[PDF] Documents Concernant Le Film Les Dix Commandements Dapres Un Roman De Jeanne Macpherson 1924 eBook

Author : The J. Paul Getty Museum
Publisher : Getty Publications
Page : 262 pages
File Size : 24,57 MB
Release : 1985-01-01
Category : Art
ISBN : 0892360909

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The J. Paul Getty Museum Journal 13 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, paintings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 13 includes articles written by Helayna I. Thickpenny, Michael Pfrommer, Klaus Parlasca, Heidemaire Koch, Jean-Dominique Augarde, Colin Streeter, Gillian Wilson, Charissa Bremer-David, C. Gay Nieda, Adrian Sassoon, Selma Holo, Marcel Roethlisberger, Louise Lippincott, Mark Leonard, Burton B. Fredericksen, Nigel Glendinning, Eleanor Sayre, and William Innes Homer.

Author : Elizabeth Archibald
Publisher : OUP Oxford
Page : 313 pages
File Size : 20,12 MB
Release : 2001-05-24
Category : Literary Criticism
ISBN : 0191540854

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Incest is a remarkably frequent theme in medieval literature; it occurs in a wide range of genres, including romances, saints's lives, and exempla. Historically, the Church in the later Middle Ages was very concerned about breaches of the complex laws against incest, which was defined very broadly at the time to cover family relationships outside the nuclear family and also spiritual relationships through baptism. Medieval writers accepted that incestuous desire was a widespread phenomenon among women as well as men. They are surprisingly open about incest, though of course they disapprove of it; in many exemplary stories incest is identified with original sin, but the moral emphasizes the importance of contrition and the availability of grace even to such heinous sinners. This study begins with a brief account of the development of medieval incest laws, and the extent to which they were obeyed. Next comes a survey of classical incest stories and their legacy; many were retold in the Middle Ages, but they were frequently adapted to the purposes of Christian moralizers. In the three chapters that follow, homegrown medieval incest stories are grouped by relationship: mother-son (focusing on the Gregorius legend), father-daughter (focusing on La Manekine and its analogues), and sibling (focusing on the Arthurian legend). The final chapter considers the very common medieval trope of the Virgin Mary as mother, daughter, sister and bride of Christ, the one exception to the incest taboo. In western society today, incest has recently been recognized as a serious social problem, and has also become a frequent theme in both fiction and non-fiction, just as it was in the Middle Ages. This interdisciplinary study is the first broad survey of medieval incest stories in Latin and the vernaculars (mainly French, English and German). It situates the incest theme in both literary and cultural contexts, and offers many thought-provoking comparisons and contrasts to our own society in terms of gender relations, the power of patriarchy, the role of religious institutions in regulating morality, and the relationship between life and literature.

Author : Beate Fricke
Publisher : Brepols Publishers
Page : 0 pages
File Size : 39,54 MB
Release : 2015
Category : Christian art and symbolism
ISBN : 9782503541181

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This book investigates the origins and transformations of medieval image culture and its reflections in theology, hagiography, historiography and art. It deals with a remarkable phenomenon: the fact that, after a period of 500 years of absence, the tenth century sees a revival of monumental sculpture in the Latin West. Since the end of Antiquity and the pagan use of free-standing, life-size sculptures in public and private ritual, Christians were obedient to the Second Commandment forbidding the making and use of graven images. Contrary to the West, in Byzantium, such a revival never occurred: only relief sculpture - mostly integrated within an architectural context - was used. However, Eastern theologians are the authors of highly fascinating and outstanding original theoretical reflections about the nature and efficacy of images. How can this difference be explained? Why do we find the most fascinating theoretical concepts of images in a culture that sticks to two-dimensional icons often venerated as cult-images that are copied and repeated, but only randomly varied? And why does a groundbreaking change in the culture of images - the revival of monumental sculpture - happen in a context that provides more restrained theoretical reflections upon images in their immediate theological, liturgical and artistic contexts? These are some of the questions that this book seeks to answer.The analysis and contextualization of the revival of monumental sculpture includes reflections on liturgy, architecture, materiality of minor arts and reliquaries, medieval theories of perception, and gift exchange and its impact upon practices of image veneration, aesthetics and political participation. Drawing on the historical investigation of specific objects and texts between the ninth and the eleventh century, the book outlines an occidental history of image culture, visuality and fiction, claiming that only images possess modes of visualizing what in the discourse of medieval theology can never be addressed and revealed.

Author : Sarah Patton Boyle
Publisher : Pickle Partners Publishing
Page : 483 pages
File Size : 30,19 MB
Release : 2016-10-27
Category : History
ISBN : 1787201899

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Sarah Patton Boyle’s personal crusade for civil rights began in the fall of 1950, when the University of Virginia refused to admit Gregory Swanson, the Negro student who challenged its policy of segregation. Confident that this wrong could be righted quickly, Mrs. Boyle, the wife of a professor at the University, went forth to do her share—to meet not only with the burning crosses of white hatred but with decided wariness on the part of Negroes. Here is the story of Mrs. Boyle’s lonely struggle—the more courageous for her aristocratic Virginia background and traditional Southern upbringing. It is also the story of her painful re-education—of a Southerner’s discovery of “the real Negro, the real white man, and herself.” A fascinating, reaffirming read. “It should be read by everyone with the brotherhood of man.”—Dr. Martin Luther King, Jr. “A most interesting and revealing book, honest, compassionate. The South needs it; Negroes need it; northerners need it. It is beautiful in its candor and deeply moving....”—Lillian Smith

Author : The J. Paul Getty Muiseum
Publisher : Getty Publications
Page : 90 pages
File Size : 27,67 MB
Release : 1977-01-01
Category : Art
ISBN : 0892360062

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The J. Paul Getty Museum Journal 4 is a compendium of articles and notes pertaining to the Museum’s permanent collections of decorative arts. This volume includes an introduction and two articles by Gillian Wilson, Curator of Decorative Arts. Volume 4 also features articles by Jiří Frel, the Museum’s Curator of Antiquities; Edith Standen, Curatorial Consultant, Department of Western European Art, the Metropolitan Museum of Art in New York; Geraldine Hussman, California State University at Northridge; Jean-Luc Bordeaux, Professor of Art History and Director of the Fine Arts Gallery, California State University at Northridge; and Faya Causey, University of California, Santa Barbara.