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including the destruction of two works in a fire in 1958 - and underscores the resonance of these paintings with the art and artists of the last half-century." --Book Jacket.
Towards the end of his life and much inspired by Japanese water gardens, Monet spent a great deal of time in his beloved Giverny. Its famous green wooden footbridge was built across the water and its waterlilies became the focus of perhaps the most famous series of paintings the world has ever seen.
Part of the highly-successful Anholt's Artists series about great painters, which tells the stories of real meetings between world-famous artists and the children who knew them. When Julie's dog disappears into a mysterious garden, Julie follows him - and finds herself in a beautiful garden-within-a-garden where the roses grow like splashes of paint and a Japanese bridge bows over a silent pool. There she finds not only her dog, but also Claude Monet. The famous artist introduces her to his work and his garden, giving her encouragement that the young would-be artist will never forget. Set against the romantic, world-famous backdrop of Monet's garden at Giverny, the story is accompanied by reproductions of the artist's most celebrated paintings and a biographical note on Monet.
In Someone Killed His Boyfriend, David Stukas introduced the most fabulously unlikely trio of gay sleuths this side of Provincetown. Now, Michael and Robert and their lesbian sidekick, Monette, are in the vichyssoise again when Robert's romance with a count goes from fabulous to flatline. . . It ain't easy being green--especially if you're Robert Willsop, a boy from Michigan searching for love in the Prada-filled, Chilean sea bass-eating world of gay New York. While his best friend Michael is perfectly content to detail every bit of his latest hot-wax demo over a plate of fifty-dollar pasta, poverty-stricken Robert longs for a good, old-fashioned romance. So when a chance meeting with the gorgeous, fabulously wealthy Count Siegfried Von Schmidt leads to a whirlwind romance and a marriage proposal, Robert waves goodbye to his dumpy studio apartment and dives in with heart, soul and a brand-new Rolex wristwatch. Instead of being gloriously happy for him--and angling for a spot on the Count's private Lear jet--Michael and Monette are deeply suspicious. After all, Robert's dates aren't usually described as rich, handsome and cultured. "Psychotic, mentally crippled and pathetic" is more like it. Robert credits their lack of support to extreme jealousy, and leaves for Germany in a huff, or as huffy as Midwesterners can get. For once, everything is going his way. In fact, until the Count is discovered dead--with a rather large knife in his back--life is just ducky. Suddenly trapped in the European vacation from hell and rapidly becoming murder suspect number one, Robert calls in the troops. Soon Michael, Robert and Monette are traipsing all over Germany, looking for clues to a killer cold enough to murder a man and leave a mess on the Berber carpets. Fast-paced and charmingly catty, Going Down For The Count is a delightful romp of a mystery that takes murder to fashionably funny new heights. David Stukas has not written any screenplays, has never received a Pulitzer, and is not a regular contributor to National Public Radio. He is, however, the author of Someone Killed His Boyfriend and Going Down For The Count. He lives in California and is currently working on his next mystery, Wearing White To The Black Party.
"In 1928, the former French Prime Minister Georges Clemenceau published Claude Monet : les nymphéas (The water-lilies), a memoir of his longtime friend. Bruce Michelson has produced a new English translation, presented here with useful notes and illustrations. Michelson's translations of three short essays on art by Clemenceau, originally published by La justice in the late XIX c., are included as appendices"--