[PDF] Dramatic Dialogue eBook

Author : Galit Atlas
Publisher : Routledge
Page : 263 pages
File Size : 13,22 MB
Release : 2017-11-22
Category : Psychology
ISBN : 1351368591

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In Dramatic Dialogue, Atlas and Aron develop the metaphors of drama and theatre to introduce a new way of thinking about therapeutic action and therapeutic traction. This model invites the patient’s many self-states and the numerous versions of the therapist’s self onto the analytic stage to dream a mutual dream and live together the past and the future, as they appear in the present moment. The book brings together the relational emphasis on multiple self-states and enactment with the Bionian conceptions of reverie and dreaming-up the patient. The term Dramatic Dialogue originated in Ferenczi’s clinical innovations and refers to the patient and therapist dramatizing and dreaming-up the full range of their multiple selves. Along with Atlas and Aron, readers will become immersed in a Dramatic Dialogue, which the authors elaborate and enact, using the contemporary language of multiple self-states, waking dreaming, dissociation, generative enactment, and the prospective function. The book provides a rich description of contemporary clinical practice, illustrated with numerous clinical tales and detailed examination of clinical moments. Inspired by Bion’s concept of "becoming-at-one" and "at-one-ment," the authors call for a return of the soul or spirit to psychoanalysis and the generative use of the analyst’s subjectivity, including a passionate use of mind, body and soul in the pursuit of psychoanalytic truth. Dramatic Dialogue will be of great interest to all psychoanalysts and psychotherapists.

Author : Kay Richardson
Publisher : Oxford University Press
Page : 266 pages
File Size : 22,71 MB
Release : 2010-04-07
Category : Language Arts & Disciplines
ISBN : 0195374053

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When we watch and listen to actors speaking lines that have been written by someone else-a common experience if we watch any television at all-the illusion of "people talking" is strong. These characters are people like us, but they are also different, products of a dramatic imagination, and the talk they exchange is not quite like ours.Television Dramatic Dialogue examines, from an applied sociolinguistic perspective, and with reference to television, the particular kind of "artificial" talk that we know as dialogue: onscreen/on-mike talk delivered by characters as part of dramatic storytelling in a range of fictional and nonfictional TV genres. As well as trying to identify the place which this kind of language occupies in sociolinguistic space, Richardson seeks to understand the conditions of its production by screenwriters and the conditions of its reception by audiences, offering two case studies, one British (Life on Mars) and one American (House).

Author : Kay Richardson
Publisher : Oxford University Press
Page : 266 pages
File Size : 36,2 MB
Release : 2010-04-07
Category : Language Arts & Disciplines
ISBN : 019970595X

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When we watch and listen to actors speaking lines that have been written by someone else-a common experience if we watch any television at all-the illusion of "people talking" is strong. These characters are people like us, but they are also different, products of a dramatic imagination, and the talk they exchange is not quite like ours. Television Dramatic Dialogue examines, from an applied sociolinguistic perspective, and with reference to television, the particular kind of "artificial" talk that we know as dialogue: onscreen/on-mike talk delivered by characters as part of dramatic storytelling in a range of fictional and nonfictional TV genres. As well as trying to identify the place which this kind of language occupies in sociolinguistic space, Richardson seeks to understand the conditions of its production by screenwriters and the conditions of its reception by audiences, offering two case studies, one British (Life on Mars) and one American (House).

Author : Vimala Herman
Publisher : Routledge
Page : 350 pages
File Size : 28,96 MB
Release : 2005-06-20
Category : Language Arts & Disciplines
ISBN : 1134668392

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Whilst poetry and fiction have been subjected to extensive linguistic analysis, drama has long remained a neglected field for detailed study. Vimala Herman argues that drama should be of particular interest to linguists because of its form, dialogue and subsequent translation into performance. The subsequent interaction that occurs on stage is a rich and fruitful source of analysis and can be studied by using discourse methods that linguists employ for real-life interaction. Shakespeare, Pinter, Osborne, Beckett, Chekhov, and Shaw are just some of the dramatists whose material is drawn upon. Each chapter contains a theoretical section in which major concepts of each framework are explained before the relevance of the framework to dramatic discourse is analyzed and explored using textual examples. This book will be of interest to undergraduates and postgraduates studying in the areas of literary linguistics and stylistics, or anyone specialising in the relationship between the text and performance.

Author : Susan Mandala
Publisher : Routledge
Page : 241 pages
File Size : 33,88 MB
Release : 2016-12-05
Category : Literary Criticism
ISBN : 1351877240

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In this book, Susan Mandala offers a series of in-depth investigations into how the dialogue of four modern plays 'works' with respect to the pragmatic and discoursal norms postulated for ordinary conversation. After an account of the often-heated debates between linguists and critics concerning the analysis of drama dialogue as talk, four plays are considered: Harold Pinter's The Homecoming, Arnold Wesker's Roots, Terence Rattigan's In Praise of Love, and Alan Ayckbourn's Just Between Ourselves. For readers unfamiliar with linguistic approaches to talk, a chapter outlining the major frameworks used in the analysis of the plays is also included. By considering both linguistic and literary perspectives, this book extends the boundaries of traditional criticism and shows how the linguistic study of conversation can contribute to our understanding of dramatic dialogue.

Author : Vimala Herman
Publisher : Routledge
Page : 341 pages
File Size : 32,42 MB
Release : 2005-06-20
Category : Drama
ISBN : 1134668406

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This wide ranging and comprehensive study uses the major frameworks of modern discourse studies to analyse dramatic dialogue.

Author : Joy Morton
Publisher : Heinemann
Page : 270 pages
File Size : 40,60 MB
Release : 2001
Category : Juvenile Nonfiction
ISBN : 9780435186111

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Written for students taking the AQA GCSE drama specification, this text aims to develop the skills, knowledge and understanding students need to succeed in the course. The book takes a "hands-on" approach with activities and practice in both the written and practical elements of the exam.

Author : Peter K. W. Tan
Publisher : NUS Press
Page : 266 pages
File Size : 21,12 MB
Release : 1993
Category : Drama
ISBN : 9789971691820

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"This study looks at how stylistic methods apply to drama texts, and focuses its attention on Stoppard's Traversties, which, by its parodic nature, compels an investigation of literary parody as an intertextual mode." "The author first seeks to place stylistics within a historical and procedural framework and considers ideological and procedural impasses that have bedevilled stylistic analyses. Detailed analyses of passages from Travesties in the light of what has been discussed then follows."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author : June Schlueter
Publisher : Fairleigh Dickinson Univ Press
Page : 156 pages
File Size : 18,7 MB
Release : 1995
Category : Drama
ISBN : 9780838635834

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Examples of plays from Oedipus to the present appear throughout the book, and individual chapters are dedicated to sustained discussions of William Shakespeare's King Lear, Tom Stoppard's Rosencrantz and Guildenstern Are Dead, Arthur Miller's The Ride Down Mount Morgan, and Tennessee Williams's A Streetcar Named Desire. The author emphasizes Shakespeare and, especially, modern drama in the belief that these plays provide salient models of the theoretical principles of reading toward closure.