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Throughout the Middle Ages, medieval manuscripts often featured dogs, from beautiful and loving depictions of man's best friend, to bloodthirsty illustrations of savage beasts, to more whimsical and humorous interpretations. Featuring stunning illustrations from the British Library's rich medieval collection, Dogs in Medieval Manuscripts provides--through discussion of dogs both real and imaginary--an astonishing picture of the relationship of dogs to humans in the medieval world. Now in a gift book format.
Perhaps at no other time in Western history have animals played such a dominant role in the visual and literary arts as they did during the Middle Ages. Animals were prevalent and essential in all aspects of medieval life, and as a result, they were employed by artists for a variety of purposes: to illustrate saint's lives, populate farm scenes, act as characters in fables, and even crawl among the very letters forming the text. And while artists used a host of animals, both real and fantastic, for these purposes, one of the most popular animals was man's best friend. Dogs were as important to humans during the Middle Ages as they are today, and this new book celebrates that association through their appearance in medieval manuscripts. A follow-up book to Kathleen Walker-Meikle's Medieval Cats, published by the British Library in 2011, Medieval Dogs presents a wealth of dog imagery from a variety of medieval sources and is peppered with fascinating facts about the medieval view of dogs and many stories of people and their pets in the Middle Ages. Among the themes explored in the accompanying text are the roles of the medieval dog, dog breeds, dogs and saints, the names of dogs, canine faithfulness, veterinary care of dogs, dog feeding, the mourning of dogs and burial practices, and medieval poetry about dogs, with translations of some short poems included here. Medieval Dogs is sure to charm dog lovers and medievalists alike.
The ubiquity of references to dogs in medieval and early modern texts and images must at some level reflect their actual presence in those worlds, yet scholarly consideration of this material is rare and scattered across diverse sources. This volume addresses that gap, bringing together fifteen essays that examine the appearance, meaning, and significance of dogs in painting, sculpture, manuscripts, literature, and legal records of the period, reaching beyond Europe to include cultural material from medieval Japan and Islam. While primarily art historical in focus, the authors approach the subject from a range of disciplines and with varying methodology that ultimately reveals as much about dogs as about the societies in which they lived. Contributors are Kathleen Ashley, Jane Carroll, Emily Cockayne, John Block Friedman, Karen M. Gerhart, Laura D. Gelfand, Craig A. Gibson, Walter S. Gibson, Nathan Hofer, Jane C. Long, Judith W. Mann, Sophie Oosterwijk, Elizabeth Carson Pastan, Donna L. Sadler, Alexa Sand, and Janet Snyder.
A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.
Cats were illustrated in medieval manuscripts throughout the Middle Ages, often in exquisite detail and frequently accompanied by their natural prey, mice. Medieval cats were viewed as treasured pets, as fearsome mousers, as canny characters in fables, as associates of the Devil, and as magical creatures. Featuring an array of fascinating illustrations from the British Library's rich medieval collection, Cats in Medieval Manuscripts includes anecdotes about cats--both real and imaginary--to provide a fascinating picture of the life of the cat and its relationship with humans during the Medieval period. A great gift for all cat-lovers.
"Featuring incredible creatures and grotesque gargoyles, "The Medieval Menagerie" takes us from the improbable to the impossible as it traces the depiction and the meaning of real and imaginary animals in medieval art. From unicorns and dragons to elephants, lions, and monkeys, medieval society was fascinated with animals, whether they actually existed or not. The more fantastic the creature, the greater its hold seems to have been on the fertile imaginations of the Middle Ages. Both art and literature abound with vividly concocted examples of Gothic monsters (gargoyles and griffins), bizarre ideas about real if exotic beasts (lions were believed to be born dead and resurrected by the father lion three days later), and strange visions of composite creatures (such as a widely accepted animal believed to be a cross between an ant and a lion). Featuring the celebrated collections of the Metropolitan Museum of Art in New York, "The Medieval Menagerie" is illustrated with the splendid and amusing beasts found in medieval painting, sculpture, architecture and decorative arts, as wello as in bestiaries and manuscripts. The text explores the depiction and the meaning of real and imaginary animals in medieval art. Elegant, lively and intelligent, "The Medieval Managerie" captures some of the wildest creatures ever to grace a Gothic cathedral."--Amazon.ca product desc.
An extraordinary menagerie of fantastical and unreal beasts featuring hundreds of illustrations, from griffins to dog-men, mermaids, dragons, unicorns, and yetis. Fire-breathing dragons, beautiful mermaids, majestic unicorns, terrifying three-headed dogs—these fantastic creatures have long excited our imagination. Medieval authors placed them in the borders of manuscripts as markers of the boundaries of our understanding. Tales from around the world place these beasts in deserts, deep woods, remote islands, ocean depths, and alternate universes—just out of our reach. And in the sections on the apocalypse in the Bible, they proliferate as the end of time approaches, with horses with heads like lions, dragons, and serpents signaling the destruction of the world. Legends tell us that imaginary animals belong to a primordial time, before everything in the world had names, categories, and conceptual frameworks. In this book, Boria Sax digs into the stories of these fabulous beasts. He shows how, despite their liminal role, imaginary animals like griffins, dog-men, yetis, and more are socially constructed creatures, created through the same complex play of sensuality and imagination as real ones. Tracing the history of imaginary animals from Paleolithic art to their roles in stories such as Harry Potter and even the advent of robotic pets, he reveals that these extraordinary figures help us psychologically—as monsters, they give form to our amorphous fears, while as creatures of wonder, they embody our hopes. Their greatest service, Sax concludes, is to continually challenge our imaginations, directing us beyond the limitations of conventional beliefs and expectations. Featuring over 230 illustrations of a veritable menagerie of fantastical and unreal beasts, Imaginary Animals is a feast for the eyes and the imagination.