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ONLY SILENCE CAN KEEP YOU SAFE. Sergeant Kieran O'Regan was responsible for hunting down killers. Now he's become one of the dead: his decapitated body has been found in a graveyard, a tin whistle stuffed into his throat. O'Regan was due to give evidence at a trial for police corruption. His gruesome murder sends a clear message to whistleblowers: only silence is safe. DCI Katie Maguire is determined to uncover the truth. But corruption in the Garda stretches back decades. As more officers are horrifically silenced, Katie must decide who she can trust...
ALA Notable Book; 1994 Mississippi Writers Award for Fiction; 1994 Southern Book Critics Circle Award for Fiction. In WOLF WHISTLE, Lewis Nordan unleashes the hellhounds of his prodigious imagination on one of the most notorious racial killings of the century, the Emmett Till murder. Soon we're on a magical mystery tour of the Southern psyche of the mid-1950s and the dawning of guilt and recognition in a whole generation of white Southerners. "An immense and wall-shattering display of talent. WOLF WHISTLE will help usher Lewis Nordan into the Hall of Fame of American Letters."--Randall Kenan, The Nation.
One wet, windswept November morning, a field on a desolate farm gives up the dismembered bones of eleven women... Their skeletons bear the marks of a meticulous butcher. The bodies date back to 1915. All were likely skinned alive. But then a young woman goes missing, and her remains, the bones carefully stripped and arranged in an arcane patterns, are discovered on the same farm. With the crimes of the past echoing in the present, D.S. Katie Maguire must solve a decades-old murder steeped in ancient legend... before this terrifying killer strikes again.
Members of a town terrorized by a monstrous evil search for its source in this horror novel by the Bram Stoker Award–winning author of Ink. Something evil has awakened in the town of Pine Deep. While a local newsman tries to piece together the gruesome events of a long-buried crime, others are preparing for the return of an unstoppable scourge. Bodies mutilated beyond description, innocents driven to acts of vicious madness—a monstrous legacy is preying on the living and the dead. There are those in Pine Deep who are not what they seem. Who are driven by a thirst for blood and revenge. And who are quietly building an army of the undead . . . Second in the Pine Deep Trilogy Praise for Ghost Road Blues “Maberry supplies plenty of chills, both Earth-bound and otherworldly, in this atmospheric horror novel . . . . This is horror on a grand scale, reminiscent of Stephen King’s heftier works.” —Publishers Weekly Praise for New York Times bestselling Author Jonathan Maberry “Jonathan Maberry’s horror is rich and visceral. It’s close to the heart . . . and close to the jugular.” —Kevin J. Anderson “Maberry has the chops to craft stories at once intimate, epic, real, and horrific.” —Bentley Little “Maberry spins great stories. His (Pine Deep) vampire novels are unique and masterful.” —Richard Matheson “Maberry’s works will be read for many, many years to come.” —Ray Bradbury
" The Whistling Room" is a short story by William Hope Hodgson. William Hope Hodgson (15 November 1877 - April 1918) was an English author. He produced a large body of work, consisting of essays, short fiction, and novels, spanning several overlapping genres including horror, fantastic fiction and science fiction. Hodgson used his experiences at sea to lend authentic detail to his short horror stories, many of which are set on the ocean, including his series of linked tales forming the "Sargasso Sea Mythos." His novels such as The Night Land and The House on the Borderland feature more cosmic themes, but several of his novels also focus on horrors associated with the sea. Early in his writing career he dedicated effort to poetry, although few of his poems were published during his lifetime. He also attracted some notice as a photographer and achieved renown as a bodybuilder. He died in World War I at the age of 40. In 1899, at the age of 22, he opened W. H. Hodgson's School of Physical Culture, in Blackburn, England, offering tailored exercise regimes for personal training. Among his customers were members of the Blackburn police force. In 1902, Hodgson himself appeared on stage with handcuffs and other restraining devices supplied by the Blackburn police department and applied the restraints to Harry Houdini, who had previously escaped from the Blackburn jail. His behavior towards Houdini generated controversy; the escape artist had some difficulty removing his restraints, complaining that Hodgson had deliberately injured him and jammed the locks of his handcuffs. Hodgson was not shy of publicity, and in another notable stunt, rode a bicycle down a street so steep that it had stairs, an event written up in the local paper. Despite his reputation, he eventually found that he could not earn a living running his personal training business, which was seasonal in nature, and shut it down. He began instead writing articles such as "Physical Culture versus Recreative Exercises" (published in 1903). One of these articles, "Health from Scientific Exercise," featured photographs of Hodgson himself demonstrating his exercises. The market for such articles seemed to be limited, however; so, inspired by authors such as Edgar Allan Poe, H. G. Wells, Jules Verne and Arthur Conan Doyle, Hodgson turned his attention to fiction, publishing his first short story, "The Goddess of Death," in 1904, followed shortly by "A Tropical Horror." He also contributed to an article in The Grand Magazine, taking the "No" side in a debate on the topic "Is the Mercantile Navy Worth Joining?" In this piece, Hodgson laid out in detail his negative experiences at sea, including facts and figures about salaries. This led to a second article in The Nautical Magazine, an expose on the subject of apprenticeships; at the time, families often were forced to pay to have boys accepted as apprentices. Hodgson began to give paid lectures, illustrated with his photography in the form of colorized slides, about his experiences at sea. Although he wrote a number of poems, only a handful were published during his lifetime; several, such as "Madre Mia," appeared as dedications to his novels. Apparently cynical about the prospects of publishing his poetry, in 1906 he published an article in The Author magazine, suggesting that poets could earn money by writing inscriptions for tombstones. Many of his poems were published by his widow in two posthumous collections, but some 48 poems were not published until their appearance in the 2005 collection The Lost Poetry of William Hope Hodgson.
Examines the role of what the author calls identity contingencies in the lives of individuals and in society as a whole, focusing on stereotype threat, arguing that people who believe they may be judged based on a bad stereotype do not perform as well, and showing how to overcome the problem.
Uniting work from philosophical, cognitive and linguistic perspectives, Dr Truswell develops a model of the structure of events as perceptual and cognitive units. He predicts the acceptability of particular formulations, considers the individuation of events in the light of the model, and provides a novel account of patterns of question formation.
Harry is an aloof trust-fund baby who is struggling to create a meaningful legacy. He enlists the help of his best friend, a successful environmental engineer (and their significant others), to help him restore a possibly lucrative property that he recently purchased. However, The group fails to heed the warnings from locals that the land is terrorized by a very menacing presence. When night falls, can they survive the onslaught of this fearsome whistling human predator who collects the bones of his victims?
Catching A Murderous Monster Ain't Going To Be Cheap. . . In Oklahoma Indian Territory just over the Kansas line, settlers are losing their heads. Literally, that is. Decapitated bodies are turning up and businessman Cyrus Warwick, who's aiming to make this town bigger than Dodge City, wants it to stop--bad for business, he says. It's bad for his only daughter too: she's the next victim of this "Monster of Osage." Warwick's $20,000 bounty goes up. . . . and all hell breaks loose. Asa Cain, Hardcase The good, the bad, and the just plain trigger-happy come looking to claim the bounty, and up goes the body count. But it's not Wyatt Earp or Doc Watson picking up the killer's trail--it's the bloodiest bounty hunter of them all, Asa Cain, and his undertaker partner Cemetery John. But what's at the end of this trail is something even Asa Cain never imagined in his darkest dreams . . . "Hodgson is a gift to western writing."--Roundup "A first-rate writer." --Dale L. Walker, past president, Western Writers of America