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Page : 4 pages
File Size : 45,19 MB
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[PDF] Documents Concernant Le Film Les Parents De Ma Femme 1924 eBook
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Documents concernant le film "Ah! la belle famille", 1924
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Page : 6 pages
File Size : 43,53 MB
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Documents concernant le film "la Conquête d'une femme", 1924
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Page : 8 pages
File Size : 26,90 MB
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A Century of Artists Books
Author : Riva Castleman
Publisher : ABRAMS
Page : 0 pages
File Size : 32,67 MB
Release : 1997-09
Category :
ISBN : 9780810961814
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Documents concernant le film "la Femme aux quatre masques", 1924
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Page : 8 pages
File Size : 49,35 MB
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Fine Cuts: The Art of European Film Editing
Author : Roger Crittenden
Publisher : CRC Press
Page : 418 pages
File Size : 43,44 MB
Release : 2012-08-06
Category : Performing Arts
ISBN : 1136054103
Roger Crittenden reveals the experiences of many of the greatest living European film editors through his warm and perceptive interviews which offer a unique insight into the art of editing - direct from masters of the craft. In their interviews the editors relate their experience to the directors they have worked with, including: Agnes Guillemot- (Godard, Truffaut, Catherine Breillat) Roberto Perpignani- (Welles, Bertolucci, Tavianni Brothers) Sylvia Ingemarsson- (Ingmar Bergman) Michal Leszczylowski- (Andrei Tarkovsky, Lukas Moodysson) Tony Lawson (Nic Roeg, Stanley Kubrick, Neil Jordan) and many more. Foreword by Walter Murch - three-time Oscar-winning Editor of 'Apocalypse Now', 'The English Patient', 'American Graffiti', 'The Conversation' and 'The Godfather Part II and III'.
Hollywood Genres: Formulas, Filmmaking, and The Studio System
Author : Thomas Schatz
Publisher : McGraw-Hill Humanities/Social Sciences/Languages
Page : 324 pages
File Size : 15,92 MB
Release : 1981-02
Category : Language Arts & Disciplines
ISBN :
The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film industry and its audience. This process, embodied by the Hollywood studio system, has been sustained primarily through genres, those popular narrative formulas like the Western, musical and gangster film, which have dominated the screen arts throughout this century.
Julia Margaret Cameron's Women
Author : Sylvia Wolf
Publisher : Yale University Press
Page : 256 pages
File Size : 18,70 MB
Release : 1998-01-01
Category : Photography
ISBN : 0300077815
Profiles the life and work of a nineteenth century pioneer of photography and offers a selection of her portraits of women
The Photomontages of Hannah Höch
Author : Hannah Höch
Publisher :
Page : 238 pages
File Size : 24,41 MB
Release : 1996
Category : Photography
ISBN :
Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction.
Photography and Cinema
Author : David Campany
Publisher : Reaktion Books
Page : 164 pages
File Size : 14,35 MB
Release : 2008-11-15
Category : Performing Arts
ISBN : 9781861893512
"This account of photography and cinema shows how the two media are not separate but in fact have influenced each other since their inception. David Campany explores photographers on screen, photographic and filmic stillness, photographs in film, the influence of photography on cinema, and the photographer as a filmmaker"--OCLC