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Hobbledehoy

Author : Ed Alcock
Publisher :
Page : 99 pages
File Size : 24,84 MB
Release : 2013-11-20
Category :
ISBN : 9782909953304

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"Mon père m’appelait souvent "hobbledehoy". Il me lançait, moitié en parlant moitié en chantant : "he was neither man, nor boy ; he was but a hobbledehoy". Ma famille emploie ce mot, tiré du vieil anglais, depuis des générations. Il désigne cette période gauche, ingrate entre l’enfance et l’âge adulte. Il y a quelque chose dans la manière dont mon fils se tient, quelque chose dans la mélancolie de son regard qui évoquent, pour moi, un garçon plus âgé, déjà nostalgique de son enfance. J’avoue projeter beaucoup de ma propre enfance sur la sienne. Alors qui est ce Hobbledehoy : lui, moi, ou nous deux?". Emmanuel Carrère. "S’ils avaient été moches, renfrognés, si leur vie m’avait paru triste ou leurs sourires forcés, j’aurais vite refermé le carton, pensé que non, vraiment, je n’avais pas le droit de surprendre leur intimité". Un portrait intime autant qu’un regard intense sur la relation mère-fils. Ed Alcock et Emmanuel Carrère se retrouvent dans les mêmes traces, celles de la puissance et la fragilité de la famille et du rapport amoureux. Le regard tendre d’un grand portraitiste de presse sur son fils à la frontière de l’enfance et de l’adolescence. Un récit inédit d’Emmanuel Carrère, concentré du talent narratif de l’écrivain.

The Invention of Robert Bresson

Author : Colin Burnett
Publisher : Indiana University Press
Page : 289 pages
File Size : 25,49 MB
Release : 2016-12-19
Category : Performing Arts
ISBN : 025302501X

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Challenging the prevailing notion among cinephiles that the auteur is an isolated genius interested primarily in individualism, Colin Burnett positions Robert Bresson as one whose life's work confronts the cultural forces that helped shape it. Regarded as one of film history's most elusive figures, Bresson (1901–1999) carried himself as an auteur long before cultural magazines, like the famed Cahiers du cinéma, advanced the term to describe such directors as Jacques Tati, Alfred Hitchcock, and Jean-Luc Godard. In this groundbreaking study, Burnett combines biography with cultural history to uncover the roots of the auteur in the alternative cultural marketplace of midcentury France.

Sergei M. Eisenstein

Author : Naum Kleiman
Publisher : Amsterdam University Press
Page : 546 pages
File Size : 44,20 MB
Release : 2016-06-03
Category : Performing Arts
ISBN : 9048517117

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Sovjetregisseur en filmtheoreticus Sergei M. Eisenstein werkte in 1946 en 1947 een jaar voor zijn dood aan een algemene geschiedenis van de cinema. De manier waarop hij de geschiedschrijving van van de cinema benadert, is tegelijk fascinerend in haar ambitie en uiterst modern in haar methode. Eisenstein presenteert hier een virtuele wereldkaart van alle aan de bioscoop gerelateerde media, en ontwikkelt op hetzelfde moment een methode voor het schrijven van een geschiedenis die net als de cinema is gebaseerd op montage. De teksten van Eisenstein worden begeleid door een reeks kritische essays, geschreven door enkele van 's werelds meest gekwalificeerde Eisensteinkenners.

Dictionary of Films

Author : Georges Sadoul
Publisher : Berkeley : University of California Press
Page : 432 pages
File Size : 16,34 MB
Release : 1972
Category : Performing Arts
ISBN : 9780520021525

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Lists significant international films, with brief plot summaries, critical analyses, and listings of producers, directors, and actors

Jean Epstein

Author : Sarah Keller
Publisher :
Page : 439 pages
File Size : 31,88 MB
Release : 2012
Category : Electronic books
ISBN :

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Filmmaker and theoretician Jean Epstein profoundly influenced film practice, criticism and reception in France during the 1920s and well beyond. His work not only forms the crux of the debates of his time, but also remains key to understanding later developments in film practice and theory. Epstein's film criticism is among the most wide-ranging, provocative and poetic writing about cinema and his often breathtaking films offer insights into cinema and the experience of modernity. This collection - the first comprehensive study in English of Epstein's far-reaching influence - arrives as several of the concerns most central to Epstein's work are being reexamined, including theories of perception, realism, and the relationship between cinema and other arts. The volume also includes new translations from every major theoretical work Epstein published, presenting the widest possible historical and contextual range of Epstein's work, from his beginnings as a biology student and literary critic to his late film projects and posthumously published writings.

Popular Front Paris and the Poetics of Culture

Author : Dudley Andrew
Publisher : Belknap Press
Page : 472 pages
File Size : 12,69 MB
Release : 2005
Category : History
ISBN :

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The authors highlight the new symbolic forces put in play by technologies of the illustrated press and the sound film - technologies that converged with efforts among writers, artists, and other intellectuals to respond to the crises of the decade.

Production Culture

Author : John Thornton Caldwell
Publisher : Duke University Press
Page : 463 pages
File Size : 19,45 MB
Release : 2008-03-25
Category : Business & Economics
ISBN : 0822341115

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An investigation of the cultural practices and belief systems of Los Angelesbased film and video production workers.

The Birth of the American Horror Film

Author : Gary Don Rhodes
Publisher :
Page : 0 pages
File Size : 38,44 MB
Release : 2018
Category : Horror films
ISBN : 9781474430869

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Explains how the American horror movie came into existence. Although early cinema has long been a key area of research in film studies, the origin and development of the horror film has been a neglected subject for what is arguably one of the world's most popular film genres. Using thousands of primary sources and long-unseen illustrations, 'The Birth of the American Horror Film' examines a history that begins in colonial Salem, taking an interdisciplinary approach to explore the influence of horror-themed literature, theatre and visual culture in America, and how that context established an amorphous structural foundation for films produced between 1895 and 1915. Exhaustively researched, bridging scholarship on Horror Studies and Early Cinema, 'The Birth of the American Horror Film' is the first major study dedicated to this vital but often overlooked subject. Suitable for use on courses focusing on Film History, Genre and Horror.