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O baby won’t you dance with me Little baby bouncing on my knee Wave your hands and shake your feet Ooohh baby you’re so sweet…/DIV DIV From the familiar pleasures of baby’s favorite food to the joy of dancing together, this collection of three songs celebrates the special relationship between a daddy and his little girl.
NEW YORK TIMES BESTSELLER • In Danielle Steel’s riveting novel, three women raised by their father on a sprawling California ranch now confront difficult truths about their past. Decades ago, after the death of his wife, Texas ranch hand JT Tucker took his three small daughters to California to start a new life. With almost no money, a will of iron, and hard work, he eventually built the biggest ranch in California. But when he dies suddenly at the age of sixty-four, the ranch is inherited by his three daughters—each of them finding it impossible to believe that this larger-than-life figure is gone from their lives. JT’s relationship with each daughter was entirely different. Caroline, the youngest and most reserved, was overlooked by her father for her entire life and fled to become a wife, mother, and writer in Marin County. Gemma, his declared favorite, sought out Hollywood glamour and success and became a major television star. Kate, the eldest, stayed at home with her father to do his bidding as a ranch hand, without thanks or praise, forsaking marriage and a family of her own for the love of him. Now, upon JT’s death, the paper trail he leaves behind begins to reveal much more than the three sisters ever guessed about who he really was. It will turn their world upside down, and each of them must grapple with a new reality, strengthening their relationships with one another, and discovering who they are now as grown women, in spite of him. Set against the magnificent backdrop of the West and the drama of a family in turmoil, Daddy’s Girls is the story of three remarkable women and their unique bond to each other—the daughters of a complex, many-faceted, domineering father who left his mark on each of them.
From the New York Times bestselling author of Dirty Blonde comes a fast-paced thriller in which a young law professor must unravel a conspiracy to see justice done Law professor Natalie Greco’s life is going according to plan, with a boyfriend handpicked by her father and tenure status only a review board away. Then, during a visit to a prison with her colleague Angus, a riot explodes. Rushing to the aid of a fatally wounded prison guard, Nat is privy to his last words—words that, unknown to Nat, can unlock the key to a dangerous conspiracy. Suddenly Nat, A Girl Who Always Plays By The Rules, finds threats around every curve: ruthless killers desperate to keep her from exposing their secret; police who are convinced she is responsible for a cold-blooded murder; and sexy Angus, whose mere presence makes her question her dedication to her long-term boyfriend. With her life on the line, her career in the balance, and her boyfriend on hold, Nat has to go into hiding to buy enough time to figure out the hidden secrets behind one man’s last words.
On Writing Daddy's GirlAfter I had been through many versions of the manuscript (written over almost a decade) I decided that for this book to have validity it would be necessary not only to show the past but also to give a picture of the present-illustrating how the events of my childhood affected me at the time, as well as later in life as an adult and a parent.Given that I wrote the book in the first place as a document that I hoped would be useful to others who'd suffered abuse and also to professionals, I felt it was very important to present detailed portraits of the child I was and the woman I grew to be (in large measure as a result of trying to cope with the long-term effects of the abuse.) As well, I thought it was vital to illustrate how fallout from the abuse can be felt down through the generations, if one fails to exercise awareness and caution.So the book weaves back and forth between past and present (the present being 1979, when the final version was completed). I also had to decide at the very start whether I was going to dole out snippets of truth or be completely truthful and address the issue as fully as I was able. There seemed no point to writing an autobiographical account of incest if I was going to be anything less than completely truthful. It was not difficult to tell the truth, nor was the writing of the book a cathartic experience, as many have imagined it to be. The fact is that I had long-since confronted my personal demons and had managed to relegate the past to the past-something exceedingly difficult for many victims of any/all forms of abuse to do.A few years ago in correcting the page proofs of a new British edition of the book, I reread DADDY'S GIRL, and was gratified by what I'd written. (Often, with my novels, I am not at all happy when I reread them.) I think that as an author I have little, if any, objectivity about my work once it's completed and so am not necessarily a good judge of it. But I am proud of DADDY'S GIRL. Since its publication in 1980 it has been of help to a lot of people. And, ultimately, it's my way of returning some measure of the kindness and attention people showed me when I was working my way along the rough roadway toward my future.
The true story of the 1982 Texas murder case in which James and Virginia Campbell were murdered in their bed, the only suspects being the Campbell's third daughter, Cynthia and her boyfriend, David West
The re-release of Debbie Drechsler's first collection of short comic stories, Daddy's Girl. Her account of her father's abuse, told from the point of view of an adolescent, is one of the most honest, empathetic and profoundly disturbing uses of the comic medium in its history. With the recent critical and commercial success of mature and uncompromising works by women cartoonists such as Fun Home, We Are On Our Own and Persepolis, Daddy's Girl should find a responsive readership.
There are two sides to every fantasy. Her side Every girl has her dirty little secret. For Sydney, it’s her dad's hot, broody boss. But who can blame her? A million dollars just to live with him and all she has to do is whatever he wants her to. In exchange, he’ll drop the charges against her daddy. It’s an easy decision. Until she realizes he isn’t the man she thinks he is. Hiding underneath the boring, three-piece lawyer suit, and salt and pepper hair is a domineering sex god. He’s possessive, intense, and makes her body shiver even when he isn’t touching her. When he isn’t around, she finds herself wanting him to be. That’s how she knows he has her and that it isn’t so easy after all. What’s happening between them is something she can never imagine, or escape. He’s her lover and she’s his captive. The question is, does she want to be saved? His side Mysterious playboy and Los Angeles district attorney, Tristan Garrett, always get what he wants, especially in the bedroom. He handles his “relationships” the way he runs a courtroom, with rules, punishments, and rewards and that’s exactly how he wants to handle Sydney Warren. He’s imagined having her in his bed for years. But she’s the daughter of his assistant prosecutor and more importantly, she’s underage. He has morals, despite his upbringing. Good things come to those who wait and with her eighteenth birthday just around the corner, he doesn’t have to wait much longer. Now with her father in prison, she’s broke and desperate to free him. So what does Tristan do? What he always does: he uses her misfortune to his advantage. Will she be his fantasy come true or his greatest downfall? If you like age-gap, captive romance then read Daddy’s Girl.
No matter how old she is, a woman's relationship with her father - whether it was wonderful or painful - had an impact on the person she is today. Her relationship with men, her career and her feelings about herself have all been shaped by her father, whether she realizes it or not. Now, with the help of noted marriage and family counselor H. Norman Wright, women can begin to understand how their fathers had a profound effect on their emotions and behaviors as adults.
Reflecting on her own working class roots and taking us into the homes and the confidence of working class girls today, Valerie Walkerdine raises troubling questions about television and parental control, about Freud's seduction theory, and the manipulation of little girls and their thoughts and feelings about themselves and their "place" in their world.