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A guide and format for learning the seven cosmic dances which celebrate the creative streaming of the seven classical planets. Based on the Choreocosmic dance developed by Robert Powell.
A guide and format for learning the twelve cosmic dances which celebrate the creative streaming of the twelve zodiacal. Based on the Choreocosmic dance developed by Robert Powell. A companion volume to Cosmic Dances of the Planets
I have been guided and watched over by off-planet beings residing in alternate dimensions of time and space, and celestial forces my entire life. In fact, in the spirit of full disclosure, I would say that I too am not entirely what one might term "from here," and I assure you, I am not the only one. There are so many more of us here now, other starseeds and beings of a more cosmic heritage, just like me. It is as common as anything else on the planet, many of us simply haven't been privy to this information yet. The term "starseed," means we were seeded here on the physical plane by way of other celestial forces, planets and dimensions, for a highly specific mission. I have no expectations for any precious outcome here; only that it reach the ones who are waiting for it, the ones who seek it. Because I know you are out there.
Embark on a cosmic journey like never before with "Cosmic Convergence and Planetary Alignments." Delve into the celestial spectacle as Mars closes in on Saturn, witness Jupiter's mesmerizing ballet with Uranus, and uncover the enigmatic dance of planets in our night sky. Whether you're a seasoned astronomer or a curious skywatcher, this book reveals the secrets of the universe with captivating detail and awe-inspiring imagery. Gain in-depth knowledge of rare celestial events and planetary alignments Learn practical tips and techniques for observing these phenomena with clarity and precision Explore the cultural and historical significance of celestial bodies in various civilizations Understand the underlying science behind planetary movements and their impact on Earth Inspire curiosity and wonder about the mysteries of the cosmos Don't miss your chance to explore the wonders of our solar system - grab your copy now and discover the magic that awaits beyond the stars!
Understanding how stars form is one of the fundamental questions which astronomy aims to answer. Currently, it is well accepted that the majority of stars form in groups and that their predominant mechanism of formation is the core-collapse. However, several mechanisms have been suggested to explain the formation of substellar objects, and their contribution is still under debate. The main goal of this thesis is to determine the initial mass function, the mass distribution of stars at birth time, in different associations and star-forming regions. The mass function constitutes a fundamental observational parameter to constrain stellar and substellar formation theories since different formation mechanisms predict different fraction of stellar and substellar objects. We used the Gaia Data Release 2 catalogue together with ground-based observations from the COSMIC-DANCe project to look for high probability members via a probabilistic model of the distribution of the observable quantities in both the cluster and background populations. We applied this method to the 30 Myr open cluster IC 4665 and the 1 - 10 Myr star-forming region Upper Scorpius (USC) and r Ophiuchi (r Oph). We found very rich populations of substellar objects which largely exceed the numbers predicted by core-collapse models. In USC, where our sensitivity is best, we found a large number of free-floating planets and we suggest that ejection from planetary systems must have a similar contribution than core-collapse in their formation. The age is a fundamental parameter to study the formation and evolution of stars and is essential to accurately convert luminosities to masses. For that, we also presented a strategy to study the dynamical traceback age of young local associations through an orbital traceback analysis. We applied this method to determine the age of the b Pictoris moving group and in the future, we plan to apply it to other regions such as USC. The members we identified with the membership analysis are excellent targets for follow-up studies such as a search for discs, exoplanets, characterisation of brown dwarfs and free-floating planets. I this thesis, we presented a search for discs hosted by members of IC 4665 and we found six excellent candidates to be imaged with ALMA or the JWST. The tools we developed, are ready to be used in other regions such as USC and r Oph, where we expect to find a larger number of disc-host stars.
There are many books on the sacredness and the spirituality of our Earth. Few books, however, deal with the relationship between the Earth and the cosmos, which is the central theme for the research presented in this book. Its point of departure is the one-to-one correspondence between the encircling starry heavens—the celestial sphere—and the sphere of the earthly globe. David Bowden has not only worked out the mathematics of this one-to-one correspondence, but has also written a computer program that applies it in practice. Thus, a new science has been born—Astrogeographia—concerning the one-to-one correspondence between the earthly sphere and the celestial sphere.
Author : James L. Miller Publisher : Toronto ; Buffalo : University of Toronto Press Page : 686 pages File Size : 48,21 MB Release : 1986 Category : Performing Arts ISBN :
Taking a fresh look at the interconnections between medieval images, texts, theater, and practices of viewing, reading and listening, this explicitly interdisciplinary volume explores various manifestations of performance and meanings of performativity in the Middle Ages. The contributors - from their various perspectives as scholars of art history, religion, history, literary studies, theater studies, music and dance - combine their resources to reassess the complexity of expressions and definitions of medieval performance in a variety of different media. Among the topics considered are interconnections between ritual and theater; dynamics of performative readings of illuminated manuscripts, buildings and sculptures; linguistic performances of identity; performative models of medieval spirituality; social and political spectacles encoded in ceremonies; junctures between spatial configurations of the medieval stage and mnemonic practices used for meditation; performances of late medieval music that raise questions about the issues of historicity, authenticity, and historical correctness in performance; and tensions inherent in the very notion of a medieval dance performance.