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As a beginning design student, you need to learn to think like a designer, to visualize ideas and concepts, as well as objects. In this book, Balmer and Swisher illustrate how you can create and use diagrams to clarify your understanding of both particular projects and organizing principles and ideas.
As a beginning design student, you need to learn to think like a designer, to visualize ideas and concepts, as well as objects. In the second edition of Diagramming the Big Idea, Jeffrey Balmer and Michael T. Swisher illustrate how you can create and use diagrams to clarify your understanding of both particular projects and organizing principles and ideas. With accessible, step-by-step exercises that interweave full color diagrams, drawings and virtual models, the authors clearly show you how to compose meaningful and useful diagrams. As you follow the development of the four project groups drawn from the authors’ teaching, you will become familiar with architectural composition concepts such as proportion, site, form, hierarchy and spatial construction. In addition, description and demonstration essays extend concepts to show you more examples of the methods used in the projects. Whether preparing for a desk critique, or any time when a fundamental insight can help to resolve a design problem, this new and expanded edition is your essential studio resource.
Becoming an architect is a daunting task. Beyond the acquisition of new skills and procedures, beginning designers face an entirely unfamiliar mode of knowledge: design thinking. In Diagramming the Big Idea, Jeffrey Balmer and Michael T. Swisher introduce the fundamentals of design thinking by illustrating how architects make and use diagrams to clarify their understanding of both specific architectural projects and universal principles of form and order. With accessible, step-by-step procedures that interweave diagrams, drawings and virtual models, the authors demonstrate how to compose clear and revealing diagrams. Design thinking defines a method for engaging the world through observation and analysis. Beyond problem solving, design is a search for possibilities. Mastering design thinking begins with learning the fundamentals of visual composition. It embraces the ability to synthesize deductive and imaginative reasoning, combining both shrewd scrutiny and fevered speculation. Design diagrams make visible the abstractions that order the built environment. Premised upon the Beaux-Arts notion of the architectural parti, Balmer and Swisher adopt the ‘Big Idea’ as a foil and as a suitcase to organize fundamentals of architectural composition. The goal of this book is to make explicit to students what they are learning, why they are learning it and how to internalize such lessons toward their lifelong development as designers.
This book is not about construction, although you will learn about building codes and practices. It is not about tactics, although the information gained by knowing a floor plan will undoubtedly affect them. Instead, this book is designed to provide a quick and simple method of confidently determining floor plans by using outside architectural features. It assumes no knowledge of construction or tactics and is designed to be useful whether it is read cover to cover or occasionally referred to as a reference. It provides time-tested, tried and true principles that any tactician can use to determine avenues of approach, observation and fields of fire, obstacles, and cover or concealment, not to mention where a suspect might be most vulnerable. Using this essential tool for quick and clear comprehension of tactical diagramming, even a novice tactical planner will learn to use windows, doors, vents and other clues to confidently determine interior features. After reading this book, it will be clear that the proverbial "glass house" is in the mind's eye!
The trendsetting architect Rem Koolhaas has carried it out to perfection, whereas the next generation of international stars refined it even more, giving us the unconventional presentation of designs and ideas in the form of diagrams. This method of presentation is easy to understand when dealing with the client and can be communicated internationally, beyond language and cultural barriers - a product of our globalised world. However, diagrams are now much more than explanations and form their own discipline in creative professions connected to design and construction. What looks simple is in fact a complex matter. This title in the series Construction and Design Manual is in its second edition and assembles 384 pages of diagrams by avant-garde architects and designers who specialise in public space, landscape architecture and urban planning.
Diagram is one of the most used words in contemporary architecture and urban design. It's almost a common understanding of using diagrams to explain the design concept. However, it is more than simply showing the audience to help them understand the idea. Diagramming is an element of design in itself. On more than 750 pages this manual showcases diagrams of avant-garde architects and designers from all over the world, among others: LAVA, JDS Architects, Jürgen Mayer H. Architects, UNStudio, Périphérique, BIG - Bjarke Ingels Group.
Diagram is one of the most used words in contemporary architecture and urban design. It's almost a common understanding of using diagrams to explain the design concept. However, it is more than simply showing the audience to help them understand the idea. Diagramming is an element of design in itself. On more than 750 pages this manual showcases diagrams of avant-garde architects and designers from all over the world: 2TR ARCHITETTURA, AA+U partnership for architecture, AMID (cero9), Andreas Angelidakis, art and urbanism, Atelier Phileas, Axi:Ome, Bernd Kniess Architects Urban Planners, b4architects, Tiago Barros, beva, BIG, Bureau des Mesarchitectures, Cheng+Snyder, CJ Lim/Studio 8 Architects, data architects, EBPC, ECDM, EM2N, Ecosistema Urbano+TECTUM, Emilio Marin Architect, Enrique Arenas Laorga & Luis Basabe Montalvo, Laura Federici, Galvez+Wieczorek, GEOTECTURA, Glockawa Rennie Architects, Guallart Architects, i29 interior architects, J. Mayer H. Architects, Jay is working., JDS Architects, Jungwoo Ji, kadawittfeldarchitektur, Kim Kai-chun, Florian Krieger, laN+, LAVA, Leon11 Architects, lotti+Pavarani Architetti, ma0, Manuelle Gautrand Architecture, Marco Hemmerling architecture design, Maurice Mentjens Design, MoHen Design International, Moho Architects, Moonbalsso +DN, mxg architects, Nabito Arquitectura S.C.P., nArchitects, NL Architects, nodo17 Architects, Obra Architects, ONE ARCHITECTURE, PEG office for landscape+architecture, Jorge Pereira, Peripheriques architects, plattformberlin, PLY Architecture, PSA, R&Sie architects, Reiser+Umemoto RUR Architecture PC, ReL̲oad, Responsive Systems Group, Sadar Vuga Arhitekti, Samoo Architects & Engineers, Serie Architects, servo, Sansk Design Studio, sga:sean godsell architects, SMAQ, SO Architecture, SPACEGROUP, studio asylum, Studio Makkink & Bey bv, Studio Ramin Visch, the next ENTERprise, UNStudio, Vincent Callebaut Architecture, VMX Arch