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by Dave Cooper A collection of luscious oil paintings in tribute to pillowy female forms. Subtitled "Additional Observations on the Beauty/Ugliness of Mostly Pillowy Girls," Underbelly is a hardcover art book featuring over 50 of Cooper's luminescent oil paintings and lush drawings, each focusing on the female form. Underbelly is the follow-up to Cooper's acclaimed first book of paintings, Overbite. Since then, Cooper has been producing new work at a fevered pitch for gallery shows and patrons alike. Although much of the work in Underbelly appears to have slithered out of a similar same place as Overbite, this latest batch has a decidedly darker and more urban flavor.
by Dave Cooper A collection of luscious oil paintings in tribute to pillowy female forms. Subtitled "Additional Observations on the Beauty/Ugliness of Mostly Pillowy Girls," Underbelly is a hardcover art book featuring over 50 of Cooper's luminescent oil paintings and lush drawings, each focusing on the female form. Underbelly is the follow-up to Cooper's acclaimed first book of paintings, Overbite. Since then, Cooper has been producing new work at a fevered pitch for gallery shows and patrons alike. Although much of the work in Underbelly appears to have slithered out of a similar same place as Overbite, this latest batch has a decidedly darker and more urban flavor.
Revised and updated edition of the Globe and Mail and Amazon bestselling book “If you want to understand war in the 21st century, read this to get part of the story.” — Robert Spalding, US Brigadier General (retired) “This book reads like a thriller and is stranger than fiction. Gripping, racy and exciting, it is difficult to put down. A tale of gambling, narcotics, tycoons, criminal gangs and Communists. And the shocking part is that it’s not a novel, it is all true.” — Benedict Rogers, CEO Hong Kong Watch In 1982 three of the most powerful men in Asia met in Hong Kong. They would decide how Hong Kong would be handed over to the People’s Republic of China and how Chinese business tycoons Henry Fok and Li Ka-Shing would help Deng Xiaoping realize the Chinese Communist Party’s domestic and global ambitions. That meeting would not only change Vancouver but the world. Billions of dollars in Chinese investment would soon reach the shores of North America’s Pacific coast. B.C. government casinos became a tool for global criminals to import deadly narcotics into Canada and launder billions of drug cash into Vancouver real estate. And it didn't happen by accident. A cast of accomplices — governments hungry for revenue, casino, and real estate companies with ties to shady offshore wealth, professional facilitators including lawyers and bankers, an aimless RCMP that gave organized crime room to grow — all combined to cause this tragedy. There was greed, folly, corruption, conspiracy, and wilful blindness. Decades of bad policy allowed drug cartels, first and foremost the Big Circle Boys — powerful transnational narco-kingpins with ties to corrupt Chinese officials, real estate tycoons, and industrialists — to gain influence over significant portions of Canada’s economy. Many looked the other way while B.C.’s primary industry, real estate, ballooned with dirty cash. But the unintended social consequences are now clear: a fentanyl overdose crisis raging in major cities throughout North America and life spans falling for the first time in modern Canada, and a runaway housing market that has devastated middle-class income earners. This story isn’t just about real estate and fentanyl overdoses, though. Sam Cooper has uncovered evidence that shows the primary actors in so-called “Vancouver Model” money laundering have effectively made Canada’s west coast a headquarters for corporate and industrial espionage by the CCP. And these ruthless entrepreneurs have used Vancouver and Canada to export their criminal model to other countries around the world including Australia and New Zealand. Meanwhile, Cooper finds that the RCMP’s 2019 arrest of its top intelligence official, Cameron Ortis, raises many frightening questions. Could Chinese transnational criminals and state actors targeting Canada’s industrial and technological crown jewels have gained protection from the Mounties? Could China and Iran have insight into Canada's deepest national security secrets and influence on investigations? Ortis had oversight of many investigations into transnational money laundering networks and insight into sensitive probes of suspects seeking to undermine Canada’s democracy and infiltrate the United States, according to the evidence Cooper has found. Wilful Blindness is a powerful narrative that follows the investigators who refused to go along with institutionalized negligence and corruption that enabled the Vancouver Model, with Cooper drawing on extensive interviews with the whistle-blowers; thousands of pages of government and court documents obtained through legal applications; and large caches of confidential material available exclusively to Cooper. The book culminates with a shocking revelation showing how deeply Canada has been compromised, and what needs to happen, to get the nation back on track with its “Five Eyes” allies.
In “a worthy companion to . . . Boys of Summer,” a Pulitzer prize winning journalist “exploits the power of memory and nostalgia with literary grace” (New York Times). From award-winning New York Times columnist Dan Barry comes the beautifully recounted story of the longest game in baseball history—a tale celebrating not only the robust intensity of baseball, but the aspirational ideal epitomized by the hard-fighting players of the minor leagues. On April 18, 1981, a ball game sprang eternal. For eight hours, the night seemed to suspend a town and two teams between their collective pasts and futures, between their collective sorrows and joys—the shivering fans; their wives at home; the umpires; the batboys approaching manhood; the ejected manager, peering through a hole in the backstop; the sportswriters and broadcasters; and the players themselves—two destined for the Hall of Fame (Cal Ripken and Wade Boggs), the few to play only briefly or forgettably in the big leagues, and the many stuck in minor-league purgatory, duty bound and loyal forever to the game. With Bottom of the 33rd, Barry delivers a lyrical meditation on small-town lives, minor-league dreams, and the elements of time and community that conspired one fateful night to produce a baseball game seemingly without end. An unforgettable portrait of ambition and endurance, Bottom of the 33rd is the rare sports book that changes the way we perceive America’s pastime—and America’s past. “Destined to take its place among the classics of baseball literature.” —Kirkus Reviews (starred review) “Bottom of the 33rd is chaw-chewing, sunflower-spitting, pine tar proof that too much baseball is never enough.” —Jane Leavy, author of The Last Boy and Sandy Koufax
Ripple is a breakthrough graphic novel for Dave Cooper, creator of the wildly surreal and critically-acclaimed graphic novels Crumple and Suckle. Unlike those works, Ripple is a highly realistic story in terms of subject matter and drawing style. Martin is a floundering painter desperately attempting to pursue his fine art inclinations rather than toil in the world of commercial art. He hires a homely model, Tina, to pose for a series of "erotic" paintings that he hopes will be his breakthrough into the gallery world. Over time, Martin and Tina's relationship evolves from a tenuous working relationship to a confused sexual one. Martin's initial repulsion for Tina slowly turns to attraction and eventually lust, causing him to re-evaluate his own notions of beauty and sexuality. Meanwhile, Tina's own motives behind working for Martin are slowly turned upside down as well, building the book towards its inevitably explosive end. Throughout it all, Ripple is a complex love story poked and prodded fromall angles, from Martin and Tina's physical and emotional feelings toward each other, Martin's dishonesty to himself, Tina's self-loathing, and everything in between. Sad, funny, and often uncomfortably titillating, Ripple is a remarkably introspective graphic novel, rendered with kinetic realism in a pen technique that calls to mind a more controlled Edward Sorel and Jules Feiffer.
An award-winning author tells the stories of the audacious American politicians, military commanders, and business executives who took it upon themselves to depose monarchs, presidents, and prime ministers of other countries with disastrous long-term consequences.
Cooper's latest novel following the ultra successful 'Suckle and Crumple'. A highly uncomfortable and thinly veiled portrait of adolescence, this is a story of lost innocence as told through a surreal landscape and anthropomorphized 'funny animals' cast as children, all rendered with Cooper's impeccable composition and linework. The story addresses themes of sexual and verbal abuse with unflinching candour, while Cooper's dark sense of humour resonates throughout his wildly imaginative visuals.
Riding that fine edge between the sickening and the humorous, Dave Cooper's wavy, almost vibrating line technique and parallel-universe story will make you hope the future doesn't come too quickly. Originally serialised in Zero Zero, Crumple is stuffed with lesbians, half-breeds, alien invasions and the story of a guy named Knuckle as he stumbles through heartbreak and forced ejaculation with his mysoginistic friend Zev. High production values and Cooper's unique design sense make this second installment in the SUCKLECRUMPLERIPPLE triptych''