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Author : Anna Powell
Publisher : Edinburgh University Press
Page : 224 pages
File Size : 22,82 MB
Release : 2012-02-20
Category : Performing Arts
ISBN : 0748689508
This book offers a typology of altered states, defining dream, hallucination, trance, vision and ecstasy in their cinematic expression.
Author : Anna Powell
Publisher :
Page : 232 pages
File Size : 12,12 MB
Release : 2005
Category : Electronic books
ISBN : 9780748651061
Using Deleuze's work on art and film, Anna Powell argues that film viewing is a form of 'altered consciousness' and the experience of viewing horror film an 'embodied event'. The book begins with a critical introduction to the key terms in Deleuzian philosophy and aesthetics.
Author : Gilles Deleuze
Publisher : A&C Black
Page : 716 pages
File Size : 20,90 MB
Release : 2004-09-01
Category : Philosophy
ISBN : 9780826476944
‘A rare and remarkable book.' Times Literary Supplement Gilles Deleuze (1925-1995) was Professor of Philosophy at the University of Paris VIII. He is a key figure in poststructuralism, and one of the most influential philosophers of the twentieth century. Félix Guattari (1930-1992) was a psychoanalyst at the la Borde Clinic, as well as being a major social theorist and radical activist. A Thousand Plateaus is part of Deleuze and Guattari's landmark philosophical project, Capitalism and Schizophrenia - a project that still sets the terms of contemporary philosophical debate. A Thousand Plateaus provides a compelling analysis of social phenomena and offers fresh alternatives for thinking about philosophy and culture. Its radical perspective provides a toolbox for ‘nomadic thought' and has had a galvanizing influence on today's anti-capitalist movement. Translated by Brian Massumi>
Author : Felicity Colman
Publisher : Berg
Page : 392 pages
File Size : 39,10 MB
Release : 2011-06-01
Category : Performing Arts
ISBN : 1847887708
Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze's writings treat film as a new form of philosophy. This ciné-philosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema. Deleuze and Cinema provides the first introductory guide to Deleuze's radical methodology for screen analysis. It will be invaluable for students and teachers of Film, Media and Philosophy.
Author : Anna Powell
Publisher : Edinburgh University Press
Page : 240 pages
File Size : 40,83 MB
Release : 2005-03-24
Category : Performing Arts
ISBN : 0748628789
Using Deleuze's work on art and film, Anna Powell argues that film viewing is a form of 'altered consciousness' and the experience of viewing horror film an 'embodied event'. The book begins with a critical introduction to the key terms in Deleuzian philosophy and aesthetics.
Author : Gilles Deleuze
Publisher : U of Minnesota Press
Page : 366 pages
File Size : 20,1 MB
Release : 1986
Category : Performing Arts
ISBN : 9780816616770
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
Author : Jadranka Skorin-Kapov
Publisher : Bloomsbury Publishing USA
Page : 218 pages
File Size : 46,31 MB
Release : 2015-11-19
Category : Performing Arts
ISBN : 1501306995
Darren Aronofsky's Films and the Fragility of Hope offers the first sustained analysis of the current oeuvre of the film director, screenwriter, and producer Darren Aronofsky. Including Pi (1998), Requiem for a Dream (2000), The Fountain (2006), The Wrestler (2008), Black Swan (2010), and Noah (2014), Aronofsky's filmography is discussed with respect to his style and the themes of his films, making astute connections with the work of other directors, other movies and works of art, and connecting his films with other disciplines such as math, philosophy, psychology, and art history. Jadranka Skorin-Kapov deploys her background in philosophy and math to analyze an American filmmaker with an individual voice, working on both independent productions and big-budget Hollywood films. Aronofsky is revealed to be a philosopher's director, considering the themes of life and death, addiction and obsession, sacrifice, and the fragility of hope. Skorin-Kapov discusses his ability to visually present challenging intersections between art and philosophy. Concluding with a transcript of a conversation between the author and Aronofsky himself, Darren Aronofsky's Films and the Fragility of Hope is a much-needed study on this American auteur.
Author : Kara Keeling
Publisher : Duke University Press
Page : 228 pages
File Size : 48,15 MB
Release : 2007-11-05
Category : Performing Arts
ISBN : 9780822340256
DIVThrough an analysis of filmic representations of Black femininity, and the Black Femme in particular, this book highlights the ways "the cinematic" structures both racist and sexist portrayals, and their potential undoing./div
Author : Keith W. Faulkner
Publisher : Peter Lang
Page : 194 pages
File Size : 37,67 MB
Release : 2006
Category : Literary Criticism
ISBN : 9780820481159
In the most important theory of time since Heidegger, Deleuze challenges Kant's unity of apperception, as well as the phenomenological account of time. This book, using the principles of structuralism, exposes how Freud's unconscious mechanisms synthesize time. It also gives a vibrant and original account of Deleuze's theory of the pure Event using detailed examples from Hamlet and Oedipus, as well as Nietzsche's doctrine of the eternal return. This book is essential reading for students and scholars who wish to understand Deleuze's dissolved subject as well as our modern sense of fragmented time.
Author : José Manuel Martins
Publisher : Cambridge Scholars Publishing
Page : 315 pages
File Size : 48,29 MB
Release : 2017-03-07
Category : Performing Arts
ISBN : 1443879584
Over the last few decades, film has increasingly become an issue of philosophical reflection from an ontological and epistemological perspective, and the claim “doing philosophy through film” has raised extensive discussion about its meaning. The mechanical reproduction of reality is one of the most prominent philosophical questions raised by the emergence of film at the end of the nineteenth century, inquiring into the ontological nature of both reality and film. Yet the nature of this audio-photographic and moving reproduction of reality constitutes an ontological puzzle, which has widely been disregarded as a main line of enquiry with direct consequences for philosophy. Regarding this background, this volume brings together the best papers from the Lisbon Conference on Philosophy and Film: Thinking Reality and Time through Film, held in 2014. What they all have in common is the discussion of new aspects and approaches of how philosophy relates to film. Whether by philosophizing through concrete examples of films or whether looking at film’s ontological reliance on time and image, or its intra-active entanglement with reality or truth, this book explores grasp film’s nature philosophically, and provides new insights for the film philosopher and the filmmaker, as well as for the freshman fascinated by film for philosophical reasons.