[PDF] Cuban Music From A To Z eBook

Author : Helio Orovio
Publisher : Duke University Press
Page : 252 pages
File Size : 50,58 MB
Release : 2004-03-12
Category : Biography & Autobiography
ISBN : 9780822332121

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DIVThe definitive guide to the composers, artists, bands, musical instruments, dances, and institutions of Cuban music./div

Author : Philip Sweeney
Publisher : Rough Guides
Page : 372 pages
File Size : 29,21 MB
Release : 2001
Category : Music
ISBN : 9781858287614

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Cuba is home to some of the world's most vibrant popular music in the world, from son and rumba to salsa and chachacha. The Rough Guide to Cuban Music introduces the full range of Cuba's varied musical traditions and tells the story of their greatest performers, legends like Beny More, Celina Gonzalea alongside more recent stars such as Carlos Varela. Includes features on the origins and development of the various musical genres, a biographical directory of over 100 key artists, with dozens of photographs. Also draws up some critical discographies, recommending the pick of each artist's output.

Author : Alejo Carpentier
Publisher : U of Minnesota Press
Page : 316 pages
File Size : 16,27 MB
Release : 2001
Category : Music
ISBN : 9780816632305

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"In the wake of the Buena Vista Social Club, the world has rediscovered the rich musical tradition of Cuba. A unique combination of popular and elite influences, the music of this island nation has fascinated since the golden age of the son - that new World aural collision of Africa and Europe that made Cuban music the rage in Paris, New York, and Mexico beginning in the 1920s." "Drawing on such primary documents as obscure church circulars, dog-eared musical scores pulled from attics, and the records of the Spanish colonial authorities, Music in Cuba sweeps from the sixteenth to the twentieth centuries. Carpentier covers European-style elite Cuban music as well as the popular worlds of rural Spanish folk and Afro-Cuban urban music."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author : Raul A. Fernandez
Publisher : Univ of California Press
Page : 216 pages
File Size : 50,75 MB
Release : 2006-05-23
Category : Music
ISBN : 0520939441

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This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao López, Mongo Santamaría, Armando Peraza, Patato Valdés, Francisco Aguabella, Cándido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians’ substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music. Copub: Center for Black Music Research

Author : Jeff Peretz
Publisher : Alfred Music Publishing
Page : 56 pages
File Size : 35,55 MB
Release : 2007
Category : Music
ISBN : 9780739043011

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The signature sound of Cuban music is popular throughout the world. At its heart is the clave---the underlying groove that defines the music of Cuba. In Guitar Atlas: Cuba, author Jeff Peretz breaks down this fundamental rhythm and shows that the clave can be played by any guitarist. For those who do not play Cuban music, the concepts in this book improve sense of rhythm and syncopation in any style. In addition to teaching the music itself, this book also explores the background of Cuban music, including African and European cultural influences as well as the impact of the political events of the 20th century. You'll learn about the different styles of music from all over the island and the musicians who popularized them, and explore the unique instruments of Cuba. A CD with demonstrations of all examples and compositions is included.

Author : Maya Roy
Publisher :
Page : 260 pages
File Size : 34,68 MB
Release : 2002
Category : History
ISBN :

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Native Americans supplied the maracas. African slaves brought drums and ritual music, and Spaniards brought guitars, brass instruments, and clarinets along with European ballroom dancing. The advent of blues and jazz gave new forms to styles of songs, notably feeling songs, which joined the more traditional styles of trova and bolero. Cuban culture represents a convergence of these diverse backgrounds, and the musical heritage presented in this book reflects these traditions as well. In colonial times, African ritual sounds mixed with Catholic liturgies and brass bands of the Spanish military academies. Ballroom dances, including French music from Haiti popular in 18th-century Havana society, existed side by side with the cabildos (guilds and carnival clubs) and the plantations. The son, considered the expression of Cuban musical identity, had its origins in a rural setting in which African slaves and small farmers from Andalusia worked and played music together, developing many variations over the years, including big band music. Cuban music is now experiencing a major renaissance, and is enjoyed throughout the world.

Author : Stuart Baker
Publisher :
Page : 180 pages
File Size : 15,86 MB
Release : 2020-10-27
Category : Art
ISBN : 9781916359802

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Spanning Cuban music from rumba to salsa, and graphic styles from socialist realist to geometric abstraction, this volume of Cuban record cover art traces a musical form in constant revolution. The first ever book about Cuban record sleeve design, compiled by Gilles Peterson and Stuart Baker, Cuba: Music and Revolutionfeatures hundreds of rarely seen vinyl records from the start of the Cuban Revolution at the beginning of the 1960s up until 1985, when Cuba's Special Period, brought about by the dissolution of the Soviet Union and the withdrawal of Russia's financial support for the Cuban government, led to the demise of vinyl-record manufacturing in Cuba. The artwork here reflects both the cultural and musical depth of Cuba as well as the political influence of revolutionary communism. Over the past century, Cuban music has produced a seemingly endless variety of styles--rumba, mambo, son, salsa--at a dizzyingly fast rate. Since the 1940s a steady stream of Cuban musicians has also made the migration to the US, sparking changes in North American musical forms: bandleader Machito set New York's jazz and Latin scene on fire, and master drummer Chano Pozo's entry into Dizzy Gillespie's group led to the birth of Latin jazz, to name just two. After the Cuban Revolution in 1959, the new government closed American-owned nightclubs and consolidated the island's recording industry under a state-run monopoly. Out of this new socialist agenda came new musical styles, including the Nueva Trova movement of left-wing songwriters. The 1980s saw more experimentation in modernist jazz, salsa and Afro-Cuban folkloric music. Generously illustrated with hundreds of color images, Cuba: Music and Revolutionpresents the history of Cuban record cover art, including many examples previously unseen outside the island itself.