[PDF] Crooked But Never Common eBook

Crooked But Never Common Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Crooked But Never Common book. This book definitely worth reading, it is an incredibly well-written.

Crooked, But Never Common

Author : Stuart Klawans
Publisher :
Page : 0 pages
File Size : 41,66 MB
Release : 2023
Category : Comedy films
ISBN : 9780231207294

GET BOOK

In Crooked, but Never Common, Stuart Klawans combines a critic's insight and a fan's enthusiasm to offer deeper ways to think about and enjoy Preston Sturges's work. He provides an in-depth appreciation of all ten of the writer-director's major movies.

Crooked, but Never Common

Author : Stuart Klawans
Publisher : Columbia University Press
Page : 174 pages
File Size : 40,88 MB
Release : 2023-01-10
Category : Performing Arts
ISBN : 023155690X

GET BOOK

In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948—The Great McGinty, The Lady Eve, Sullivan’s Travels, The Palm Beach Story, and The Miracle of Morgan’s Creek among them—all from screenplays he alone had written. Cynical and sophisticated, romantic and sexually frank, crazily breakneck and endlessly witty, his movies continue to influence filmmakers and remain popular to this day. Yet despite this acclaim, Sturges’s achievements remain underappreciated: he is too often categorized as a dialogue writer and plot engineer more than a director, or belittled as an irresponsible spinner of laughs. In Crooked, but Never Common, Stuart Klawans combines a critic’s insight and a fan’s enthusiasm to offer deeper ways to think about and enjoy Sturges’s work. He provides an in-depth appreciation of all ten of the writer-director’s major movies, presenting Sturges as a filmmaker whose work balanced slapstick and social critique, American and European traditions, and cynicism and affection for his characters. Tugging at loose threads—discontinuities, puzzles, and allusions that have dangled in plain sight—and putting the films into a broader cultural context, Klawans reveals structures, motives, and meanings underlying the uproarious pleasures of Sturges’s movies. In this new light, Sturges emerges at last as one of the truly great filmmakers—and funnier than ever.

Preston Sturges

Author : Preston Sturges
Publisher :
Page : 352 pages
File Size : 39,81 MB
Release : 1990
Category : Motion picture producers and directors
ISBN :

GET BOOK

Red and Hot

Author : S. Frederick Starr
Publisher : Amadeus Press
Page : 370 pages
File Size : 43,91 MB
Release : 1985
Category : History
ISBN :

GET BOOK

Screen Hustles, Grifts and Stings

Author : A. Sargeant
Publisher : Springer
Page : 105 pages
File Size : 37,92 MB
Release : 2016-06-15
Category : Social Science
ISBN : 1137466898

GET BOOK

Screen Hustles, Grifts and Stings identifies recurrent themes and techniques of the con film, suggests precedents in literature and discusses the perennial appeal of the con man for readers and viewers alike. Core studies span from film (Catch Me If You Can, Paper Moon, House of Games) to television (Hustle), from Noir (The Grifters) to Romantic Comedy (Gambit). Frequently, the execution of the con is only finely distinguishable from the conduct of a legitimate profession and, challengingly, a mark is often shown to be culpable in his or her undoing. The best con films, it is suggested, invite re-watching and reward the viewer accordingly: who is complicit and when? How and where is the con achieved? When is the viewer party to the con? And what, if any, moral is to be drawn?

Film Quotations

Author : Robert A. Nowlan
Publisher : McFarland
Page : 776 pages
File Size : 28,55 MB
Release : 2016-04-30
Category : Performing Arts
ISBN : 147662058X

GET BOOK

Certain lines define a movie. Marlene Dietrich in Morocco: “Anyone who has faith in me is a sucker.” Too, there are lines that fit actor and character. Mae West in I’m No Angel: “I’m very quick in a slow way.” Jane Fonda in California Suite: “Fit? You think I look fit? What an awful shit you are. I look gorgeous.” From the classics to the grade–B slasher movies, over 11,000 quotes are arranged by over 900 subjects, like accidents, double entendres, eyes (and other body parts!), ice cream, luggage, parasites, and ugliness. Each quote gives the movie title, production company, year of release, speaker of the line, and, when appropriate, a comment putting the quote in context.

Turner Classic Movies: The Essentials

Author : Jeremy Arnold
Publisher : Running Press Adult
Page : 290 pages
File Size : 42,12 MB
Release : 2016-05-03
Category : Performing Arts
ISBN : 0762459468

GET BOOK

At head of title: TCM Turner Classic Movies.

The Runaway Bride

Author : Elizabeth Kendall
Publisher : Rowman & Littlefield
Page : 306 pages
File Size : 24,89 MB
Release : 2002
Category : Comedy films
ISBN : 0815411995

GET BOOK

Written with erudition, insight, and enthusiasm, Runaway Bride is a brilliant mix of film and social history that renews our vision and broadens our understanding of some of the best-loved movies ever made, and the complex, Depression-influenced circumstances from which they were born.

The Cinema of Barbara Stanwyck

Author : Catherine Russell
Publisher : University of Illinois Press
Page : 279 pages
File Size : 26,44 MB
Release : 2023-05-02
Category : Performing Arts
ISBN : 0252054318

GET BOOK

From The Lady Eve, to The Big Valley, Barbara Stanwyck played parts that showcased her multidimensional talents but also illustrated the limits imposed on women in film and television. Catherine Russell’s A to Z consideration of the iconic actress analyzes twenty-six facets of Stanwyck and the America of her times. Russell examines Stanwyck’s work onscreen against the backdrop of costuming and other aspects of filmmaking. But she also views the actress’s off-screen performance within the Hollywood networks that made her an industry favorite and longtime cornerstone of the entertainment community. Russell’s montage approach coalesces into an engrossing portrait of a singular artist whose intelligence and savvy placed her center-stage in the production of her films and in the debates around women, femininity, and motherhood that roiled mid-century America. Original and rich, The Cinema of Barbara Stanwyck is an essential and entertaining reexamination of an enduring Hollywood star.

Barbara Stanwyck

Author : Dan Callahan
Publisher : Univ. Press of Mississippi
Page : 416 pages
File Size : 26,92 MB
Release : 2012-02-03
Category : Biography & Autobiography
ISBN : 1628467460

GET BOOK

Barbara Stanwyck (1907–1990) rose from the ranks of chorus girl to become one of Hollywood's most talented leading women—and America's highest-paid woman in the mid-1940s. Shuttled among foster homes as a child, she took a number of low-wage jobs while she determinedly made the connections that landed her in successful Broadway productions. Stanwyck then acted in a stream of high-quality films from the 1930s through the 1950s. Directors such as Cecil B. DeMille, Fritz Lang, and Frank Capra treasured her particular magic. A four-time Academy Award nominee, winner of three Emmys and a Golden Globe, she was honored with a Lifetime Achievement Award by the Academy. Dan Callahan considers both Stanwyck's life and her art, exploring her seminal collaborations with Capra in such great films as Ladies of Leisure, The Miracle Woman, and The Bitter Tea of General Yen; her Pre-Code movies Night Nurse and Baby Face; and her classic roles in Stella Dallas, Remember the Night, The Lady Eve, and Double Indemnity. After making more than eighty films in Hollywood, she revived her career by turning to television, where her role in the 1960s series The Big Valley renewed her immense popularity. Callahan examines Stanwyck's career in relation to the directors she worked with and the genres she worked in, leading up to her late-career triumphs in two films directed by Douglas Sirk, All I Desire and There's Always Tomorrow, and two outrageous westerns, The Furies and Forty Guns. The book positions Stanwyck where she belongs—at the very top of her profession—and offers a close, sympathetic reading of her performances in all their range and complexity.