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The transition zone between Africa, Asia and Europe was the most important intersection of human mobility in the medieval period. The present volume for the first time systematically covers migration histories of the regions between the Mediterranean and Central Asia and between Eastern Europe and the Indian Ocean in the centuries from Late Antiquity up to the early modern era. Within this framework, specialists from Byzantine, Islamic, Medieval and African history provide detailed analyses of specific regions and groups of migrants, both elites and non-elites as well as voluntary and involuntary. Thereby, also current debates of migration studies are enriched with a new dimension of deep historical time. Contributors are: Alexander Beihammer, Lutz Berger, Florin Curta, Charalampos Gasparis, George Hatke, Dirk Hoerder, Johannes Koder, Johannes Preiser-Kapeller, Lucian Reinfandt, Youval Rotman, Yannis Stouraitis, Panayiotis Theodoropoulos, and Myriam Wissa.
In this book, Georgios Kardaras offers a global view of the contacts between the Byzantine Empire and the Avar Khaganate, emphasizing the reconstruction of these contacts after 626 (when, in contrast to archaeological evidence, written sources are very few) and the definition of the possible channels of communication between the two powers. The author scrutinizes the political and diplomatic framework, and critically examines issues such as mutual influence on material culture and on warfare, reaching the conclusion that significant contact between Byzantium and the Avars can be proved up until 775.
Byzantine art has been an underappreciated field, often treated as an adjunct to the arts of the medieval West, if considered at all. In illustrating the richness and diversity of art in the Byzantine world, this handbook will help establish the subject as a distinct field worthy of serious inquiry. Essays consider Byzantine art as art made in the eastern Mediterranean world, including the Balkans, Russia, the Near East and north Africa, between the years 330 and 1453. Much of this art was made for religious purposes, created to enhance and beautify the Orthodox liturgy and worship space, as well as to serve in a royal or domestic context. Discussions in this volume will consider both aspects of this artistic creation, across a wide swath of geography and a long span of time. The volume marries older, object-based considerations of themes and monuments which form the backbone of art history, to considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, and so on-in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a particularly rich field of study, offering a window into the world of this fascinating and beautiful period of art.
The Avars arrived in Europe from the Central Asian steppes in the mid-sixth century CE and dominated much of Central and Eastern Europe for almost 250 years. Fierce warriors and canny power brokers, the Avars were more influential and durable than Attila's Huns, yet have remained hidden in history. Walter Pohl's epic narrative, translated into English for the first time, restores them to their rightful place in the story of early medieval Europe. The Avars offers a comprehensive overview of their history, tracing the Avars from the construction of their steppe empire in the center of Europe; their wars and alliances with the Byzantines, Slavs, Lombards, and others; their apex as the first so-called barbarian power to besiege Constantinople (in 626); to their fall under the Frankish armies of Charlemagne and subsequent disappearance as a distinct cultural group. Pohl uncovers the secrets of their society, synthesizing the rich archaeological record recovered from more than 60,000 graves of the period, as well as accounts of the Avars by Byzantine and other chroniclers. In recovering the story of the fascinating encounter between Eurasian nomads who established an empire in the heart of Europe and the post-Roman Christian cultures of Europe, this book provides a new perspective on the origins of medieval Europe itself.
Byzantium was one of the longest-lasting empires in history. Throughout the millennium of its existence, the empire showed its capability to change and develop under very different historical circumstances. This remarkable resilience would have been impossible to achieve without the formation of a lasting imperial culture and a strong imperial ideological infrastructure. Imperial culture and ideology required, among other things, to sort out who was ʻinsiderʼ and who was ʻoutsiderʼ and develop ways to define and describe ones neighbours and interact with them. There is an indefinite number of possibilities for the exploration of relationships between Byzantium and its neighbours. The essays in this collection focus on several interconnected clusters of topics and shared research interests, such as the place of neighbours in the context of the empire and imperial ideology, the transfer of knowledge with neighbours, the Byzantine perception of their neighbours and the political relationship and/or the conflict with neighbours.
This accessible and engaging book covers the full span of Serbia's history, from the sixth-century Slav migrations up to the present day. It traces key developments surrounding the medieval and modern polities associated with Serbs, revealing a fascinating history of entanglements and communication between southeastern and wider Europe, sometimes with global implications. This is a history of Serb states, institutions, and societies, which also gives voice to individual experiences in an attempt to understand how the events described impacted the people who lived through them. Although no real continuity between the pre-modern and modern periods exists, Dejan Djokić draws out several common themes, including: migrations; the Serbs' relations with neighbouring empires and peoples; Serbia as a society formed in the imperial borderlands; and the polycentricity of Serbia. The volume also highlights the surprising vitality of Serb identity, and how it has survived in different incarnations over the centuries through reinvention.
The Chronicle of the Priest of Duklja is a mysterious narrative source covering the Slavic presence on the Adriatic coast and its hinterland. This study offers a new interpretation of the text, based on the recognition of the figures of model rulers.
This book does not claim absolute truths, but it speaks for those who can no longer speak for themselves by the histories they witnessed, wrote about, and which defined their ancestors and descendants, including the most powerful woman that ever lived – Countess Elizabeth Bathory. She tried to change the world; she paradoxically succeeded and failed. But what drove her? What did she know, we do not? What is her history? To begin to understand all this, one must travel back in time to when it began, when truth first became obscured, and when European society – Western culture - went horribly wrong. It is why her world was the way it was. Today, historiological “truths” of European Medieval Dark Ages, at best, exist as dim flashes of information in ancient manuscripts. A very interconnected European medieval history has much more, but inconvenient historiological information to informs us of events, names, places, and dates, but like a giant, complicated jigsaw puzzle. Unfortunately, many pieces are still missing, none more so than that of Carpathia. Consequently, an incomplete, theoretical picture of historical reality remains. There’s a reason for it. Throughout history, Europeans struggled for Humility, Humanity and Liberty, but only Carpathian Ungars maintained and struggled to keep it for more than a millennium – from about 600 to 1711. Their history has gone missing, supplanted by myths. Their greatest leaders are caricatures of Gothic horror literature, and their greatest traitors are their heroes. Their monuments are everywhere. Carpathia’s history does not exist in Western consciousness. What is it about Carpathia we are not supposed to know? Its missing medieval jigsaw puzzle pieces, when liberated from obscure archives, then reassembled, and inserted into the macro context of centuries, however, allows us to understand why. The period covered in this book is roughly seven centuries. It’s a litany of tragic moral failures. It begins with spiritual leaders who consistently failed in their moral duty because they misguidedly assumed a Roman imperial culture from the outset. It ends with the creation of a repressed imperial Ungaria and the supposed “first kings of Hungary.” Events within this book’s pages cover most of the first great pendulum swing of “European Cultural Chrysalis” – it’s Metamorphosis of Odium.” It explores the complexity of why, and how European culture became one of intolerance and hatred which tried to extinct all non-conformists within their divine Medieval European World Order. It explains why it was perfectly ethical and moral, and why society believed in the Resurrection of all things good after the final Apocalypse – this order’s primary vision. Resisting all this, of course, were all Carpathian cultures, the last being the Slavic-Turkic Ungars. To the Medieval European World Order, they, like the Caliphates, were the greatest heretics and heathens of the Dark Ages. These civilisations were the last refuge of Life, Liberty, and the Pursuit of Happiness in a world which had none. It’s a story of us.