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Debussy's Late Style

Author : Marianne Wheeldon
Publisher : Indiana University Press
Page : 184 pages
File Size : 32,22 MB
Release : 2009
Category : Music
ISBN : 0253352398

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Debussy's Late Style explores Claude Debussy's musical responses to World War I. This period of composition encompasses the duration of the war and the last four years of Debussy's life. The works that emerged during this time reflect both wartime events and the composer's self-conscious desire to define his own musical legacy as he felt his life nearing its end. Debussy's complete wartime compositions comprise a small but significant body of works, some little known and some now acknowledged to be among the masterpieces of his career. These include the Berceuse héroïque, En Blanc et noir, the Douze Études, the "Noël des enfants qui n'ont plus de maisons," and the three instrumental sonatas (the Cello Sonata; the Sonata for Flute, Viola, and Harp; and the Violin Sonata). Through music analysis, musicology, and cultural history, this study offers interpretive readings of Debussy's late works, focusing in particular on how they reflect the unique cultural milieu of wartime Paris.

Debussy's Resonance

Author : François De Médicis
Publisher :
Page : 642 pages
File Size : 10,53 MB
Release : 2018
Category :
ISBN : 1580465250

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Some of Debussy's most beloved pieces, as well as lesser-known ones from his early years, set in a rich cultural context by leading experts from the English- and French-speaking worlds.

Rethinking Debussy

Author : Elliott Antokoletz
Publisher : Oxford University Press
Page : 308 pages
File Size : 15,29 MB
Release : 2011-04-15
Category : Music
ISBN : 0199837872

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Composer, pianist, and critic Claude Debussy's musical aesthetic represents the single most powerful influence on international musical developments during the long fin de siècle period. The development of Debussy's musical language and style was affected by the international political pressures of his time, beginning with the Franco-Prussian War of 1871 and the rise of the new Republic in France, and was also related to the contemporary philosophical conceptualization of what constituted art. The Debussy idiom exemplifies the ways in which various disciplines - musical, literary, artistic, philosophical, and psychological - can be incorporated into a single, highly-integrated artistic conception. Rethinking Debussy draws together separate areas of Debussy research into a lucid perspective that reveals the full significance of the composer's music and thought in relation to the broader cultural, intellectual, and artistic issues of the twentieth century. Ranging from new biographical information to detailed interpretations of Debussy's music, the volume offers significant multidisciplinary insight into Debussy's music and musical life, as well as the composer's influence on the artistic developments that followed. Chapters include: "Russian Imprints in Debussy's Piano Music"; "Music as Encoder of the Unconscious in Pelléas et Mélisande"; "An Artist High and Low, or Debussy and Money"; "Debussy's Ideal Pelléas and the Limits of Authorial Intent"; "Debussy in Daleville: Toward Early Modernist Hearing in the United States"; and more. Rethinking Debussy will appeal to students and scholars of French music, opera, and modernism, and literary and French studies scholars, particularly concerned with Symbolism and theatre. General readers will be drawn to the book as well, particularly to chapters focusing on Debussy's finances, dramatic works, and reception.

Debussy

Author : Stephen Walsh
Publisher : Vintage
Page : 336 pages
File Size : 42,33 MB
Release : 2018-10-23
Category : Biography & Autobiography
ISBN : 1524731935

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One of the most revered composers of the twentieth century, Claude Debussy (1862–1918) achieved the unheard of: he reinvented the language of music without alienating the majority of music lovers. Debussy drove French music into entirely new regions of beauty and excitement at a time when old traditions threatened to stifle it. Yet despite his profound influence on French culture, Debussy’s own life was complicated and often troubled by struggles over money, women, and ill health. Here, Stephen Walsh, acclaimed author of Stravinsky, chronicles both the composer himself and the unique moment in European history that bore him. Walsh’s engagingly original approach is to enrich a lively biography with analyses of Debussy’s music: from his first daring breaks with the rules as a Conservatoire student to his achievements as the greatest French composer of his time.

Late Style and Its Discontents

Author : Gordon McMullan
Publisher : Oxford University Press
Page : 285 pages
File Size : 32,62 MB
Release : 2016
Category : Art
ISBN : 0198704623

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Late Style and its Discontents interrogates the critical cliche of "late style," questioning whether Titian, Beethoven, Goethe and others can usefully be assimilated to one another, as though their particular social and historical circumstances had been transcended by a singular existential predicament.

Debussy and the Theatre

Author : Robert Orledge
Publisher : Cambridge University Press
Page : 412 pages
File Size : 50,19 MB
Release : 1982-12-16
Category : Music
ISBN : 9780521228077

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Debussy and the Theatre means, in effect, 'Debussy and Pellias et Milisande', the opera both established Debussy's mature style and changed the course of operatic history.

Douze Études

Author : Claude Debussy
Publisher : Alfred Music
Page : 66 pages
File Size : 35,95 MB
Release : 2005-02-18
Category : Music
ISBN : 1457471353

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Claude Debussy's 12 Études were composed in 1915, in memory of Frederic Chopin. He admits that these are extremely difficult to play, and describes them as "a warning to pianists not to take up the musical profession unless they have remarkable hands." Includes: * Étude 1 (5 fingers, "after Monsieur Czerny") * Étude 2 (thirds) * Étude 3 (fourths) * Étude 4 (sixths) * Étude 5 (octaves) * Étude 6 (eight fingers) * Étude 7 (chromatic degrees) * Étude 8 (ornaments) * Étude 9 (repeated notes) * Étude 10 (opposing sonorities) * Étude 11 (composite arpeggios) * Étude 12 (chords)