[PDF] Drama And Religion Volume 5 eBook

Author : James Redmond
Publisher : Cambridge University Press
Page : 340 pages
File Size : 42,52 MB
Release : 2008-10-30
Category : Drama
ISBN : 9780521088695

GET BOOK

Themes in Drama is a journal which brings together articles and review about the dramatic and theatrical activity of a wide range of cultures and periods. The articles offer original contributions to their own specialised fields, but are presented in such a way that their significance may be readily appreciated by non-specialists. The review section is especially important since reviewers have more than usual scope to give critical accounts of drama in performance and to discuss the most significant contributions to dramatic scholarship and criticism.

Author : James Redmond
Publisher : Cambridge University Press
Page : 337 pages
File Size : 24,57 MB
Release : 1983
Category : Drama
ISBN : 052122182X

GET BOOK

Themes in Drama brings together articles and review about the dramatic and theatrical activity of a wide range of cultures and periods.

Author : Elizabeth Williamson
Publisher : Routledge
Page : 296 pages
File Size : 30,48 MB
Release : 2016-04-08
Category : Performing Arts
ISBN : 1317068114

GET BOOK

Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.

Author : David V. Mason
Publisher : Routledge
Page : 302 pages
File Size : 42,31 MB
Release : 2018-10-26
Category : Religion
ISBN : 1351785826

GET BOOK

Religious practitioners and theatregoers have much in common. So much, in fact, that we can say that religion is often a theatrical phenomenon, and that theatre can be a religious experience. By examining the phenomenology of religion, we can in turn develop a better understanding of the phenomenology of theatre. That is to say, religion can show us the ways in which theatre is not fake. This study explores the overlap of religion and theatre, especially in the crucial area of experience and personal identity. Reconsidering ideas from ancient Greece, premodern India, modern Europe, and the recent century, it argues that religious adherents and theatre audiences are largely, themselves, the mechanisms of their experiences. By examining the development of the philosophy of theatre alongside theories of religious action, this book shows how we need to adjust our views of both. Featuring attention to influential notions from Plato and Aristotle, from the Natyashastra, from Schleiermacher to Sartre, Bourdieu, and Butler, and considering contemporary theories of performance and ritual, this is vital reading for any scholar in religious studies, theatre and performance studies, theology, or philosophy.

Author : Lance Gharavi
Publisher : Routledge
Page : 279 pages
File Size : 41,41 MB
Release : 2011-12-21
Category : Performing Arts
ISBN : 1136483403

GET BOOK

The intersections of religion, politics, and performance form the loci of many of the most serious issues facing the world today, sites where some of the world’s most pressing and momentous events are contested and played out. That this circumstance warrants continued, thoughtful, and imaginative engagement from those within the fields of theatre and performance is one of the guiding principles of this volume. This collection features a diverse set of perspectives, written by some of the top scholars in the relevant fields, on the many modern intersections of religion with theatre and performance. Contributors argue that religion can no longer be conceived of as a cultural phenomenon that is safely sequestered in the "private sphere." It is instead an explicitly public force that stimulates and complicates public actions, and thus a crucial component of much performance. From mystic theologies of acting to the neuroscience of spirituality in rituals to the performance of secularism, these essays address a broad variety of religious traditions, sharing a common conception of religion as a crucial object of discourse—one that is formed by, and significantly formative of, performance.

Author : Marvin Carlson
Publisher : OUP Oxford
Page : 153 pages
File Size : 25,48 MB
Release : 2014-10-23
Category : Performing Arts
ISBN : 0191648612

GET BOOK

From before history was recorded to the present day, theatre has been a major artistic form around the world. From puppetry to mimes and street theatre, this complex art has utilized all other art forms such as dance, literature, music, painting, sculpture, and architecture. Every aspect of human activity and human culture can be, and has been, incorporated into the creation of theatre. In this Very Short Introduction Marvin Carlson takes us through Ancient Greece and Rome, to Medieval Japan and Europe, to America and beyond, and looks at how the various forms of theatre have been interpreted and enjoyed. Exploring the role that theatre artists play — from the actor and director to the designer and puppet-master, as well as the audience — this is an engaging exploration of what theatre has meant, and still means, to people of all ages at all times. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Author : Richard Dutton
Publisher : Manchester University Press
Page : 286 pages
File Size : 47,59 MB
Release : 2003
Category : History
ISBN : 9780719063633

GET BOOK

Publisher Description

Author : Jake Johnson
Publisher : University of Illinois Press
Page : 224 pages
File Size : 35,85 MB
Release : 2019-06-30
Category : Music
ISBN : 025205136X

GET BOOK

The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.