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Peter. Pecker. Wiener. Dick. Schlong. Penis. Whatever we choose to call it, the penis is more than just a body part. This A-to-Z encyclopedia explores the cultural meanings, interpretations, and activities associated with the penis over the centuries and across cultures. Scholars, activists, researchers and clinicians delve into the penis in antiquity, in art, in religion, in politics, in media, in music, and in the cultural imagination. They examine the penis as a problem, a fetishized commodity, a weapon, an object of play. Penile décor and fashions—from piercings to koteka—are treated with equal dignity. Explanation of common medical terms and not-so-common subcultural practices add to the broad scope of the book. Taken together, the Cultural Encyclopedia of the Penis offers refreshing, thoughtful, and wide-ranging insight into this malleable, meaningful body part.
Boobs. Tits. Hooters. Knockers. Jugs. Breasts. We celebrate them; we revile them. They nourish us; they kill us. And regardless of what we call them, breasts have fascinated us since prehistoric times. This A-to-Z encyclopedia explores the historical magnitude and cultural significance of the breast over time and around the world. A team of international scholars from various disciplines provides key insights and information about the breast in art, history, fashion, social movements, medicine, sexuality, and more. Entries discuss depictions of breasts on ancient figurines, in Renaissance paintings, and in present-day advertisements. They examine how fashion has emphasized or de-emphasized the breast at various times. They tackle medical issues—such as breast augmentation and breast cancer—and controversies over breastfeeding. The breast as sexual object and even a site of smuggling are also covered. As a whole, the Cultural Encyclopedia of the Breast takes an engaging and accessible look at this notable body part.
This book touches on all of the hot-topic issues of masculinity and violence, including gun violence, sexual assault and the #MeToo movement, violence against women, LGBTQ people, and people of color. Its unique approach will add to many conversations that should, as Sumerau explains, be focused on masculinity and are far too often focused on something else. Taking the approach of talking with young college men who are privileged provides a unique look at how manhood and masculinity may not be progressing like many people hope and provides insights from all angles to critically examine the ways men construct and explain relationships between violence, manhood, and inequality in society.
The Bonfire of the Vanities defined an era--and established Tom Wolfe as our prime fictional chronicler of America at its most outrageous and alive. With A Man in Full, the time the setting is Atlanta, Georgia--a racially mixed late-century boomtown full of fresh wealth, avid speculators, and worldly-wise politicians. Big men. Big money. Big games. Big libidos. Big trouble. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta real-estate entrepreneur turned conglomerate king, whose expansionist ambitions and outsize ego have at last hit up against reality. Charlie has a 28,000-acre quail-shooting plantation, a young and demanding second wife--and a half-empty office tower with a staggering load of debt. When star running back Fareek Fanon--the pride of one of Atlanta's grimmest slums--is accused of raping an Atlanta blueblood's daughter, the city's delicate racial balance is shattered overnight. Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real-estate syndicates, cast-off first wives of the corporate elite, the racially charged politics of college sports--Wolfe shows us the disparate worlds of contemporary America with all the verve, wit, and insight that have made him our most phenomenal, most admired contemporary novelist. A Man in Full is a 1998 National Book Award Finalist for Fiction.
“Should be required reading for anyone who has a penis, wants a penis, or loves someone who has or wants a penis . . . titillating and informative.”—Dan Savage, New York Times-bestselling author The almighty penis (a.k.a. dick, schlong, pecker, rod, tool, Johnson, etc.) has long been a major object of adoration, revulsion, ridicule, amazement, joy, pride, and even frustration. But does anyone fully understand the penis? Novelist, playwright, and journalist Maggie Paley immersed herself in the obsessive world of this most forthright of organs, looking for answers high and low. She pored over scholarly volumes, anthropology texts, and sex-shop glossies; interviewed sex workers, transsexuals, and phallus connoisseurs of all stripes; attended male strip shows and a Hindu lingam ceremony; visited web sites where men share masturbation techniques; and even searched out the current location of Napoleon’s penis. And, yes, she objectively addresses the big question: “Does size matter?” Along the way, we encounter deliciously entertaining and highly informative chapters on penis worship, fellatio, and men who are famous for their dicks, as well as the penis in art, fashion, literature, films, and much more. In this “clever and hilarious” book—delightfully illustrated by Sergio Ruzzier—“Paley humanizes the penis by exposing the pervasive social and cultural baggage associated with it . . . Damn good” (Bust). “[Paley] hits the subject on the head.”—Playboy “Spirited, filled with fact and some fancy, emphasizing the penis’s power to drive male behavior but designed to make both women and men more comfortable with the dreaded word—and perhaps even the actuality—penis.”—Kirkus Reviews
People everywhere have attempted to change their bodies in an effort to meet their cultural standards of beauty, as well as their religious and/or social obligations. Often times, this modification or adornment of their bodies is part of the complex process of creating and re-creating personal and social identities. Body painting has probably been practiced since the Paleolithic as archaeological evidence indicates, and the earliest human evidence of tattooing goes back to the Neolithic with mummies found in Europe, Central Asia, the Andes and the Middle East. Adornments such as jewelry have been found in the earliest human graves and bodies unearthed from five thousand years ago show signs of intentional head shaping. It is clear that adorning and modifying the body is a central human practice. Over 200 entries address the major adornments and modifications, their historical and cross-cultural locations, and the major cultural groups and places in which body modification has been central to social and cultural practices. This encyclopedia also includes background information on the some of the central figures involved in creating and popularizing tattooing, piercing, and other body modifications in the modern world. Finally, the book addresses some of the major theoretical issues surrounding the temporary and permanent modification of the body, the laws and customs regarding the marking of the body, and the social movements that have influenced or embraced body modification, and those which have been affected by it. All cultures everywhere have attempted to change their body in an attempt to meet their cultural standards of beauty, as well as their religious and or social obligations. In addition, people modify and adorn their bodies as part of the complex process of creating and re-creating their personal and social identities. Body painting has probably been practiced since the Paleolithic as archaeological evidence indicates, and the earliest human evidence of tattooing goes back to the Neolithic with mummies found in Europe, Central Asia, the Andes and the Middle East. Adornments such as jewelry have been found in the earliest human graves and bodies unearthed from five thousand years ago show signs of intentional head shaping. It is clear that adorning and modifying the body is a central human practice. Over 200 entries address the major adornments and modifications, their historical and cross-cultural locations, and the major cultural groups and places in which body modification has been central to social and cultural practices. This encyclopedia also includes background information on the some of the central figures involved in creating and popularizing tattooing, piercing, and other body modifications in the modern world. Finally, the book addresses some of the major theoretical issues surrounding the temporary and permanent modification of the body, the laws and customs regarding the marking of the body, and the social movements that have influenced or embraced body modification, and those which have been affected by it. Entries include, acupuncture, amputation, Auschwitz, P.T. Barnum, the Bible, body dysmorphic disorder, body piercing, branding, breast augmentation and reduction, Betty Broadbent, castration, Christianity, cross dressers, Dances Sacred and Profane, Egypt, female genital mutilation, foot binding, freak shows, genetic engineering, The Great Omi, Greco-Roman world, henna, infibulation, legislation & regulation, lip plates, medical tattooing, Meso-America, military tattoos, National Tattoo Association, nose piercing, obesity, permanent makeup, primitivism, prison tattooing, punk, rites of passage, scalpelling, silicone injections, Stalking Cat, suspensions, tanning, tattoo reality shows, tattooing, Thailand, transgender, tribalism.
You will be impotent with both laughter as you read this "remarkably entertaining and informative look at the male organ down through the ages . . . undeniably funny” (Booklist). Throughout history, man has revered his penis as his “most precious ornament.” From small to large, thick to thin, smooth to wrinkled, Thomas Hickman lets the history of this mystery hang out for all to see. Offering discussion of ancient literatures and mathematical quandaries of possible positions, such as Greece’s “the lion on the cheese-grater,” which still keeps scholars in a twist. It is a stiff subject, but we easily settle in with the likes of Bill Clinton, Michelangelo’s David, and Shakespeare as they followed their heads. If you were to wrap your hands around anything less than two-inches, it should be God’s Doodle, a brilliant history of the penis that hits the topic right on the head. It reaches through time and looks at how the penis trended long before one was ever posted on Twitter. “[A] well-researched, dryly witty and worthwhile read.” --Salon “Tom Hickman tells the story of its ups and downs with enthusiasm and a mostly straight face.” --The Economist