[PDF] Creative Design In Our Industrial Art eBook

Author : William H. Varnum
Publisher : DigiCat
Page : 295 pages
File Size : 36,94 MB
Release : 2022-06-02
Category : Fiction
ISBN :

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"Industrial Arts Design" by William H. Varnum is a practical guide for designing in wood, clay, base, and precious metals. It is intended for individual student use in high schools, normal schools, and colleges and as a reference book for elementary school teachers. Its more complex problems are intended as definite help to the industrial art designer or craftsman. The wood problems are treated with special reference to their adaptability to bench and cabinet work. The book has been written to fill a decided demand for a textbook that shall, without loss of time, directly apply well-recognized principles of general design to specific materials and problems encountered in the Industrial Arts.

Author : Henry Dreyfuss
Publisher : Simon and Schuster
Page : 405 pages
File Size : 28,22 MB
Release : 2012-11-30
Category : Design
ISBN : 1621531503

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From the first answering machine ("the electronic brain") and the Hoover vacuum cleaner to the SS Independence and the Bell telephone, the creations of Henry S. Dreyfuss have shaped the cultural landscape of the 20th century. Written in a robust, fresh style, this book offers an inviting mix of professional advice, case studies, and design history along with historical black-and-white photos and the author's whimsical drawings. In addition, the author's uncompromising commitment to public service, ethics, and design responsibility makes this masterful guide a timely read for today's designers.

Author : William H. Varnum
Publisher : Forgotten Books
Page : 266 pages
File Size : 49,34 MB
Release : 2015-08-06
Category : Technology & Engineering
ISBN : 9781332344840

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Excerpt from Industrial Arts Design: A Textbook of Practical Methods for Students, Teachers, and Craftsmen Industrial arts design develops the principles Of industrial design in a new and logical form which, it is believed, will simplify the teaching Of craft design. Chapters I to V deal with the elemen tary problems confronting the designer as he begins the first steps on his working drawing; Chapters VI to VIII Show the methods by which he may express his individuality through contour or outline enrichment, while Chapters IX to XVII explain the treatment Of the most difficult form Of decoration, that of surface enrichment. The Appendix. The appendix is added to Show the manner inwhich the rules may be directly applied to a course of study in either pottery or art metal. The present work is not intended to include the chemistry Of glaze mixing or other technical requirements to which reference is made in the appendix; consequently the reader is referred to The Potter's Craft by C. F. Binns and Pottery by George J. Cox for fuller explanations Of the formulae and technical ities Of the craft. Source of Principles. The principles herein advocated are directly related to architectural design which is to be regarded as the standard authority for the industrial arts designer. It was necessary to state these principles in the form of sufficiently flexible rules which would allow the student to use his own judgment, but at the same time, restrict him to the essential principles of good design. Rules. This presentation of the principles Of design by means of flexible rules in concrete form, serves to vitalize design by virtue of their immediate application to the material. The rules likewise save time for both pupil and instructor. This is regarded as an important factor, inasmuch as the amount Of time usually allotted to classroom teaching of design is limited. While these rules are applied to the specific materials, the designer may readily adjust them to other materials and find them equally applicable. Direct copying of designs from the illustrations is a dangerous expedient and is to be discouraged as a form of plagiarism which will eventually destroy the student's initiative, originality, and reputation for creative work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author : Richard E. Caves
Publisher : Harvard University Press
Page : 472 pages
File Size : 20,77 MB
Release : 2000
Category : Art
ISBN : 9780674001640

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"To explain the logic of these arrangements, the author draws on the analytical resources of industrial economics and the theory of contracts. He addresses the winner-take-all character of many creative activities that brings wealth and renown to some artists while dooming others to frustration; why the "option" form of contract is so prevalent; and why even savvy producers get sucked into making "ten-ton turkeys," such as Heaven's Gate."--BOOK JACKET.