Delivering Digital Images Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Delivering Digital Images book. This book definitely worth reading, it is an incredibly well-written.
This pioneering two-year project explored the legal, technical, and practical issues involved in using digital images of museum collections for educational purposes. The report includes essays by project participants for the fourteen museums and universities that participated in this project, and recommends terms and conditions for distributing digital museum images via the Internet and university campus networks.
These fifteen contributions by distinguished vision and imaging scientists explore the role of human vision in the design of modem image communication systems. A dominant theme in the book is image compression—how compression algorithms can be designed to make best use of what we know about human vision. Electronic image communications, which encompass television, high-definition television, teleconferencing, multimedia, digital photography, desktop publishing, and digital movies, is a rapidly growing segment of technology and business. Because these products and technologies are designed for human viewing, knowledge of human perception is essential to optimal design. This book provides a timely compendium of important ideas and perspectives on such subjects as the key aspects of human visual sensitivity that are relevant to image communications and, conversely, the major problems in image communications that vision science can address; the mathematical models of human vision that are useful in the design of image comunications systems; reliable and efficient methods of evaluating visual quality; and aspects of human vision that can be exploited to provide substantial improvements in coding efficiency. Andrew B. Watson is Senior Scientist for Vision Research at NASA. Contributors: Albert J. Ahumada, Jr. E. Barth. V. Michael Bove, Jr. Gershon Buchsbaum. Phillipe Cassereau. Pamela C. Cosman. Scott J. Daly. Michael Eckert. Bernd Girod. William E. Glenn. Robert M. Gray. Paul J. Hearty. Bradley Horowitz. Stanley Klein. Jeffrey Lubin, Cynthia Null. Karen L. Oehler. Alex Pentland. Todd Reed. Andrew B. Watson. B. Wegmann. Christof Zetsche.
Lifelong learning is currently a major concern of governments who wish to see their citizens remain employable while the job market changes. Critical to this are digital learning centres where learning is delivered through internet access or via CD-based packages. Access to these turns public libraries and community networks into 'multi media neighbourhood superstores' where print-based learning materials are enhanced by multimedia. The multiplicity of sources of learning materials and experiences reinforces and extends the traditional role of the librarian as mediator between the user and their needs. To support and foster these activities frontline public library and community network staff must be capable of offering user support and advice in a much wider arena. This requires training in new knowledge and skill sets. This timely new book offers practical guidance and expertise for public library and community network staff in setting up, running and developing an effective digital learning centre based within the People's Network or in a related community networking initiative. It has a holistic focus on the use of ICT, taking staff beyond user training applications into areas of network management, e-learning, digitization, web design and XML that staff face on a day-to-day basis. Key areas covered include: PC installation and maintenance managing a network and coping with the security issues of internet connection understanding and supporting lifelong learning digitization of local materials managing websites and intranets: site design, metadata, XML building local community portals implementing e-government social inclusion and service extension: assistive technologies service issues: copyright, access user and staff training. Readership: This book will de-mystify this new area of development for all library and information staff working in, or setting up, a PC-based digital learning centre in information service settings within public libraries, community networking centres, and school and academic libraries.
In the past decade, the way image based media is created, disseminated, and shared has changed exponentially, as digital imaging technology has replaced traditional film based media. Digital images have become the pervasive photographic medium of choice for the general public. Most libraries, archives, museums, and galleries have undertaken some type of digitisation program: converting their holdings into two dimensional digital images which are available for the general user via the Internet. This raises issues for those aiming to facilitate the creation and preservation of digital images whilst supplying and improving user access to image based material. Digital Images for the Information Professional provides an overview of the place of images in the changing information environment, and the use, function, and appropriation of digital images in both institutional and personal settings. Covering the history, technical underpinnings, sustainability, application, and management of digital images, the text is an accessible guide to both established and developing imaging technologies, providing those within the information sector with essential background knowledge of this increasingly ubiquitous medium.
Compression, restoration and recognition are three of the key components of digital imaging. The mathematics needed to understand and carry out all these components are explained here in a style that is at once rigorous and practical with many worked examples, exercises with solutions, pseudocode, and sample calculations on images. The introduction lists fast tracks to special topics such as Principal Component Analysis, and ways into and through the book, which abounds with illustrations. The first part describes plane geometry and pattern-generating symmetries, along with some on 3D rotation and reflection matrices. Subsequent chapters cover vectors, matrices and probability. These are applied to simulation, Bayesian methods, Shannon's information theory, compression, filtering and tomography. The book will be suited for advanced courses or for self-study. It will appeal to all those working in biomedical imaging and diagnosis, computer graphics, machine vision, remote sensing, image processing and information theory and its applications.
In the past decade, the way image based media is created, disseminated, and shared has changed exponentially, as digital imaging technology has replaced traditional film based media.Digital Images for the Information Professional provides an overview of
This full-color title is designed to be a classic reference for the millions of photographers going to digital, from enthusiasts shooting family events and vacations with their SLRs, to professionals creating journalistic prints and fine art. It?s the only book on the market with a focus on complete, end-to-end workflow from shoot to print. It?s tied to Adobe?s latest version of Photoshop, which boasts an installed base of 4 million! Serge Timacheff is a professional photographer living in Pacific Northwest. He is the official photographer for the International Fencing Federation, based in Lausanne, Switzerland, and he photographs fencing at World Championships and the Summer Olympics. His 100-percent digital studio provides portraiture, event, commercial, and boudoir photography, and his fine art photographs appear in galleries and individual collections worldwide. David Karlins is a digital imaging expert, Web designer, teacher, consultant and author of numerous books and magazine articles.
Computational photography refers broadly to imaging techniques that enhance or extend the capabilities of digital photography. This new and rapidly developing research field has evolved from computer vision, image processing, computer graphics and applied optics—and numerous commercial products capitalizing on its principles have already appeared in diverse market applications, due to the gradual migration of computational algorithms from computers to imaging devices and software. Computational Photography: Methods and Applications provides a strong, fundamental understanding of theory and methods, and a foundation upon which to build solutions for many of today's most interesting and challenging computational imaging problems. Elucidating cutting-edge advances and applications in digital imaging, camera image processing, and computational photography, with a focus on related research challenges, this book: Describes single capture image fusion technology for consumer digital cameras Discusses the steps in a camera image processing pipeline, such as visual data compression, color correction and enhancement, denoising, demosaicking, super-resolution reconstruction, deblurring, and high dynamic range imaging Covers shadow detection for surveillance applications, camera-driven document rectification, bilateral filtering and its applications, and painterly rendering of digital images Presents machine-learning methods for automatic image colorization and digital face beautification Explores light field acquisition and processing, space-time light field rendering, and dynamic view synthesis with an array of cameras Because of the urgent challenges associated with emerging digital camera applications, image processing methods for computational photography are of paramount importance to research and development in the imaging community. Presenting the work of leading experts, and edited by a renowned authority in digital color imaging and camera image processing, this book considers the rapid developments in this area and addresses very particular research and application problems. It is ideal as a stand-alone professional reference for design and implementation of digital image and video processing tasks, and it can also be used to support graduate courses in computer vision, digital imaging, visual data processing, and computer graphics, among others.
Presents instructions on how to transfer photographs onto a variety of substrates, including fabric, glass, wood, and assorted papers to create works of art.