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Matthew is studying at a prestigious college, and his new roommate, Harto, is almost too much to take. Harto hails from the mysterious Pulau Yang Indah and grew up with strange island cultural practices involving, well...the butt. Matthew does his best to shield his new roommate from teasing before it devolves into actual sexual harassment, and Harto isn’t unmoved by Matthew’s kindness—in fact, just thinking of him can bring him to orgasm. But these new developments terrify him too. As his clan’s chosen warrior, he can’t risk growing weak. Will he be forced to choose between his new love and the clan that raised him? -- VIZ Media
Eight mighty island warriors battle to become king. The deciding factor? The one who comes last, of course! Eight islands represented by their best warriors must battle it out in a tournament to decide their king. To win this battle of endurance, it’s not the last one standing but the last one coming that matters! The tournament to choose the next king of the islands is about to begin. The rules are simple—whoever comes first loses! Participating warriors protect their mighty swords with armor that grows larger and more elaborate with each tournament. But one warrior has returned from studying abroad with a technique certain to force a pleasurable eruption! Is there a competitor alive able to withstand it? Or is this deft warrior destined to become king?!
Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Super serious Asahi Suzumura and laidback, easygoing Mitsuki Sayama might seem like an odd couple, but they made a deal; they'll vacation around the world and when they get back to Japan, they'll get married. As they travel from country to country, the different people, cultures and cuisine they encounter begin to bring them closer together. After all they're not just learning about the world, but about themselves too.
Since the end of the Second World War—and particularly over the last decade—Japanese science fiction has strongly influenced global popular culture. Unlike American and British science fiction, its most popular examples have been visual—from Gojira (Godzilla) and Astro Boy in the 1950s and 1960s to the anime masterpieces Akira and Ghost in the Shell of the 1980s and 1990s—while little attention has been paid to a vibrant tradition of prose science fiction in Japan. Robot Ghosts and Wired Dreams remedies this neglect with a rich exploration of the genre that connects prose science fiction to contemporary anime. Bringing together Western scholars and leading Japanese critics, this groundbreaking work traces the beginnings, evolution, and future direction of science fiction in Japan, its major schools and authors, cultural origins and relationship to its Western counterparts, the role of the genre in the formation of Japan’s national and political identity, and its unique fan culture. Covering a remarkable range of texts—from the 1930s fantastic detective fiction of Yumeno Kyûsaku to the cross-culturally produced and marketed film and video game franchise Final Fantasy—this book firmly establishes Japanese science fiction as a vital and exciting genre. Contributors: Hiroki Azuma; Hiroko Chiba, DePauw U; Naoki Chiba; William O. Gardner, Swarthmore College; Mari Kotani; Livia Monnet, U of Montreal; Miri Nakamura, Stanford U; Susan Napier, Tufts U; Sharalyn Orbaugh, U of British Columbia; Tamaki Saitô; Thomas Schnellbächer, Berlin Free U. Christopher Bolton is assistant professor of Japanese at Williams College. Istvan Csicsery-Ronay Jr. is professor of English at DePauw University. Takayuki Tatsumi is professor of English at Keio University.
Fated to die as the villainess of an otome game, Mystia sets out to change her own unhappy ending! Mystia Aren is the daughter of a noble family, and she just started high school. She’s surrounded by a group of adoring classmates and her charming fiancé. Everything seems perfect. Except that this world is actually a dating sim called Kyun-Love, and Mystia knows she's been reincarnated into the role of the main character's evil rival! Mystia is determined to do everything she can to avoid her fate, but it’s not as easy as it sounds. Especially when all the boys keep falling in love with her!
Having lost the place he called home, Uichi seeks help from his beloved Akitora’s rival, Matsumi. But instead of being helped, Uichi is captured and tortured by the evil man. To make matters worse, the second head suddenly commits suicide, and his final words light a dark fire in Matsumi’s heart! -- VIZ Media
Every day is leg day in this ultra-cute high school comedy! The students at Hanamaru Academy are putting the boot (and booty!) to gender norm uniforms. Instead of wearing drab blazers, these beauty-builders are obsessed with the length of their skirts and the size of their chests as they try to navigate high school. This high-energy comedy takes being cute and being cut to a whole new level!
From computer games to figurines and maid cafes, men called “otaku” develop intense fan relationships with “cute girl” characters from manga, anime, and related media and material in contemporary Japan. While much of the Japanese public considers the forms of character love associated with “otaku” to be weird and perverse, the Japanese government has endeavored to incorporate “otaku” culture into its branding of “Cool Japan.” In Otaku and the Struggle for Imagination in Japan, Patrick W. Galbraith explores the conflicting meanings of “otaku” culture and its significance to Japanese popular culture, masculinity, and the nation. Tracing the history of “otaku” and “cute girl” characters from their origins in the 1970s to his recent fieldwork in Akihabara, Tokyo (“the Holy Land of Otaku”), Galbraith contends that the discourse surrounding “otaku” reveals tensions around contested notions of gender, sexuality, and ways of imagining the nation that extend far beyond Japan. At the same time, in their relationships with characters and one another, “otaku” are imagining and creating alternative social worlds.
This book seeks to problematize knowledge and practices regarding 'male rape' and its relationship to feminism, examining this issue from a Foucauldian perspective. Feminist constructions of 'male rape' can plausibly be claimed to operate as a 'regime of truth', but one must question whether this is running counter to patriarchy.