagements he’d had with works by Caravaggio and Poussin, and the personal experiences that surrounded those moments. Including beautiful full-color reproductions of the artworks, A Month in Siena is about what occurred between Matar, those paintings, and the city. That month would be an extraordinary period in the writer’s life: an exploration of how art can console and disturb in equal measure, as well as an intimate encounter with a city and its inhabitants. This is a gorgeous meditation on how centuries-old art can illuminate our own inner landscape—current relationships, long-lasting love, grief, intimacy, and solitude—and shed further light on the present world around us. Praise for A Month in Siena “As exquisitely structured as The Return, driven by desire, yearning, loss, illuminated by the kindness of strangers. A Month in Siena is a triumph.”—Peter Carey

Immersion Into Noise

Author : Joseph Nechvatal
Publisher :
Page : 270 pages
File Size : 44,45 MB
Release : 2020-10-09
Category : Computers
ISBN : 9781013284090

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Joseph Nechvatal's Immersion Into Noise investigates multiple aspects of cultural noise by applying our audio understanding of noise to the visual, architectual and cognative domains. The author takes the reader through phenomenal aspects of the art of noise into algorithmic and network contexts, beginning in the Abside of the Grotte de Lascaux. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.

Duccio

Author : Luciano Bellosi
Publisher :
Page : 363 pages
File Size : 36,94 MB
Release : 1999
Category : Art
ISBN : 9780500237717

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A study of Duccio's Maesta (Virgin in Majesty). The Maesta was painted between 1308 and 1311 by Duccio di Buoninsegna for the high altar of Siena Cathedral. The volume contains photographs of the different sections of the great altarpiece, both the front, showing the Virgin in glory, and the back, with the stories of the Passion of Christ taken from the gospels. The narrative sequence of the Maesta moves from the enthroned Virgin and Christ to the figures of the angels, saints and apostles who surround her. The scenes of the Passion, from left to right, follow the chronological order of the Gospels.

The Word made Visible in the Painted Image

Author : Stephen Miller
Publisher : Cambridge Scholars Publishing
Page : 158 pages
File Size : 18,99 MB
Release : 2015-11-25
Category : Art
ISBN : 1443886750

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This book explores the areas of perspective, proportion, witness and theological threshold in the devotional art of the Italian Renaissance, with particular reference to the painted image of Christ. While the Incarnation, in a very real way, legitimised the idea of the portrayal of God in human form (as Jesus Christ), problems remained as to how this might be achieved and whether it should be restricted to the second person of the Holy Trinity. This book looks at the creation of pictorial space and the presentation of the image – paying special attention to schemes of perspective, as a way to better describe reality, as well as to considerations of proportion through such geometric methodology as the Golden Section and dynamic root-rectangles (based on certain ‘perfect’ or divine ratios) to balance and harmonise form. The Word Made Visible in the Painted Image also explores the theological theme of threshold and liminal space, describes how themes such as the Incarnation and Revelation were represented, and looks at the symbolism employed in so doing. It shows how such themes were captured, set in space and communicated in the painted image. This study is necessarily interdisciplinary, combining the subject areas of art history and theory, theology, biblical study, philosophy, aesthetics, physics, metaphysics, mathematics, geometry, optics, physiology, psychology, and sociology, in greater and lesser degrees. Few books take such an interdisciplinary stance on art, theology, science and related disciplines to this extent.

The Metropolitan Museum of Art Guide

Author : Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 472 pages
File Size : 22,47 MB
Release : 1994
Category : Art
ISBN : 0870997106

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Updated to include new acquisitions, attributions, and reevaluations. Copyright © Libri GmbH. All rights reserved.

Treasures of a Lost Art

Author : Pia Palladino
Publisher : Metropolitan Museum of Art
Page : 205 pages
File Size : 24,54 MB
Release : 2003
Category : Illumination of books and manuscripts, Italian
ISBN : 1588390306

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"Treasures of a Lost Art presents 144 leaves, cuttings, and illuminated manuscript fragments from the collection of Robert Lehman (1891-1969), one of the largest and most impressive private holdings of Italian manuscripts assembled after the First World War. Discussed here - with many of them handsomely illustrated in full color - are important examples of the major schools of illumination in southern Italy, Umbria, Tuscany, Emilia, Lombardy, and the Veneto. Previously unpublished, and perhaps even unknown to scholars, are works by some of the foremost Italian painters of the Middle Ages and Renaissance, including a leaf here attributed for the first time to the Sienese master Duccio di Buoninsegna and cuttings by Stefano da Verona and Cosimo Tura. Lesser-known arists, such as Neri da Rimini, Belbello da Pavia, and Girolamo da Cremona, once renowned for their beautifully illuminated volumes, are also discussed in full."--BOOK JACKET.