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This volume collects papers delivered at the third annual Cooperstown Symposium on Baseball and the American Culture. Included are texts presented by a wide cross-section of baseball history scholars. Topics include involvement of Blacks in early baseball and baseball and American film.
This is an anthology of 23 papers that were presented at the Eleventh Cooperstown Symposium on Baseball and American Culture, held June 9-11, 1999, and co-sponsored by the State University of New York at Oneonta and the National Baseball Hall of Fame and Museum. The papers focus on the antecedents of baseball and the early history of America's national pastime and are divided into five parts: "Baseball and the American Imagination," "Baseball and American Culture," "Baseball and American Society," "Baseball and American Business" and "Baseball and the Fan." The preface is by series editor Alvin L. Hall, and an introduction is provided by the editor of the volume, Peter M. Rutkoff.
This is an anthology of 20 papers that were presented at the Tenth Cooperstown Symposium on Baseball and American Culture, held in June 1998, and co-sponsored by the State University of New York at Oneonta and the National Baseball Hall of Fame and Museum. Commencing with a perceptive speech by keynote speaker G. Edward White, this Symposium examined such topics as whether a city can support two--not just one--major league team, how television broadcasters and their ball clubs interrelate and how masculine dominance in baseball mainly curtailed female advancement in the game and business. These essays, divided into sections titled "Baseball as a Business," "Baseball and Communication," "Baseball and Racial and Ethnic Perspectives," "Baseball and Gender Matters," "Baseball and Images" and "The 'Other' Leagues of Baseball," cut through the quick and easy judgments of the media and offer instead the longer, more informed view of scholars and researchers.
This is an anthology of 24 papers that were presented at the Fourteenth Cooperstown Symposium on Baseball and American Culture, held in June 2002, and co-sponsored by the State University of New York at Oneonta and the National Baseball Hall of Fame and Museum. Subsequent to initial presentation, papers were revised and edited for publication. The anthology is divided into five parts: Timebend: Baseball as History; The Business of Baseball; Race: Soul of the Game; Baseball Media: Literature, Journalism, and Cinema; and Baseball Culture: Age, Sexuality, and Religion. Timebend: Baseball as History ruminates on the lingering resonance of the game's past. The Business of Baseball examines sport from a commercial perspective. Race: Soul of the Game chronicles the African-American experience in baseball. Baseball Media: Literature , Journalism, and Cinema analyzes depictions of the game in the popular arts. Baseball Culture: Age, Sexuality, and Religion explores the social fabric of sport. Each part contains multiple essays related by theme and topic. A guide to the paper follows.
Selected from the two most recent proceedings of the Cooperstown Symposium on Baseball and American Culture (2019 and 2021), this collection of essays explores subject matter centered both inside and beyond the ballpark. Fifteen contributors offer critical commentary on a range of topics, including controversial decisions on the field and in Hall of Fame elections; baseball's historical role as a rite of passage for boys; two worthy catchers who never received their due; the genesis and development of the minor leagues; and baseball's place in popular culture.
The 2011-2012 volume in the Cooperstown Symposium series is a collection of new scholarly essays that use baseball to examine topics whose import extends beyond the ballpark. The essays represent 16 of the leading presentations from the two most recent proceedings of the annual Cooperstown Symposium on Baseball and American Culture, held on June 1-4, 2011, and May 30-June 1, 2012. The essays are divided into six parts. "Baseball History, Myth, and the American Past" considers the distinction between reality and remembrance. "Decade of Transition: The 1960s in Baseball and America" explores a critical passage in the evolution of the nation and the game. "Baseball Economics: Owners, Profits, and the Public" provides perspectives on sports as business. "Out of the Bleachers: Women Umpiring and Playing" links the game to those who participate and care about it despite the expectations of atavistic gender roles. "Casting the Game: Stage and Screen" examines theatrical and cinematic treatments of baseball. Part 6, "Game of Numbers: Statistical Baseball," examines the sport and its artifacts quantitatively.
This is an anthology of 19 papers that were presented at the Twelfth Cooperstown Symposium on Baseball and American Culture, held June 7-9, 2000 and co-sponsored by the State University of New York at Oneonta and the National Baseball Hall of Fame and Museum. Capped by Roger Kahn's essay on the rise and fall of great baseball prose, this Symposium plumbed such topics as baseball in the classroom, the national pastime and American Christianity, corporate encroachment, and the difficult course pursued by a Negro League team owner who also happened to be white and female. These essays, divided into sections titled "Baseball and Culture," "Baseball as History," "The Business of Baseball" and "Race, Gender and Ethnicity in the National Pastime," cut through the quick and easy judgments of the media and offer instead the longer, more informed view of scholars and researchers.
Widely acknowledged as the preeminent gathering of baseball scholars, the annual Cooperstown Symposium on Baseball and American Culture has made significant contributions to baseball research. This collection of 15 new essays selected from the 2017 and the 2018 symposia examines topics whose importance extend beyond the ballpark. Presented in six parts, the essays explore baseball's cultural and social history and analyze the tools that encourage a more sophisticated understanding of baseball as a game and enterprise.